CHICAGO FIRST ALBUM ULTRA-RARE QUAD AUDIOPHILE PROMO LP
  $   47

 


$ 47 Sold For
Apr 2, 2011 Sold Date
Mar 23, 2011 Start Date
$   25 Start price
5   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

    
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WE CURRENTLY HAVE   MORE THAN 1000   LISTED ITEMS.   TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES)  ►CLICK HERE

 

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·       CHICAGO - CHICAGO TRANSIT AUTHORITY (CHICAGO’S VERY FIRST ALBUM !!!) – ORIGINAL 1972 COLUMBIA RECORDS QUADRAPHONIC LP GQ-33255 (ORIGINAL STEREO VERSION RELEASED IN 1969, QUADRAPHONIC VERSION FIRST RELEASED IN 1972)

 

·       ORIGINAL U.S. PRESSING

 

·       *** PROMOTIONAL COPY; THE RECORDS (PROBABLY) HAVE STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

 

·       *** IN ADDITION,  THE PROMOTIONAL V-SHAPED CUTOUT CORNER (TYPICALLY FOUND ON COLUMBIA-DISTRIBUTED MID-‘70s RELEASES) CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

 

·       ORIGINAL  GOLD & RED COLUMBIA QUAD LABELS

 

·       ORIGINAL U.S. PRESSING

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) 

 

·       CLEAN, WEAR-FREE LABELS

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A/-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 

·       Of course, QUAD version of this album has NEVER been available on a compact disc or  'surround sound' recording. This is the ONLY way you can obtain this great album in its rare multichannel version.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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Few debut albums can boast as consistently solid an effort as the self-titled Chicago Transit Authority (1969). Even fewer can claim to have enough material to fill out a double-disc affair. Although this long- player was ultimately the septet's first national exposure, the group was far from the proverbial "overnight sensation." Under the guise of the Big Thing, the group soon to be known as CTA had been honing its eclectic blend of jazz, classical, and straight-ahead rock & roll in and around the Windy City for several years. Their initial non-musical meeting occurred during a mid-February 1967 confab between the original combo at Walter Parazaider's apartment on the north side of Chi Town. Over a year later, Columbia Records staff producer James Guercio became a key supporter of the group, which he rechristened Chicago Transit Authority. In fairly short order the band relocated to the West Coast and began woodshedding the material that would comprise this title. In April of 1969, the dozen sides of Chicago Transit Authority unleashed a formidable and ultimately American musical experience. This included an unheralded synthesis of electric guitar wailin' rock & roll to more deeply rooted jazz influences and arrangements. This approach economized the finest of what the band had to offer -- actually two highly stylized units that coexisted with remarkable singularity. On the one hand, listeners were presented with an incendiary rock & roll quartet of Terry Kath (lead guitar/vocals), Robert Lamm (keyboards/vocals), Peter Cetera (bass/vocals), and Danny Seraphine (drums). They were augmented by the equally aggressive power brass trio that included Lee Loughnane (trumpet/vocals), James Pankow (trombone), and the aforementioned Parazaider (woodwind/vocals). This fusion of rock with jazz would also yield some memorable pop sides and enthusiasts' favorites as well. Most notably, a quarter of the material on the double album -- "Does Anybody Really Know What Time It Is?," "Beginnings," "Questions 67 and 68," and the only cover on the project, Steve Winwood's "I'm a Man" -- also scored as respective entries on the singles chart. The tight, infectious, and decidedly pop arrangements contrast with the piledriving blues-based rock of "Introduction" and "South California Purples" as well as the 15-plus minute extemporaneous free for all "Liberation." Even farther left of center are the experimental avant-garde "Free Form Guitar" and the politically intoned and emotive "Prologue, August 29, 1968" and "Someday (August 29, 1968)."

 

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

Quadraphonic recordings of the early 70's died a slow and agonizing death because of their hopeless incompatibility with the existing stereo and mono equipment (they can be played on stereo equipment, but not to the full effect), but they live on in the hearts of the collectors, and for good reason: some of the finest audiophile recordings ever made - whether rock, soul or classical, were released on some of these, little known and poorly advertised, albums. And, what a gorgeous presentation these recordings are: with rich audio-textures and stunning multi-channel separation which is truly a jaw-dropping, head-spinning experience.

 

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

 

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

THIS IS A NO-RESERVE AUCTION!

 

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·       CONDITION:

 

·       RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)          The records come in their original, custom, inner sleeve, which is UNIQUE to this album.

 

(c)             The records are pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

 

(d)          Quad pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. The mix is more natural, humane, "organic" and in some instances (we cannot guarantee) the mixes may be somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber quad by a ratio of at least 20:1.

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        Cover has a small v-shaped PROMO cutout corner visible

 

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

 

-        Cover has a few tiny wrinkles along the spine

 

-         Minor shelf wear noted on the seams (nothing significant)

 

-         The gatefold cover has partially split seams on  1 out of 4 "legs" of the cover (about 1 inch = 2.5 centimeters).

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No cut-out (drill) holes.

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

 

OUR VOLUME DISCOUNTS AND POSTAGE REBATES ►OUR GRADING POLICY ITEMS WE DO NOT GRADE ►HOW TO ACKNOWLEDGE WINNING BID OR RESOLVE A DISPUTE ►OUR PAYPAL “CHARGEBACK” POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE RATES AND DISCLOSURES ►PAYMENT DEADLINES ►FREQUENTLY ASKED QUESTIONS (FAQ)

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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