BOB DYLAN:BLONDE ON BLONDE.LATE 60's UK STEREO REPRESS.

	£		20
	$		26

OVER THE NEXT FEW WEEKS I WILL BE LISTING A LOAD OF VINTAGE 'COLLECTABLE' LP'S, WHICH ARE "WELL USED" ~ (NOT IN THE BEST OF CONDITION) BUT MAY SUFFICE,'TIL AN AFFORDABLE BETTER ONE COMES ALONG...

HENCE THE LOW START PRICE.

ALSO STRICTLY NO RETURNS ON THIS ITEM. IF YOU WANT A MINT ONE DO NOT BID ON THIS.

PLEASE TAKE NOTE!! ~ THEY WILL NOT SUDDENLY TRANSFORM INTO MINT COPIES OR ANYTHING OTHER THAN THE DESCRIPTION STATED!!

GRADING.

SLEEVE:

VG++ ~  'Minimal' wear & tear: (light creases & ring wear, minor scuffs, but Generally OK!)

VG+ ~ will have obvious creases & ring wear, scuffs, some edge wear, Anything more, e.g. stickers, writing, splits etc. will be stated!

VG ~ will be VERY obviously in a well used state with grubby marks, heavy creases & ring wear, split seams, edge wear etc., in short...a bit tatty!

RECORD:

VG++ ~ light surface marks, scuffs, but NO serious visible flaws!

VG+ ~ marks, visible scratches, scuffs, spindle marks, but NO major flaws!

VG ~ will be well played, lots of heavy marks, scuffs, spindle wear, will definitely have surface  noise! in short...a bit 'rough'

Bob Dylan, (born Robert Allen Zimmerman; May 24, 1941) is an American musician, singer-songwriter, artist, and writer. He has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of Dylan's early songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'", became anthems for the US civil rights and anti-war movements. Leaving behind his initial base in the culture of the folk music revival, Dylan's six-minute single "Like a Rolling Stone" radically altered the parameters of popular music in 1965. His recordings employing electric instruments attracted denunciation and criticism from others in the folk movement. Dylan's lyrics have incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the performance style of Little Richard, and the songwriting of Woody Guthrie, Robert Johnson, and Hank Williams, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored many of the traditions in American song—from folk, blues, and country to gospel, rock and roll, and rockabilly to English, Scottish, and Irish folk music, embracing even jazz and swing. Dylan performs with guitar, keyboards, and harmonica backed by a changing line-up of musicians. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting.

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966 on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, The Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique blend of the visionary and the colloquial". It was one of the first double albums in rock music. The album peaked at No. 9 on the Billboard 200 chart in the USA, where it eventually went double-platinum, and reached No. 3 in the UK. Blonde on Blonde spawned two singles that were top twenty hits in the USA: "Rainy Day Women #12 & 35" and "I Want You". Two further songs, "Just Like a Woman" and "Visions of Johanna", have been described as among Dylan's greatest compositions and were featured in Rolling Stone's 500 Greatest Songs of All Time list.

Late sixties ('68/'69) pressing. 
"Stereo" sticker on the front cover with residue of another larger sticker that has been removed also on front cover. 
Laminated gatefold sleeve with unlaminated inner. 
9 photographs on gatefold inner.
Smooth, solid orange labels.
"Bob Dylan" appears above "Blonde On Blonde" on record labels.
Playing speed shown as "33?" on labels sides 1, 3 & 4. and "33" on side 2.
Label side 2 layout slightly different from rest.
"B. Feldman" publishing credit.
Track B2 shown on sleeve &label as "Stuck Inside Of Mobile With Thee", Recorded at CBS, Studios, Nashville, Tennessee.
Catalog number appears on sleeve as 66012 and on labels as SDDP 66012.

MATRIX:  A-1,  B-2, C-3, D-1.

CONDITION:

SLEEVE:  VG+.  Split in front gatefold spine, repaired tastefully using sellotape.

RECORD: VG++. The expected fairly minor visible & audible blemishes of well loved records of this age.  A little noise between tracks. 

IN MY OWN COLLECTION FROM NEW.

                               SEE PHOTOGRAPH. 

TRACK LISTING:

1. "Rainy Day Women #12 & 35"  – 4:36
2. "Pledging My Time"  – 3:50
3. "Visions of Johanna"  – 7:33
4. "One of Us Must Know (Sooner or Later)"  – 4:54

5. "I Want You"  – 3:07
6. "Memphis Blues Again"  – 7:05
7. "Leopard-Skin Pill-Box Hat"  – 3:58
8. "Just Like a Woman"  – 4:52

9. "Most Likely You Go Your Way (And I'll Go Mine)"  – 3:30
10. "Temporary Like Achilles"  – 5:02
11. "Absolutely Sweet Marie"  – 4:57
12. "4th Time Around"  – 4:35
13. "Obviously 5 Believers"  – 3:35

14. "Sad Eyed Lady of the Lowlands"  – 11:23

CBS RECORDS.                     SDDP 66012.                                   LATE 1960's.

ANY QUESTIONS.    PLEASE ASK.