Brian Wilson Gettin In Over My Head RL-76471, 20004 BRIMEL 2004 Beach Boys NEW

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Brian Wilson – Gettin' In Over My Head
Label: BriMel Records – R1 76471, Rhino Records (2) – R1 76471 Format: 2 x Vinyl, LP, Album, Orange Transparent (Amber) Country: US Released: Jun 21, 2004 Genre: Rock Style: Pop Rock A1 How Could We Still Be Dancin' Lead Vocals [Uncredited] – Elton John A2 Soul Searchin' Lead Vocals [Uncredited] – Carl Wilson A3 You've Touched Me A4 Gettin' In Over My Head B1 City Blues Guitar [Uncredited] – Eric Clapton B2 Desert Drive B3 A Friend Like You Vocals, Acoustic Guitar [Uncredited] – Paul McCartney C1 Make A Wish C2 Rainbow Eyes C3 Saturday Morning In The City D1 Fairy Tale D2 Don't Let Her Know She's An Angel D3 The Waltz Phonographic Copyright ℗ – BriMel Copyright © – BriMel Manufactured By – Warner Strategic Marketing Distributed By – Warner Strategic Marketing Record Company – Warner Music Group Producer, Arranged By – Brian Wilson

Gettin' In over My Head is the fourth studio album by American musician Brian Wilson, released June 2004 on Rhino Records. Many of the songs were reworked versions of tracks recorded for the scrapped album Sweet Insanity and the Andy Paley sessions from the 1990s. The album reached #100 in the US during a 1-week chart stay, and #53 in the UK. Critical reaction was mixed.
It features an assortment of celebrity guests such as Paul McCartney, Elton John, Eric Clapton and Carl Wilson (the latter appearing posthumously on "Soul Searchin'", a rejected Beach Boys song from the Paley sessions). Peter Blake created the cover art and assigned 2004 Brian Wilson Presents Smile artist Mark London to art-direct the rest of the package.
As of 2023, the album is not available on streaming services.
Background See also: Sweet Insanity and Andy Paley sessions Most tracks from the album are rerecorded versions of songs dating from Wilson's unreleased Sweet Insanity and Andy Paley sessions from the 1990s. "Soul Searchin'" features a posthumous guest appearance by Carl Wilson, sourced from the Paley sessions. Furthermore, with the concurrent live performances of the recently completed Smile album, and the announcement of its impending issue on CD, completely overshadowed Gettin' In Over My Head's release, with most attention going to the former. There was a limited edition set of prints created by artist Peter Blake in 2004.[citation needed]
One songwriter who was reached for a collaboration was XTC's Andy Partridge who recalled, "I rang up a lot of people ... and heard quite a few stories that would put off any sane person from getting involved in the Brian Wilson camp ... They said he would call me ... either he changed his mind, or the management changed his mind, or maybe he just forgot".[1]
Reception Professional ratings Aggregate scores Source Rating Metacritic 55/100[2] Review scores Source Rating AllMusic [3] Austin Chronicle [4] Blender [5] E! Online C+[6] The Guardian [7] The Independent [8] The Rolling Stone Album Guide [9] Stylus Magazine D+[10] Uncut 3/5[11] At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, Gettin' In Over My Head received an average score of 55 based on 14 reviews, indicating "mixed or average reviews".[2] Writing in The Rolling Stone Album Guide, reviewer Jackie Wilson wrote, "Wilson is still frighteningly detached from the moment. ... it's best to think of this one as a celebrity's children's record."[9] Critic Robert Christgau said that the album's only improvement on Imagination was the absence of producer Joe Thomas.[5]
John Bush of AllMusic highlighted "Soul Searchin'" and the title track in what was otherwise a collection of "weak songs" with "trite lyrics". He wrote, "Whether it's a solo composition or one written with a talented collaborator like Andy Paley, Wilson's songs are uniformly embarrassing".[3] The Guardian's Alexis Petridis was disappointed with the record's "musical conservatism" – which be believed came out of Wilson's self-described desperation to be considered in league with Sting, Paul Simon, and Bruce Springsteen – and wrote, "The worst thing about Gettin' In Over My Head - far worse than the mediocre songs and the MOR guest appearances - is that it doesn't sound terribly happy."[7]
Matthew Weiner of Stylus introduced his review by declaring, "It's time to face the facts: we’re never, never, ever getting another great record out of Brian Wilson again. It's over."[10] He added that, given the involvement of the Wondermints and all the other musicians and songwriters Wilson could have potentially collaborated with, "it's impossible to conclude that the utter failure of Getting In Over My Head falls anywhere other than squarely on Wilson himself".[10]
Conversely, Uncut's reviewer said the album was "the most consistent and sympathetically constructed solo album he's made."[11] Billboard's review called it "An unexpected but dazzling return to the top form of the later Beach Boys years