BOBBY HUTCHERSON/SAM RIVERS/ANDREW HILL DIALOGUE BLUE NOTE JAZZ LP VAN GELDER EX
$
41
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Description
BOBBY HUTCHERSON/SAM RIVERS/ANDREW HILL~DIALOGUE~BLUE NOTE JAZZ LP~VAN GELDER~EX
Product Description
Bobby Hutcherson – Dialogue Label: Blue Note – BST-84198 Released: 1977NICE COPY OF THIS ALBUM ORIGINALLY ISSUED IN 1965. THE PRESSING WE ARE OFFERING IS FROM THE 1970s. COVER IS IN VG++ CONDITION WITH DENTS TO 2 CORNERS AND A SMALL AREA OF DAMAGE ALONG THE SPINE. VINYL IS NEAR MINT! "VAN GELDER" STAMP IN THE DEAD WAX!
Tracklist A1 Catta Written-By – Andrew Hill A2 Idle While Written-By – Joe Chambers A3 Les Noirs Marchent Written-By – Andrew Hill B1 Dialogue Written-By – Joe Chambers B2 Ghetto Lights Written-By – Andrew Hill
Manufactured By – United Artists Music And Records Group, Inc.
Bass – Richard Davis (2) Design [Cover] – Reid Miles Drums – Joe Chambers Photography By [Cover Photo] – Francis Wolff Piano – Andrew Hill Producer – Alfred Lion Recorded By – Rudy Van Gelder Tenor Saxophone, Soprano Saxophone, Bass Clarinet, Flute – Sam Rivers Trumpet – Freddie Hubbard Vibraphone, Marimba – Bobby Hutcherson
Coming fresh on the heels of his groundbreaking work with Eric Dolphy, Bobby Hutcherson's debut album is a masterpiece of "new thing" avant-garde jazz, not really free but way beyond standard hard bop. Dialogue boasts an all-star lineup of hot young post-boppers -- trumpeter Freddie Hubbard, woodwind player Sam Rivers, pianist Andrew Hill, bassist Richard Davis, and drummer Joe Chambers -- and a set of imaginative compositions by either Hill or Chambers that frequently push the ensemble into uncharted territory. The result is an album bursting at the seams with ideas that still sound remarkably fresh, not to mention a strong sense of collectivity. Hutcherson has so many fine players on hand that the focus is naturally on group interaction rather than any particular soloist(s), setting up nice contrasts like the fiery sax work of Rivers versus the cooler tones of Hutcherson and Hill. Hill's pieces stand tradition on its head, twisting recognizable foundations like the blues ("Ghetto Lights"), Latin jazz ("Catta"), and marching bands ("Les Noirs Marchant," which sounds like a parade of mutant soldiers) into cerebral, angular shapes. Chambers, meanwhile, contributes the most loosely structured pieces in his delicate, softly mysterious ballad "Idle While" and the nearly free group conversations of the ten-minute title track, where Hutcherson also plays the more African-sounding marimba. What's impressive is how focused Hutcherson keeps the group through those widely varied sounds; no one is shortchanged, yet the solos are tight, with no wasted space or spotlight-hogging. Dialogue remains Hutcherson's most adventurous, "outside" album, and while there are more extensive showcases for his playing, this high-caliber session stands as arguably his greatest musical achievement.
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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