BUDGIE IN FOR THE KILL 1989 REPERTOIRE RECORDS W. GER
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Description
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BUDGIE
IN FOR THE KILL!
1989 reissue of the 1971 orig REPERTOIRE RECORDS RR 2027-LH W. GERMANY
WHITE VINYL
VINYL: VG++ to NM
COVER: VG+
SIDE 1:
IN FOR THE KILL CRASH COURSE IN BRAIN SURGERY WONDERING WHAT EVERYONE KNOWS ZOOM CLUBSIDE 2
HAMMER AND TIONGS RUNNING FORM MY SOUL LIVING ON YOUR OWNWIKIPEDIA BIO
Budgie formed in 1967 in Cardiff, Wales under the name Hills Contemporary Grass. Their original line-up consisted of Burke Shelley (b. John Burke Shelley, 10 April 1947, Tiger Bay, Cardiff, South Glamorgan, Wales) on vocals and bass, Tony Bourge (b. Anthony James Bourge, 24 November 1948, Tiger Bay, Cardiff, South Glamorgan, South Wales) on guitar and vocals, and Ray Phillips (b. Raymond John Phillips, 1 March 1949, Ely, Cardiff, South Glamorgan, South Wales) on drums.[5] After performing several gigs in 1968, the band changed their name to Budgie the following year and recorded their first demo.[1] The band originally formed under such names as Hills Contemporary Grass and Six Ton Budgie.[6] Burke Shelley has said that the band's name came from the fact that he, "loved the idea of playing noisy, heavy rock, but calling ourselves after something diametrically opposed to that".[7]
Their debut album in strong blues oriented hard rock lines was recorded at Rockfield Studios with Black Sabbath producer Rodger Bain[8] and released in 1971, followed by Squawk in 1972. The third album, Never Turn Your Back On a Friend (1973), contained "Breadfan", which was covered by Metallica in 1988, the band having covered another Budgie song, "Crash Course In Brain Surgery" earlier in their career. Ray Philips left the band before the fourth album In for the Kill was recorded and was replaced by Pete Boot (b. Peter Charles Boot, 30 September 1950, West Bromwich, Staffordshire).[9]
In late 1974, the band were joined by drummer Steve Williams for the album Bandolier, for live shows promoting this album and the follow-up, 'If I Were Brittania I'd Waive the Rules', the band were augmented by Welsh guitarist Myf Isaac, but both Bourge and Isaac left mid 1978 and were replaced by ex Trapeze guitarist Robert Kendrick. Music from the 1978 LP Impeckable was featured in the 1979 film J-Men Forever (shown frequently on the USA Network's "Night Flight" television series in the 1980s) which is now a cult classic. In late 1978, having been dropped by A&M and with no new recording contract, this line up floundered, and after 12 months Kendrick was replaced by "Big" John Thomas (b. 21 February 1952) in late 1979. This line up recorded two albums for Kingsley Wards 'Active' label: 'Power Supply' and 'Nightflight'. 1982 saw them signed to RCA for 'Deliver us From Evil' their final recording for a 'major label'.
The band continued to have success during the New Wave of British Heavy Metal scene, playing the Reading Festival in 1980 and then headlining the festival in 1982.[10] They built a particular following in Poland,[citation needed] where they played as the first heavy metal band behind the Iron Curtain, in 1982. Also notable was their tour support of Ozzy Osbourne's Blizzard of Ozz Tour.[11]
The band stopped gigging in 1988, members went into studio production, occasionally guesting on other projects; Thomas most notably worked on the Phenomena CD with Glenn Hughes[12][13] out of the Black Sabbath studios.
Although the group has had very little commercial success in America, they have enjoyed a strong fan following in Texas[14] and they have been known to receive radio airplay from Joe Anthony and Lou Roney on KMAC/KISS radio in San Antonio in the 1970s,[15] the band reformed using various drummers for one-off gigs in 1995, 1996 for outdoor festivals 'La Semana Alegre' in San Antonio, Texas. They toured in 2002-6, mostly in the United Kingdom, the NYC/NJ area, Dallas, and with a few shows in Europe including the Sweden Rock Festival and a return to post-Communist Poland. In 1999 the band reunited in Letchworth and officially reformed.
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NM (Near Mint): Record and cover appear virtually unmarked.
VG++: A hair under near mint may have just a very few visual marks that should not affect sound.
VG+ : A well cared for record. Should have only very slight if any audible imperfections.
VG : Many only surface lines or may have 1 or more small scratches .Background sound but still very enjoyable. Cover defects will be noted.
VG-: significant background sound from various defects but music always quite audible above it. Cover has some damage that will be noted.
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