BOB DYLAN "Love and Theft" Sealed 2001 US LP OOP Mint
  $   138

 


$ 138 Sold For
Aug 28, 2010 Sold Date
Aug 21, 2010 Start Date
$   25 Start price
19   Number Of Bids
  USA Country Of Seller
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Description

Bob Dylan / Love And Theft - Sony/Columbia Records C2-85975 (Stereo) (US) (2001) ...This auction is for an original edition Double Record on U.S. vinyl. This vinyl pressing was only available for a very short time and is no longer in print. .A stone-cold Bob Dylan classic... Talk about bringing it all back home: Dylan veers into country, ragtime, vaudeville, deep blues, cocktail-lounge corn, the minstrel show and the kind of rockabilly he must have bashed out with his high school band more than forty years ago.

 Track listings and reviews listed below...

The brand new Records and Gatefold Cover are in excellent (Mint) condition. Satisfaction Guaranteed. Record will also include a plastic outer record sleeve. For payment please use Paypal (other payments are no longer accepted due to eBay’s new policy. If that is a problem, please let them know and contact us to work something out). Payment and Shipping information is listed below and are only estimates. All items are shipped worldwide. Specialized shipping is extra ~ Not responsible for uninsured items ~ Insurance (US prices only) is $2.50 for $5.00 to $200.00 in coverage (Foreign Insurance can be expensive and complicated) ...Thank you (Click the (me) file next to the feedback score for our seller profile)

Detailed item info:

Track listing
(Side One)
1. Tweedle Dee & Tweedle Dum
2. Mississippi
3. Summer Days

(Side Two)
4. Bye and Bye
5. Lonesome Day Blues
6. Floater (Too Much to Ask)

(Side Three)
7. High Water (For Charley Patton)
8. Moonlight
9. Honest with Me

(Side Four)
10. Po' Boy
11. Cry a While
12. Sugar Baby

Details Playing time: 57 min. Contributing artists: Augie Meyers, Charlie Sexton Producer: Jack Frost, Steve Berkowitz
Distributor: Sony Music Distribution
Recording type: Studio Recording mode: Stereo SPAR Code: n/a
Album notes Personnel: Bob Dylan (vocals, guitar, piano); Larry Campbell (guitar, banjo, mandolin, violin); Charlie Sexton (guitar); Tony Garnier (bass); Augie Meyers (accordion, Hammond B3 & Vox organs); David Kemper (drums); Clay Meyers (bongos).
LOVE AND THEFT won the 2002 Grammy Award for Best Contemporary Folk Album.
Personnel: Bob Dylan (vocals, guitar, piano); Bob Dylan; Augie Meyers (accordion, organ, Hammond b-3 organ); Tony Garnier (bass guitar); Larry Campbell (guitar, banjo, mandolin, violin); Charlie Sexton (guitar); David Kemper (drums); Clay Meyers (bongos).
Audio Mixer: Chris Shaw .
Photographers: David Gahr; Kevin Mazur; Danny Clinch.
Bob Dylan's career has always been about defying expectations. Accordingly he followed 1997's much-heralded TIME OUT OF MIND with a marked about-face. Where its predecessor was a bleak emotional landscape full of languid atmospheres, existential sentiments, and graveyard vocal delivery, LOVE AND THEFT finds Dylan much more energized and hopeful. Instead of swamp-like textures, we get sharp, cracking bar-band blues, and lissome ballads with a '20s/'30s feel. The old codger has never sounded more spry; after observing that "summer days and summer nights are gone," he follows up with "I know a place where there's still something going on." Elsewhere he's variously hunting bear, standing on a table to make a toast, burning down a house, and starting a new empire.
The musical context for all this uproar is informed more heavily by Dylan's earliest Americana roots than anything other than his albums of traditional folk songs. Delta and Chicago blues are templates for many songs, while a few others even more anachronistically suggest a future for Dylan as ghost writer for Leon Redbone. The lyrics themselves are littered with quotes from/references to old blues tunes, but Dylan's classic non-linear structure and wild imagination allow him to transcend his influences even as he assimilates them.

Editorial reviews Included in Magnet's 20 Best Albums of 2001.
Magnet  (12/01/2002)

...Gritty and immediate...
CMJ  (10/08/2001)

...The most striking thing about the album is Bob's singing, which possesses a ragged, almost sinister authority...but on the old-tyme numbers becomes a nonchalant croon...
Mojo  (10/01/2001)

4 stars out of 5 - ...A very good album...
Q  (10/01/2001)

9 out of 10 - ...Astonishing...It is the rare Dylan album recorded with his touring band, and the versatility and sympathy of this outfit...lets them stand proudly next to The Band as his finest accompanists...
Spin  (11/01/2001)

5 stars out of 5 - ...A stone-cold Dylan classic... Talk about bringing it all back home: Dylan veers into country, ragtime, vaudeville, deep blues, cocktail-lounge corn, the minstrel show and the kind of rockabilly he must have bashed out with his high school band more than forty years ago...
Rolling Stone  (09/27/2001)

Ranked #2 in Mojo's Best [40] Albums of 2001.
Mojo  (01/01/2002)

Ranked #6 Album of the Year in EW's Best of 2001.
Entertainment Weekly  (12/28/2001)

Ranked #4 in Spin's Albums of the Year 2001.
Spin  (01/01/2002)

Ranked #1 in Rolling Stone's Top 10 2001.
Rolling Stone  (01/03/2002)

Ranked #15 in Mojo's 100 Modern Classics -- His surreal verbal collages borrowed imagery from vintage bluesmen and obscure novelists...
Mojo  


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