CARL PERKINS, Live At Austin City Limits USA LP ***SIGNED BY ALL 3 PERKINS***
$
106
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Description
Carl Perkins And The C.P. Express ?– Live At Austin City Limits Label: Suede Record Company ?– SLP-002 Format: Vinyl, LP, Album, Stereo Country: US Released: 1981 Genre: Rock Style: Rockabilly Tracklist Hide Credits A1 Matchbox Written By – Carl Perkins 2:23 A2 Boppin' The Blues Written By – Carl Perkins, Howard Griffin 3:07 A3 Turn Around Written By – Carl Perkins 2:37 A4 Honey Don't Written By – Carl Perkins 2:48 A5 Sittin' On Top Of The World Written By – Lonnie Carter, Walter Jacobs (2) 2:55 B1 That's All Right Mama Written By – Arthur "Big Boy" Crudup 3:25 B2 Miss Misunderstood Written By – Bellamy Brothers 2:45 B3 Rock Medley Arranged By – Carl Perkins 5:57 B4 Blue Suede Shoes Written By – Carl Perkins 2:44 Companies, etc. Mastered At – Nashville Record Productions – NR12587 Credits Directed By [Audio Director] – David Hough Mastered By – Denny Purcell Mixed By – David McKinley Music Director – Allan Muir Photography – Scott Newton Producer – Terry Lickona Notes Austin City Limits is produced by the Southwest Broadcasting Council in Austin, Texas
USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL WHITE INNER SLEEVE. Rear of sleeve is signed and dated 1981 by all three Perkins, Carl, Stan and Greg.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. SIGNED ON REAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: VERY GOOD+. NO SCRATCHES, BUT A FEW PLAYS SCUFFS AND FINGERPRINTS. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)
Add $6.00 for each additional LP purchased at the same time
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