BORIS - PINK 2xLP with blotter art OOP sunn om AMT LSD
$
37
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Description
BORIS - "PINK" 2xLP This is the deep red vinyl repress by Southern Lord in 2007. 180 gram vinyl in an edition of 1000.
Still has the envelope with the three full LSD blotter paper, perforated for your use!
This is out of print and has been sold out for a while.
This album is unwrapped but has never been played...not even once.
I ship only in new LP mailers. All vinyl shipped outside the sleeve to prevent splitting while in transit. All records loved and taken great care of, almost never played. Non-cigarette smoking household. Records shipped with heavy-duty record cover. Any questions please ask. All records will be shipped within 4-5 days from winning bid. Paypal only please... Must sell all of my records off to afford a house...those are the breaks I guess. It could be worse folks! Happy bidding and good luck!
From Aquarius Records:
Some of us are still reeling from the mighty ass kicking delivered by Boris on their recent US tour. And before our ears have even stopped ringing, it's time for yet another new blast of ultra hyper space psych sludge rock n' roll in the form of Pink. Continuing to hone their rock chops, having shed their doom sludge past for the most part now, Boris continue to sound like some MC5 / Hendrix hybrid, albeit supercharged and drenched in LSD and lit on fire and launched into space. Big old fuzzy riffs, churning basslines, and wild spastic drumming underneath Wata's wailing sixties styled leads. You can almost imagine these strange Japanese rockers wandering into the Fillmore in the sixties, like some bell bottomed aliens and proceeding to melt the minds and ear drums of everyone in attendance. Pink starts off with some fuzzed out ultra distorted post rock (reminiscent of some of the stuff on Mabuta No Ura) wrapped in a spacy psychedelic haze, but then it's immediately back to the full on, overblown distorto RAWK that has become THE SOUND of Boris. This is easily their most lo-fi, most blown out recording yet, almost like Boris is channelling Guitar Wolf or something. The drums and cymbals sizzle as the needle goes into the red on almost every track, and the guitars are so drenched in distortion they become huge squirming smears of fuzz. A couple tracks harken back to the slow motion sludge of Flood or Amplifier Worship, and there is the dreamy ambient drift of the second to last track "My Machine", but those are just brief respites, time to catch your breath before hurling yourself back into the fray, an endless maelstrom of head banging, fist pumping, guitar smashing, drumset destroying, hair swirling, sweating, bouncing, pounding pummeling ROCK AND ROLL.
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