Black on Both Sides, By Mos Def (LP,1999, Rawkus Records)
$
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Description
UPC: 0161711591
Additional Information about Black on Both Sides [PA] by Mos Def (LP, Oct-1999, Rawkus Records)
Album Features
Artist: Mos Def
Format: LP (Double)
Release Year: 1999
Record Label: Rawkus Records
Genre: East Coast Rap, R&B
Track Listing
Disc 1
Side A
1. Fear Not of Man
2. Hip Hop
3. Love
4. Ms. Fat Booty
Side B
1.Speed Law
2. Do It Now - (featuring Busta Rhymes
3. Got
4. Umi Says
Disc 2
Side A
1. New World Order
2. Rock N' Roll
3. Know That - (featuring Talib Kweli)
4. Climb
Side B
1. Brooklyn
2. Habitat
3. Mr. Nigga ft. Q-Tip
4. Mathematics
5. May-December
Details
Playing Time: 32 min.
Contributing Artists: Busta Rhymes, Talib Kweli
Distributor: EMI Music Distribution
Album Notes
Personnel includes: Mos Def (rap vocals, keyboards, vibraphone, bass, drums, congas, percussion); Vinia Mojica (vocals); Talib Kweli, Busta Rhymes, Q-Tip (rap vocals); Johnny Why (guitar); Weldon Irvine (piano, Fender Rhodes piano, Hammond B-3 organ, keyboards).Producers include: Mos Def, DJ Premier, Diamond, The Beatnuts, 88 Keys.Recorded at Sony Music Studios, Chung King and D & D Studios, New York, New York.Mos Def, one-half of the much loved Brooklyn duo Black Star, breaks out on his own with the most intense solo debut in hip-hop since THE MISEDUCATION OF LAUREN HILL. Like MISEDUCATION, BLACK ON BOTH SIDES stretches the definition of the genre to incorporate all aspects of music of the African Diaspora, from reggae to jazz, to form a new kind of sound. Def sings, Def raps, Def does all that and then some. The wide scope of the album is most evident by the collaborators he chooses to work with, who run the gamut from the underrated mastermind of a Tribe Called Quest, Ali Shaheed Mohammad, to the wrongly unsung hero of rare groove, keyboardist Weldon Irvine.The message in Mos Def's music is that like in blues and jazz before it: hip-hop is not a separate "giant living in the hillside" but a reflection of who we are. In "Fear of Not Man," Mos queries his audience, "next time you ask where hip-hop is going, ask yourself where am I going?" In "Hip Hop" he warns, "hip hop will simply amaze you, praise you, pay you, do whatever you say to, but black, it can't save you."
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