Various ?– Breakdance 2 - Electric Boogaloo - Original Soundtrack Recording

Original 1984 Australian issue, in fantastic condition throughout. Excellent record and sleeve - see pics.
Label: Polydor ?– 823 696-1 Format: Vinyl, LP, Album
Country: Australasia Released: 1984 Genre: Electronic, Hip Hop, Latin, Funk / Soul, Stage & Screen Style: Soundtrack, Electro, Hi NRG, Rhythm & Blues, Experimental

Tracklist Hide Credits

A1 –Ollie & Jerry* Electric Boogaloo Producer, Arranged By – Ollie E. Brown*Written-By – Attala Z. Giles*, Ollie E. Brown*, Russ Regan 4:08 A2 –Firefox (Toi Overton & Paulette McWilliams)* Radiotron Producer, Arranged By – Ollie E. Brown*Written-By – Attala Z. Giles*, Jerry Knight, Ollie E. Brown* 4:30 A3 –George Kranz Din Daa Daa Producer – Christoph Frank*, George KranzWritten-By – G. Kranz* 3:29 A4 –Ollie & Jerry* When I.C.U. Producer, Arranged By – Ollie E. Brown*Synthesizer [Additional] – John Vantongeren*Written-By – Attala Z. Giles*, Jerry Knight, Ollie E. Brown* 4:26 A5 –Steve Donn Gotta Have The Money Producer – Jimmy GeorgeWritten-By – Jimmy George 4:35 B1 –Carol Lynn Townes Believe In The Beat Arranged By – Ollie E. Brown*, Sylvester L. Rivers*Backing Vocals [Additional Vocalist] – Darryl Phinnessee, Jim Gilstrap, Marlena Jeter, Maxi Anderson, Phillip Perry*Producer – Ollie E. Brown*Saxophone [Sax Solo], Soloist – Gerald AlbrightSynthesizer – Derek Nakamoto, Paul FoxWritten-By – Layng Martine* 4:20 B2 –Midway (Bruce Nazarian)* Set It Out Producer, Arranged By, Mixed By, Edited By – Bruce Nazarian, Duane BradleyWritten-By – B. Nazarian*, D. Bradley* 3:59 B3 –Mark Scott I Don't Wanna Come Down Producer – Don Davis (2), Johnny Burton*Written-By – Johnny Burton* 4:27 B4 –Firefox (Paulette McWilliams & Toi Overton)* Stylin', Profilin' Producer, Arranged By – Ollie E. Brown*Written-By – Attala Z. Giles*, Jerry Knight, Ollie E. Brown* 3:48 B5 –Rags & Riches Oye Mamacita Arranged By, Programmed By – Steve LoebMixed By – Rod Hui, Vinny Perazzo*Producer – Bobby Ragona, Rick Bleiweiss, Steve LoebWritten-By – Jeff Barry, Nino Tempo 4:40

Credits

• Backing Vocals – Attala Z. Giles*, Jerry Knight, Ollie E. Brown*, Paulette McWilliams, Toi Overton
• Coordinator [Music Coordinator] – Shannon Pasternak
• Drums, Percussion – Ollie E. Brown*
• Engineer [Assistant Engineer, Mixing] – Toni Greene
• Engineer [Mixing] – David Rideau*, Mike Stone*, Ollie E. Brown*
• Engineer [Recording] – Michael Evans, Steve Hallquist*
• Executive-Producer – Ollie E. Brown*
• Guitar – Zane Giles*, Josef Parson*
• Keyboards, Synthesizer – Zane Giles*, Jerry Knight
• Mastered By – Bernie Grundman
• Producer [Production Assistance] – Cheryl R. Brown
• Supervised By [Album Supervisor] – Russ Regan
• Vocoder – Craig Harris (4)

Notes

Produced for:
A1, A2, A4, B1 & B4 - Brown Sugar Productions
A5 - Jimmy George Productions
B2 - D&B Productions
B5 - A Soho Production
Recorded at Ameraycan Studios except:
B5 - Greene Street Recording
Mixed at Larrabee Sound
Marketed in Australasia by PolyGram Records under exclusive licence.

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.

Any item that you purchase without choosing the option of "Signed for" or "Registered" Post, is at your risk.
I do accept that "signed for" can be expensive, especially internationally, but whether you take the option of this insurance, is entirely up to you.
I do not wish to withdraw the option of standard postage for the cheaper records, but it must be at your risk.