BRIAN JONESTOWN MASSACRE Strung Out In Heaven Sealed LP

$ 56

$ 56 Sold For

Apr 4, 2011 Sold Date

Mar 28, 2011 Start Date

$ 10 Start price

8 Number Of Bids

USA Country Of Seller

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Description

Brian Jonestown Massacre / Strung Out In Heaven - TVT Records 5780-1 (Stereo)(US)(1998) ...This auction is for a factory Sealed Record pressed on U.S. vinyl. It is a limited edition that was made for a very short time.

Music review and track listings below:

The brand new Record and Cover are in excellent (Mint) condition. Record will include a plastic outer sleeve. Satisfaction Guaranteed. For payment please use Paypal (other payments are no longer accepted due to eBay’s new policy. If that is a problem, please let them know and contact us to work something out). Payment and Shipping information is listed below (S/H charges will include actual postage rate plus $1-2 for shipping supplies). All items are shipped worldwide. Specialized shipping is extra ~ Not responsible for uninsured items ~ Insurance (US prices only) is $2.50 for $5.00 to $200.00 in coverage (Foreign Insurance can be expensive and complicated) ...Thank you (Click the (me) file next to the feedback score for our seller profile)

Detailed item info:

Track listing
(Side One)
1. Going to Hell
2. Let's Pretend It's Summer
3. Wasting Away
4. Jennifer
5. Got My Eye on You
6. Nothing to Lose
7. Love

(Side Two)
1. Maybe Tomorrow
2. Spun
3. I've Been Waiting
4. Dawn
5. Lantern
6. Wisdom

Details Producer: Anton Newcombe, Mark Dutton Distributor: TVT Records Recording type: Studio Recording mode: Stereo
Album notes Personnel: Miranda Richards (vocals, flute); Norm Block, Adam Hamilton, Anton Newcombe (drums).
Audio Mixer: Rob Jacobs.
Recording information: 1998.
Unknown Contributor Roles: Dean Taylor; Anton Newcombe; Matt Hollywood.

It's with typical perversity that the Brian Jonestown Massacre makes the leap from the indie ghetto into the majors with their least immediate, most restrained record to date; given time to sink in, however, Strung Out in Heaven proves as engaging as their past efforts, with a focus and cohesiveness often lacking from their more visceral work. Settling into a blissfully psychedelic drift, the album opts not for the Stones-inspired raunch of before but for Byrds-like guitars, muffled drums and pulsating Hammond organ lines, all topped off by Anton Newcombe's half-stoned, half-shamanic vocals; thanks to standout tracks like "Going to Hell," "Wasting Away" and "Maybe Tomorrow," the cumulative impact makes for the BJM's most mature outing yet, evoking a kind of narcotic euphoria perfectly in keeping with the album's title.

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