BOB DYLAN ALBERT HALL 66 + 64 CLASSIC RECORDS Sealed Box Sets + 3 SOLO 8 LP SET

$

340

BOB DYLAN - CLASSIC RECORDS TREMENDOUSLY RARE The Bootleg Series 140 GRAM BOX SET Volume 6 LIVE 1964 

& LIVE AT ALBERT HALL 1966 - 200 Gram LIMITED EDITION CLASSIC RECORDS BOX SET - NOW OUT OF PRINT & BECOMING TREMENDOUSLY RARE IN THESE EDITIONS

ALBERT HALL 200 GRAM 2 LP Box Set includes:

12" x 12" bound 56 PAGE booklet with photos from the show

ART JACKET FOR BOTH LP'S

CUT DIRECT FROM THE ANALOG MASTER TAPES

BOB DYLAN - The Bootleg Series Volume 6 - LIVE 1964 - 140 GRAM - NOW OUT OF PRINT AND BECOMING TREMENDOUSLY RARE IN THIS EDITION. 

3 LP Box Set includes:

12" x 12" bound booklet with photos from the show

12" x 8" Vintage Tour Poster

PLUS THE THREE 180 GRAM ALBUMS THAT INFLUENCED THESE CONCERTS. ALL ARE IN LIMITED EDITION 180 GRAM HEAVY VINYL PRESSINGS. ALL OUT OF PRINT IN THESE STEREO U.S. COLUMBIA/SONY STEREO PRESSINGS. THESE RELEASES WERE THE 1ST TIME THESE STEREO MASTER WERE EVER PRESSED ON 180 GRAM VINYL WITHIN THE USA. A COLLECTORS PRESSINGS OF THIS OUT OF PRINT LIMITED EDITION

BRING IT ALL BACK HOME - ANOTHER SIDE OF BOB DYLAN & BOB DYLAN SELF TITLED

BOB DYLAN - First Album - OUT OF PRINT STEREO COLUMBIA RECORDS PRESSING PC-8579 - 

Out of Print 180 Gram FACTORY SEALED COLUMBIA STEREO LP - High definition vinyl pressing. The nicest thing you can do for your stylus and ears. The ultimate record – the way music was meant to be heard. Out of Print forever!!

BOB DYLAN STEREO - An album that has sort of been ignored through the years, partially because Dylan only has a couple original songs on the album. But, to fully understand the man and what he would later become artistically, you must experience this amazing, gritty piece of Americana.

This album is not just folk, contrary to popular belief, neither was Bob...not really....this album is many things...blues, folk, gospel...sung and played by a real bluesman. It is a great collection of songs that are expressed from the soul.

The performances are quite spectacular for such a young man to be singing them. "In My Time of Dying", "You're No Good", "Man of Constant Sorrow", "Gospel Plow" and "House of the Rising Sun" are among the classics. "Song to Woody", written by Bob is beautiful. A MUST HAVE!

This album now seems as remarkable as his mid-'60s breakthrough. Like Presley's Sun Sessions, it is both the remnant of a lost rural America and the seed of rock culture. The music is primarily Dylan, with acoustic guitar, barking traditional folk, and blues. He was 20, a Northern hick come to New York to be the next Woody Guthrie. It's amazing that at 20 he sings "In My Time of Dying" and "See That My Grave is Kept Clean," not as traditional songs, but making their doom and resignation sound personal.

The baby-faced Bob Dylan staring out from the cover of his self-titled 1962 debut album would soon become the musical spokesman of a generation. Instant Dylan landmarks like "Man Of Constant Sorrow" and "Highway 51" and gut-wrenching versions of folk/blues classics like "Baby, Let Me Follow You

Down" and "See That My Grave Is Kept Clean"‹made the abundant talents of this legend-to-be obvious. Forty years later, the album now available in its ultra-rare, original mono mix on High Quality 150 gram vinyl stands as a revered monument to the timeless genius of Bob Dylan.

 
Selections:
1. You're No Good
2. Talkin' New York
3. In My Time Of Dyin'
4. Man Of Constant Sorrow
5. Fixin' To Die
6. Pretty Peggy-O
7. Highway 51
8. Gospel Plow
9. Baby, Let Me Follow You Down
10. House Of The Risin' Sun
11. Freight Train Blues
12. Song To Woody
13. See That My Grave Is Kept Clean

BRING IT ALL BACK HOME 180 GRAM STEREO - PC 9128 This Album by Bob Dylan ranked 48th in NME’s list of The Greatest Albums of All-Time. Accompanying Dylan on this recording are John Hammond, John Sebastian, Bobby Gregg, Kenneth Rankin. Recorded at Columbia Records Studios, New York, New York in January of 1965. Howls of rage greeted Dylan as he presented the world with folk/rock - he was soundly booed at both the Newport Folk Festival and Royal Albert Hall. Yet, here is one of those moments of cross-influence that changed the course of popular music.

BRINGING IT ALL BACK HOME gave Bob Dylan an audience on a plate. It was a massive breakthrough. An Album of two different sides -- Acoustic (his past) and Electric (his future), the music covered a thousand fold -- has among it Maggie’s Farm - Subterranean Homesick Blues - Mister Tambourine Man - Love Minus Zero - and the cosmopolitan political speak of It’s All Right Mama. You can debate -- is it folk or is it rock forever It is irrelevant. It is merely Dylan at one of its many peaks.

ANOTHER SIDE OF BOB DYLAN  180 GRAM STEREO PC 8993- This set captures a still-growing Dylan on the edge, just before he makes the jump to rock & roll, continuing to expand the notion of folk music with openhearted, unprecedented compositions and performances like "All I Really Want to Do," "Chimes of Freedom," "My Back Pages," and "It Ain't Me Babe." If Dylan's previous album The Times They Are A-Changin' was a bit too literal and focused on current events, Another Side indulges Dylan's more mythic and expansive side, making more rumor for the humor that would explode when Dylan formed a band. It's just Dylan, guitar, and harmonica here, but Another Side is a rock & roll album without that band

Tracks include: All I Really Want to Do - Black Crow Blues - Spanish Harlem Incident - Chimes of Freedom -. I Shall Be Free, No. 10 -. To Ramona - Motorpsycho Nitemare - My Back Pages -. I Don't Believe You (She Acts Like We Never Have Met) -. Ballad in Plain D -. It Ain't Me Babe

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BOB DYLAN - The Bootleg Series Volume 6 - LIVE 1964

Another in the series of Classic Legacy Bob Dylan Bootleg series on Vinyl.This edition was cut from the 1/2" analog master tape on the Classic all tube cutting system by Bernie Grundman and features a deluxe box housing three LP's - each in unique jackets. Also included is a 60 pg 12 x 12 perfect bound booklet, and a custom 12" x 8" letter pressed vintage tour poster. 

It does seem strange, very strange indeed, to be hearing an official release of this historic concert, which has been available as a bootleg for decades. The Halloween gig at Philharmonic Hall in New York was a special part of the tour for Another Side of Bob Dylan, arguably his greatest acoustic recording. What's more poignant, however, is how it previews the material on Bringing It All Back Home.

While the songs on Another Side hinted at things to come, nothing could have prepared audiences for the dreamy surrealism of "Mr. Tambourine Man," or the nightmarish abstract poetry of "It's Alright Ma (I'm Only Bleeding)," and "Gates Of Eden" (all of which appear on Disc One The remainder of the material comes from Dylan's preceding catalog; there are stirring protest and topical songs, folk songs, humorous narratives, love songs, great wisecracks, and talking blues ("Talking John Birch Paranoid Blues!"), most of them classics  "With God on Our Side," "Hard Rain's Gonna Fall," "Times They Are A-Changin'," "Lonesome Death of Hattie Carroll," "Don't Think Twice, It's Alright," "Mama You've Been on My Mind," "All I Really Want to Do," "It Ain't Me Babe," etc.

All of these songs and many others (there are 17 in all) are delivered with the confidence of the seasoned performer; a man who knows his audience and how to handle them. It's not cynical, not detached, just masterful. For those unfamiliar with this set, Joan Baez makes an appearance near the end of the show, and duets with Dylan on four cuts including an amazing read of "Silver Dagger."

It is true that if you possess the boot, you have all the music here, and chances are, it has some pretty good sound. But you'll need this version, too. For starters, the sound is spectacular, wonderfully warm and immediate, and the transfer is extremely clean with wonderful dynamics.

Secondly, the package is deluxe. In addition to a fine essay by Princeton historian and author Sean Wilentz (he made the gig when he was 13), there are a truckload of killer photos from the show and the period, along with complete discographical information that puts the bootleg packages to shame.

For those interested in the acoustic Bob Dylan, this concert is like the grail; his voice is in impeccable shape, and his delivery is revelatory. For those interested in the transition from acoustic to electric, this show is the seam, and for who are diehard fans, this is another welcome item in the official catalog. .

BOB DYLAN - The Bootleg Series Volume 4 - LIVE AT ALBERT HALL 1966

Another in the series of Classic Legacy Bob Dylan Bootleg series on Vinyl.This edition was cut from the 1/2" analog master tape on the Classic all tube cutting system by Bernie Grundman and features a deluxe box housing TWO LP's - each in unique jackets. Also included is a 56 pg 12 x 12 perfect bound booklet,

The most famous bootleg in rock history, with the possible exception of Dylan's own Basement Tapes, finally made its official appearance 32 years after the event and nearly 30 years after it started circulating underground. Although often identified as a Royal Albert Hall show, this May 17, 1966 concert, in which Dylan played electric material in front of a British audience, was actually recorded in Manchester (hence the unwieldy title with quotes around "Royal Albert Hall"). Even those who've owned this recording for many years should be tempted by this official package, as it has been expanded to include the eight electric rock songs from the original bootleg but also the seven solo acoustic performances that comprised the first half of the show. It's all in great fidelity. More importantly, the electric half in particular is an important document of rock history. It captures the point at which Dylan was at his most controversial and hard rocking as he blazes through mid-'60s classics such as "Like a Rolling Stone" and "Ballad of a Thin Man." On top of everything else, there's a 56-page booklet with a fine essay by Dylan's friend Tony Glover. Transferred from the half-inch analog mix-down masters and cut on Classic's "all tube" cutting system by Bernie Grundman.

Like A Rolling Stone

n Sep-26-08 at 20:28:51 PDT, seller added the following information:

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