Bee Gees Odessa 1969 Original Red Velvet Gatefold Cover Double/2LP VG++ to M-

$

25

Bee Gees ~ Odessa  1969 Original, 1st pressing. Double Vinyl ~ 2LP set Atco Records ~ SD 2-702 Vinyl are VG++ to Mint- with a few, small faint and minor paper inner-sleeve-type and similar surface handling-marks. Vinyl has some occasional faint and minor background ticks and clicks that may be heard upon inspective, research-style listening. Red velvet gatefold-cover is VG+: hole in upper-left and saw-mark on right-side; stain on front-upper-right, minor corner-bends and wear, minor cover-wear and indentations, edge-wear and indentations. Looks Great! Labels are VG++ with faint and minor spindle-marks and wear. The original Atco inner-sleeves: one has a split-seam and other has 2 split-seams. Out of print

The group members may disagree for personal reasons, but Odessa is easily the best and most enduring of the Bee Gees' albums of the 1960s. It was also their most improbable success, owing to the conflicts behind its making. The record started out as a concept album, to be called "Masterpeace" and then "The American Opera," but musical differences between Barry Gibb and Robin Gibb that would split the trio in two also forced the abandonment of the underlying concept. Instead, it became a double LP -- largely at the behest of their manager and the record labels; oddly enough, given that the group didn't plan on doing something that ambitious, Odessa is one of perhaps three double albums of the entire decade (the others being Blonde on Blonde and The Beatles) that don't seem stretched, and it also served as the group's most densely orchestrated album. Yet, amid the progressive rock sounds of the title track and ethereal ballads such as "Melody Fair" and "Lamplight" were country-flavored tunes like "Marlery Purt Drive" and the vaguely Dylanesque bluegrass number "Give Your Best," delicate pop ballads like "First of May" (which became the single off the album), and strange, offbeat rock numbers like "Edison" (whose introduction sounds like the Bee Gees parodying Cream's "White Room") and "Whisper Whisper" (the latter featuring a drum break, no less), interspersed with three heavily orchestrated instrumentals. Even the seeming "lesser" numbers such as "Suddenly" had catchy hooks and engaging acoustic guitar parts to carry them, all reminiscent of the Moody Blues' album cuts of the same era. Moreover, the title track, with its mix of acoustic guitar, solo cello, and full orchestra, was worthy of the Moody Blues at their boldest. The myriad sounds and textures made Odessa the most complex and challenging album in the group's history, and if one accepts the notion of the Bee Gees as successors to the Beatles, then Odessa was arguably their Sgt. Pepper album. The album was originally packaged in a red felt cover with gold lettering on front and back and an elaborate background painting for the gatefold interior, which made it a conversation piece just to look at."..."Ironically, the making of Odessa was to herald a split between the Gibb brothers that would leave the group sidelined for most of the next 18 months, and was the last to be heard from them as a trio for two years.
-allmusic




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