Big Pig Bonk 1988 LP white vinyl +poster

	A$		20
	$		13

Big Pig Bonk 1988 LP white vinyl +poster

Big Pig were a seven-piece Australian pop/rock band that existed from 1985 to 1991.

In 1983 Australian drummer Oleh Witer, frustrated over playing in a string of unsuccessful groups, traveled from Australia to London.

I'd been in four bands and nothing had really come of it. I put loads of effort into each group, and at the end we'd have nothing to show for it, except a lousy demo or something. And I thought, 'Well, right, if I'm gonna do it again, I'm gonna do it on my own terms completely. I'm going to write all the songs, I'm going to create something that's very different and I'm not going to compromise at all on my ideas.' And that's really what sparked it off.

—Witer

Inspired by a performance of Japanese taikio drummers Witer formed Big Pig in London in 1985.

When I saw them, the key to it was orchestration - that each guy had his own part. There was no improvisation at all.

—Witer

So from that point on, I knew how to do it. It was just a matter of getting the right people. This incarnation of Big Pig involved eight or nine drummers, with Witer trying to sing over the polyrhythmic din, members of the band came and went. This early version of the band, which included fellow Australian drummer, Nick Disbray, performed a number of shows in London, one of which Sherine Abeyratne (a back-up singer, who had toured and recorded with various bands, including INXS, Jo Jo Zep, and the Rock Party) happened to attend.

Since I started joining bands eight years ago, as long as the music was high-energy, really strong, that was the criterion.

—Abeyratne

Witer, Sherine, and Rosewarne were originally in the band Bang however, Witer wanted an edgier, more experimental sound that also retained Bang's funky rhythms. When Witer's visa ran out he was forced to return to Melbournelater that year, he Disbray and Abeyratne recruited two more drummers, Adrian Scaglione and Neil Baker, harpist Tony Antoniades, and keyboardist Tim Rosewarne to complete the new line-up.

Big Pig made its concert debut in February, 1986, and almost immediately began planning the release of a self-financed, independently distributed record. In May 1986, following the release of their independent three-track EP and with only five live shows under its belt, every major record and publishing company in the country offered lucrative contracts to the group. Witer wining an ARIA Award for Best Cover Art for the Big Pig EP at the first ARIA Awards in 1987. Mushroom Records became the band's label and re-released the band's debut EP, with bonus dance mixes of "Hungry Town" and "Money God”. Their first album "Bonk" was recorded at Metropolis Studios in Melbourne, Rhinoceros Studios in Sydney, and Townhouse Studios in London, in 1987, with producer Nick Launay, and mixed in London later that year.

It took about 3½ months to do, and we used three tracks, "Hungry Town", "Money God" and "Devil's Song", as the basis for the album after we'd reworked them. All the tracks were first recorded in Australia, and then we mixed the album in London. The biggest problem in recording was successfully integrating all the percussion parts so that nothing got lost in the mix. It would be possible to play all the songs live in the studio, like a gig, but the problems of miking make it very difficult, so we built up each track bit by bit by first programming a drum machine, and then replacing those parts with live drums. And by using the drum machine feel as a foundation, it becomes much easier to record complex patterns, and once you get past the high hat, kick drum and snare, it all becomes a lot more fluid and a lot more human. We always fought against the idea of sounding too robotic just because so much of Big Pig`s sound is based on rhythms.

—Witer

Bonk went gold, then platinum in Australia with three top-twenty singles ("Hungry Town" #14, "Breakaway" #4 and "Big Hotel" #40).

In the U.S. the album was released by A&M Records in 1988, with "Breakaway" reaching #60 on the Billboard magazine top 100 pop charts and was used in the opening sequence of the movie Bill & Ted's Excellent Adventure.

The group's song "Money God" was well known in the United Kingdom as the theme tune for the BBC DEF II Rough Guides show with Magenta Devine, whilst many tracks from their first album Bonk were used towards the end of the Miami Vice TV series in the 1980s. The songs "Hungry Town" and "Boy Wonder" both featured in the 1988 Yahoo Serious movie Young Einstein. The song Breakaway was used in an NFL Red Zone commercial in 2010.

Notable for their dominant use of drums, harmonica and vocals, along with the absence of guitars, the band established a unique place in music. Sounding quite unlike anything else, their signature look was black waterproof aprons, similar to those worn by Blacksmiths, which gave their stage presence a distinctly industrial feel. Shortly after the release of their second album, You Lucky People, in 1990, Big Pig relocated to London and not long after that disbanded in 1991.

Side 1:

?  "Iron Lung" - 3:34

?  "Hungry Town" - 3:06

?  "Tin Drum" - 4:22

?  "Breakaway" - 3:38 

?  "Big Hotel" - 4:14

Side 2:

?  "Nation" - 3:34

?  "Charlie" - 4:03

?  "Fine Thing" - 3:22

?  "Money God" - 4:28

?  "Devil's Song" - 5:27

CONDITION:

SLEEVE:  VG, creases across centre, price sticker top right. V.slight ring wear. Poster/lyric insert is EX

RECORD:  VG++, some noise at intro on each side, otherwise no problem.

RECORD GRADINGS

(May be further qualified by + or - )

M = Mint

Must be in perfect condition with no audible or visible defects whatsoever. The record and cover/sleeve should be exactly as brand new.

NM = Near Mint

Almost mint but has one or two minor visible marks on the cover/sleeve or surface with sound quality remaining perfect.

EX = Excellent

Not quite perfect. There may a slight chance of minor deterioration in sound quality. The cover/sleeve may show slight wear.

VG = Very Good

The surface and cover/sleeve shows visible signs of wear due to the fact that it has been played on a regular basis. There will be some audible surface noise but it will not effect the listening experience.

G = Good

The sound quality has deteriorated due to having been played often. The cover/sleeve and surface will show considerable signs of wear and tear with some possible damage.

F = Fair

Has been neglected, but is still playable. There will be major audible defects such as loud clicks or jumping. The cover/sleeve maybe badly damaged.

P = Poor

Technically playable, but with serious deterioration in condition and sound quality. The cover/sleeve will be badly damaged.

VP = Very Poor

In terrible condition and absolutely unplayable. Would only be of use as a last resort to complete a collection.

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TOS current 8 June, 2010