BUDDY LUCAS-Rock & Roll Down Home Turn Around W/DIONNE WARWICK-SYLVIA SHEMWELL
$
50
$ 50
Sold For
Oct 13, 2015
Sold Date
Oct 6, 2015
Start Date
1
Number Of Bids
USA
Country Of Seller
eBay
Sold at
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Description
BUDDY LUCAS-Rock & Roll Down Home Turn Around W/DIONNE WARWICK-SYLVIA SHEMWELL
A VG++ LP ON STATUS 15011
FROM THE 1960’S WITH ORANGE LABEL AND MATTE FRONT COVER
PRODUCED BY OZZIE CADENA AND RECORDED BY RUDY VAN GELDER WITH Van Gelder IMPRESSED IN THE DEAD WAX BOTH SIDES
WITH WALLY RICHARDSON, CARL LYNCH, BOB BUSHNELL, BOBBY BANKS, HERB LOVELLE
WITH DIONNE AND DEE DEE WARWICK AND SYLVIA SHEMWELL ON VOCALS
TRACKS AS SHOWN ON THE LABEL PHOTOS
BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
The solo recording career of Buddy Lucas, a tenor saxophonist who doubled on harmonica, started a bit less than a year before fellow R&B honker Jimmy Forrest rode the first hit version of the instrumental entitled "Night Train." Once that express had left the station, opportunities to follow in hot pursuit were aplenty for saxmen such as Lucas, Earl Bostic, and Sam "The Man" Taylor. Lucas' run of recordings under his own name continued on into the '60s, running on a parallel track with his work as a studio session player. Undoubtedly the majority of his performances on record stem from the latter category, particularly his blowing on the questioning "Why Do Fools Fall in Love?" by the Teenagers in 1956 and the soggy "Tears on My Pillow" by Little Anthony & the Imperials in 1958. Meanwhile, Lucas was responsible for dozens of singles and albums, enjoying a creative run in which the names of labels, songs, and bands all vie for the groovy gravy. He cut sides for Groove, Gone, Jubilee, Tru-Sound, Mohawk -- even a record company called Lawn. The labels presented his name at times in company of bands such as Buddy Lucas & His Band of Tomorrow, the Gone All Stars, and Buddy Lucas & His Shouters, sometimes expanding the leader into "Big" Buddy Lucas.
COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BOTTOM CENTER EDGE SPLIT ABOUT FOUR INCHES. BOTOTM RIGHT FRONT CORNER WITH INKED NUMBER. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH A VERY FAINT RUB MARK. THE HIGH LUSTER VINYL BLANK WITH A VERY FEW LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION AND WHICH NEED TO BE LOOKED FOR TO BE SEEN. WE'VE TEST PLAYED THIS LP BY SAMPLING EACH TRACK 2-3 TIMES ON A VPI TURNTABLE WITH A GRADO REFERENCE ONE WOOD CARTRIDGE WITHOUT NOTICE OF THE ABOVE ITEMS AND SOUNDING QUITE FINE HERE.
FROM A NOTED REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 100 PLUS WHEN SEEING THE LIGHT OF DAY
⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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DOMESTIC: FREE USPS MEDIA MAIL WITH TRACKING. USPS 1 day Priority Express or 2-4 day Priority available for fee shown by Ebay postage calculator for your zip code. 625 (GS 6.9.7 (625))
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