Blue Mitchell – Heads Up , 1970 LP BLUE NOTE McCoy Tyner, VG+ Vinyl - Rare
$
55
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Description
(Visually Graded) Vinyl looks VG+ and sleeve looks VG+. See pics and info for details.
** Rare, Hard-to-find **
Blue Mitchell – Heads Up!
Label: Blue Note – BST 84272
Format: Vinyl, LP, Album, Reissue, 12", Stereo, 33rpm
Country: US
Released: 1970
Genre: Jazz, Funk / Soul
Style: Hard Bop, Jazz-Funk
Tracklist
A1 Heads Up! Feet Down!
Composed By – Jimmy Heath
5:40
A2 Togetherness
Composed By – Jimmy Heath
6:45
A3 The Folks Who Live On The Hill
Composed By – Kern*, Hammerstein*
5:25
B1 Good Humor Man
Composed By – Don Pickett*
5:40
B2 Len Sirrah
Composed By – Melba Liston
7:15
B3 The People In Nassau
Composed By – Blue Mitchell
5:40
Credits
Alto Saxophone, Flute – Jerry Dodgion
Baritone Saxophone – Pepper Adams
Bass – Gene Taylor
Design [Cover Design] – Forlenza Venosa Associates
Drums – Al Foster
Lacquer Cut By – Van Gelder*
Liner Notes – Eleanor D.Towe
Photography By [Back Cover Photo] – Bob Venosa
Photography By [Cover Photo] – Charles Keddie
Piano – McCoy Tyner
Recorded By – Rudy Van Gelder
Tenor Saxophone – Junior Cook
Trombone – Julian Priester
Trumpet – Blue Mitchell, Burt Collins
Notes
- BIO - Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979)[1] was an American jazz, rhythm and blues, soul, rock and funk trumpeter and composer, recording albums as leader and sideman for Riverside, Mainstream Records, and Blue Note
After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958.
Mitchell then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. Mitchell stayed with Silver's group until the band's break-up in 1964, after which Mitchell formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and replacing Brooks, who had fallen ill, with drummer Al Foster. This group produced a number of records for Blue Note. It disbanded in 1969, after which Mitchell joined and toured with Ray Charles until 1971.
From 1971 to 1973 Mitchell, performed with John Mayall, appearing on Jazz Blues Fusion and subsequent albums.[2] From the mid-1970s, he recorded and worked as a session man in the genres noted previously, performed with the big band leaders Louie Bellson, Bill Holman, and Bill Berry, and was the principal soloist for Tony Bennett and Lena Horne. Other band leaders Mitchell recorded with are Lou Donaldson, Grant Green, Philly Joe Jones, Jackie McLean, Hank Mobley, Johnny Griffin, Al Cohn, Dexter Gordon, and Jimmy Smith. -wikipedia
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- General Standards For Record Grading -
NM-
(NEAR MINT) The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent) Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS) Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.
VG
(VERY GOOD) Vinyl will have noticeable scratches and scuffs that cause surface noise There should be no skips. Vinyl may appear somewhat dull and grayish. Labels may have small tears, tape marks, larger writing, etc. but still easily legible. Sleeve may have moderate wear or writing, tape, price tags etc, seem splits. May have promo corner, hole or notch in sleeve.
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