Bill Evans Trio Everybody Digs Bill Evans(True Mono)LOW # Ltd Ed. FACTORY SEALED

$

400

You are purchasing a factory sealed item, NEVER OPENED. Please ask any questions you may have and view ALL photos(Last 2 photos for demonstration). Photos are the actual item you are bidding on. I will safely package and ship PROMPTLY! Thank you.
Just the first three photos are the actual item.
(ERC050M) Promo - Promotional editions are much rarer than the normal editions as they are the earliest serial numbers and are issued to music industry professionals & media only.                                      
Recorded in December 1958 at Reeves Sound Studios, New York shortly after he left Miles Davis group, Everybody Digs was the second album to feature Bill Evans as lead. It acts as a reminder of Evans trio playing before the celebrated Sunday At The Village Vanguard (1961). Instead of near-equal interaction by all three trio members, a supportive team of drummer Philly Joe Jones and bassist Sam Jones provides a non-intrusive backdrop for the featured performer, whose inventions are cast into bolder relief than ever. The silent spaces in the ballads are stark, inviting the listener to supply the missing thought or feeling evoked by the pianists pure conceptions; the accompaniment on the up-tempo tunes is a non-obtrusive temporal flow, leaving the floor wide open to the graceful moves of the featured performer. Most memorable is the hauntingly beautiful Peace Piece which was to become the template for Miles Daviss Flamenco Sketches and has since become Evans most famous historical composition.
Minority Young and Foolish Lucky to Be Me Night and Day Epilogue
Tenderly Peace Piece What Is There to Say? Oleo Epilogue
- Hand-crafted sleeve artwork faithfully recreated to the highest level of quality and detail using traditional letterpress printing machinery and techniques - Faithful reproduction of original sleeve, label and inner sleeve using a bespoke letter-press. - Each copy comes with a numbered, signed and embossed card insert, banderole and a generic embossed PVC sleeve. - The entire pressing was limited to 150 copies: This is a True Mono pressing. - Audiophile quality reissue of the 1959 Riverside Records original. - Catalogue Number - ERC050M
Please view my other ERC listings of Rare Classical & Jazz Greats!