Big Punisher ?Capital Punishment Loud Records 74321 560931 5 2XLP 1998 LOUD RAP. NYC BRONX RAP HIP HOP  Producer – Domingo Producer – JuJu (BEATNUTS) Producer – Rockwilder Producer – L.E.S.  Producer – Minnesota Producer – RZA  (WU-TANG) Scratches – Roc Raida (RIP) X-MEN  Producer – Dead Prez Producer – Showbiz ( D.I.T.C.) Producer – V.I.C. (BEATNUTS)

Featuring – Dead Prez, Black Thought ( THE ROOTS),  Terror Squad, Inspectah Deck( WU-TANG), Prodigy ( MOBB DEEP), Busta Rhymes, Noreaga (CNN), Wyclef Jean (FUGEES), Funkmaster Flex, Fat Joe

Big Punisher ?– Capital Punishment

TracklistHide Credits

Companies, etc.

• Record Company – RCA Records
• Copyright (c) – BMG Entertainment
• Phonographic Copyright (p) – Loud Records, LLC
• Manufactured By – BMG Distribution
• Distributed By – BMG Distribution
• Produced For – Terror Squad Production
• Recorded At – Mystic Studios
• Recorded At – Battery Studios, New York
• Recorded At – Master Cutting Room
• Recorded At – Axis Studios
• Recorded At – D&D Studios
• Mixed At – Mystic Studios
• Mixed At – Mirror Image Studios, NYC
• Mixed At – The Hit Factory
• Mixed At – Unique Recording
• Mixed At – Sony Music Studios, New York City
• Mastered At – Absolute Audio
• Published By – Let Me Show You Music
• Published By – Jelly Jams Music
• Published By – Dayna's Day Publishing
• Published By – Grand Negaz Publishing
• Published By – Sony/ATV Songs LLC
• Published By – Morton Street Pub.
• Published By – Ninth Street Tunnel Music, Inc.
• Published By – Distant Beats Music
• Published By – EMI April Music Inc.
• Published By – Almo Music Corp.
• Published By – Rutland Road Music
• Published By – Longitude Music Co.
• Published By – Young Lord Music Publishing Co.
• Published By – Janice Combs Publishing, Inc.
• Published By – EMI Blackwood Music Inc.
• Published By – Tete San-Ko Publishing
• Published By – Mawkeen's Music
• Published By – Ayatollah Music Publishing

Credits

• A&R – Mike "Trauma" D, Schott Free, Sean Cane
• A&R [Administration] – Che Harris, Laurie Marks
• A&R [Assistant] – Malachi*
• Art Direction – Ola Kudu
• Artwork – QuanZilla
• Executive-Producer – Big Punisher, Fat Joe, Matt Life
• Lyrics By – Albert Johnson (tracks: D2), Christopher Rios, Felix Delgado (tracks: B6), Jason Hunter (2) (tracks: D2), John Eaddy (tracks: B6), Joseph Cartagena (tracks: A5,B6,C4), R. Perez (tracks: C1), Sammy Garcia (2) (tracks: B6), Tarik Luqmaan Collins (tracks: A3), Trevor Smith (4) (tracks: D5), Victor Santiago (2) (tracks: D1), Wyclef Jean (tracks: B5)
• Management – Mickey Benson*
• Mastered By – Leon Zervos
• Photography By – Daniel Hastings
• Production Manager – Girard Hunt

Notes

 Condition is "Used".

 Dispatched with Royal Mail 2nd Class.

MEDIA CONDITION: EXCELLENT

SLEEVE COVER CONDITION: EXCELLENT 

GENERAL ITEM CONDITION:

SEE PHOTOS FOR FURTHER DETAILS.

PLEASE READ BEFORE BIDDING

FROM ASMOKE FREE AND PET FREE ENVIRONMENT

PAYMENTVIA PAYPAL ONLY

PAYMENTWITHIN 48 HRS OF BID ENDING

UK P/PFOR SINGLE 1 RECORD or DOUBLE LP IS £3.99 ANY ADDITIONAL RECORDS ADD £1.00 EACHPER RECORD FOR MULTI PACKAGE COMBINED DELIVERY or REQUEST COURIER SERVICE FORBULK PURCHASE

ADDITIONAL£1.00 FOR RECORDED DELIVERY WITH TRACKER NUMBER WILL NOT TAKE RESPONSIBILITY IFITEM IS NOT SENT RECORDED …….I KEEP PROOF OF P/P OF ALL ITEMS NOT SENT ASRECORDED DELIVERY

EUROPEP/P FOR 1 RECORD £8.00 FOR ADDITIONAL LPS ADD £1 PER RECORD….. FOR RECORDED TRACKERDELIVERY REQUEST INVOICE

WILLPOST LPS IN PROFESSIONAL CARD MAILER WITH STIFNERS WITHIN 24 HOURS AFTERPAYMENT

ONCE THE ITEM IS RECEIVED PLEASE LEAVE FEEDBACK AS THIS WILL NOTIFYME YOU HAVE RECEIVED THE ITEM

FORFURTHER QUIRIES PLEASE CONTACT ME

PLEASEVIEW MY OTHER ITEMS

I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes.
Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition.
In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive, 
please email me before leaving feedback (or opening anydispute), as any problems can be resolved.

RecordCollector Magazine's/ Goldmine Standard Grading Guide: 

"MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint.

Near Mint (NM or M-) :

A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value.

EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint.

Very Good Plus(VG+):

Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesmay show some signs of wear and may have slight scuffs or very light scratchesthat don't affect one's listening experiences. Slight warps that do not affectthe sound are "OK". The label may have some ring wear ordiscoloration, but it should be barely noticeable. The center hole will nothave been misshapen by repeated play. Picture sleeves and LP inner sleeves willhave some slight wear, lightly turned up corners, or a slight seam split. An LPcover may have slight signs of wear also and may be marred by a cut-out hole,indentation or corner indicating it was taken out of print and sold at adiscount.

VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and theoccasional light scratch. Normal wear and tear on the cover or extra items,without any major defects.

Good Plus(G+):

Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject.

GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc.

FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced.

POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing.

BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler."