BOBBY HUTCHERSON NOW VERY NICE ORIG '70 BLUE NOTE LP

$

34

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·       BOBBY HUTCHERSON with HAROLD LAND, CANDIDO AND JOE CHAMBERS – NOW! – ORIGINAL 1969 BLUE NOTE STEREO LP BST-84333

·       GENUINE U.S. PRESSING

·       VERY EARLY PRESSING CIRCA 1970 ON  BLACK AND BLUE 'BLUE NOTE' LABEL USED BETWEEN 1969-1970

·       THIS IS NOT AN IMPORT OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Now! is one of Bobby Hutcherson's most adventurous recordings. Cut with the Harold Land Quintet in 1969, Hutcherson augments the lineup with vocalist the Right Reverend Eugene McDaniels (then Gene McDaniels) and a chorus at the height of Black Power consciousness. While this band may not appeal to straight hard and post-bop listeners who prefer their music instrumentally, it is a compelling and even stunning record if accepted on its own terms. The compositions reflect the tightrope Hutcherson and Land walked on their earlier outings together between post-bop and vanguard jazz The interplay between Hutcherson and Stanley Cowell's 's piano in the instrumental passages in "Slow Change" is so intuitive and symbiotic it may slip by the listener who is not paying attention. Land's solo too, comes out for the post-Coltrane ethos and fills the vocal lines powerfully and convincingly. Elsewhere, on "Hello to the Wind," written by drummer Joe Chambers and McDaniels, the influence of Terry Callier is evident in the tune's dynamic and melody line that is led by Wally Richardson's guitar. With fine piano work by Kenny Barron and a fluid, modal bassline by Herbie Lewis. McDaniels' voice is in fine form here, his husky baritone effortlessly coloring the mix. The title cut is a short lullaby written by Hutcherson and McDaniels, tender, simple and haunting as Land's saxophone winds through the shouts of female voices with restraint and elegance. The utter creative vision of Herbie Lewis' "The Creators" showcases the band at the height of its powers with Cowell holding the piano chair with killer Latin rhythms, psychedelic electric guitar and a provocative engagement between Land, Hutcherson and the chorus. The original set ends with "Black Heroes" by Land. A scatted, syncopated piece of counterculture beat jazz, it offers a better portrait of the band than it does of McDaniels or the choral group. A hard bop piece with a striated and knotty vocal intro and finish, it is a fitting and exciting final track.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has a partially split top seam (less than 1 inch / 2.5 centimeters)

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 3 (back side)

-        A visible water stain affects the area about 1/2 inch wide along the opening side (VISIBLE ON BACK SIDE ONLY); there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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