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Bob Dylan - Bringing It All Back Home [2LP] (Mono 180 Gram 45RPM Audiophile Viny

Bring it all back home - in mono. Originally designed by the artist for mono listening Bob Dylans Bringing It All Back Home represents the moment that pop and rock music became their own art form expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential the 1965 landmark established myriad benchmarks in songwriting sound artwork and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. Its a disarming broadcast that declares Dylans surroundings and personality and those of his audiences whether they knew it or not drastically changed. As part of its Bob Dylan catalog restoration series Mobile Fidelity is humbled to have the privilege of mastering the iconic album on its world-renowned mastering system and pressing it on 45RPM LPs at RTI in its original mono format. Strictly limited to just 3 000 copies the end result is the very finest most transparent analog mono edition of Bringing It All Back Home ever produced. Forever renowned for its organic sound the albums you-are-there-presence is fantastically enhanced on this superb version with wider and deeper grooves affording playback of previously buried information. Since Bringing It All Back Home features the most instrumentation Dylan implemented in arrangements at that stage of his career the set is undoubtedly vivid in stereo - particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix which here presents Dylan with unparalleled directness. The records second half sounds especially genuine lifelike and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound - and features no artificial panning or echo chamber of its stereo counterpart. Instead you are immersed right into the music. Indeed the sonics on this Mobile Fidelity reissue are so realistic balanced and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins amplified pitch of the electric guitars and ambient hum of the interior space of Columbias Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics spaciousness imaging and warmth that will send even the most rabid Dylan fans into a tizzy. More than 50 years after its release Bringing It All Back Home continues to come on like a prophetic transmission from a savant whos privy to cerebral viewpoints mental transferences and thought dreams elusive to everyone but him. With the flipside of the album Dylan strings together four of the most unflinching forward-reaching and boundary-breaking acoustic-based compositions ever played. In addressing liberating psychedelia lost innocence institutional naivete and tarnished relationships respectively Dylan constructs a compositional quartet/suite that functions as metaphor for his waving goodbye to political folk musics imprisoning rules and bounding restrictiveness - and a rough guide to the transcendental poetry shape-shifting vocal phrasing and alternate tunings he now embraced. Side One remains one of the boldest cohesive artistic statements ever made. Dylan forever throwing down the gauntlet to detractors and narrow-minded fans plugging in with a band and kicking it all off with the in-your-face hootenanny Subterranean Homesick Blues before romping slashing and rolling through Maggies Farm another fun albeit caustic indictment of homogenous thought and bohemian method. Dylans attitude undergoes a self-awakening metamorphosis his lyrical scope broadened his hallucinogenic interests increased his willingness to embrace paradoxes and shake them out with mind-convulsing aptitude in line with his progression towards bizarre imagery. Ranked 31 on Rolling Stones list of the 500 Greatest Albums of All Time Bringing It All Back Home marks the moment when paradigms permanently shifted preexisting standards fell and fresh aural poetic and sonic dialects came to fore. Albums dont come more vetted. You deserve to experience the mono edition in the finest-possible quality just as Dylan intended. 1965s Bringing It All Back Home Blows Up Boundaries Styles Practicalities: Bob Dylan Pairs With a Band on Side One Goes It Alone on Astonishing Thought Dream Odysseys on Side Two Wider Grooves Superior Sound Original Mono Mix Meticulously Mastered: Strictly Limited to 3 000 Copies Mobile Fidelitys 45RPM Mono Vinyl 2LP Set the Last Word in Analog Sonics TRACK LISTING RECORD ONE SIDE A 1 Subterranean Homesick Blues (mono version) 2:16 2 She Belongs to Me (mono version) 2:48 3 Maggies Farm (mono version) 3:53 4 Love Minus Zero / No Limit (mono version) 2:49 SIDE B 1 Outlaw Blues (mono version) 2:58 2 On the Road Again (mono version) 2:32 3 Bob Dylans 115th Dream (mono version) 6:31 RECORD TWO SIDE C 1 Mr. Tambourine Man (mono version) 5:31 2 Gates of Eden (mono version) 5:42 SIDE D 1 Its Alright Ma (Im Only Bleeding) (mono version) 7:32 2 Its All Over Now Baby Blue (mono version) 4:16

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