BLIND WILLIE McTELL LAST SESSION ULTRA-RARE ORIG '61 BLUESVILLE MONO LP RVG N/M

$

49

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       BLIND WILLIE McTELL - LAST SESSION - ORIGINAL 1960 BLUESVILLE MONO LP BV-1040

·       ORIGINAL U.S. PRESSING

·       ORIGINAL FLAT, BLUE BLUESVILLE LABEL WITH TWO SILVER LINES ACROSS AND SILVER SCRIPT.

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       ULTRA-RARE ORIGINAL MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       [PLEASE NOTE: ORIGINAL COVERS FOR THE BLUESVILLE MONO PRESSING AND FOR THE PRESTIGE ELECTRONIC STEREO PRESSING HAVE DIFFERENT COLOR CONVENTIONS: ORIGINAL BLUESVILLE MONO LP HAS BLACK AND WHITE COVER; ELECTRONICALLY RECHANNELLED PRESTIGE REISSUE HAS A BLACK AND WHITE PHOTO ON PINK BACKGROUND)

·       AS WITH MOST ORIGINAL PRESTIGE / NEW JAZZ / BLUESVILLE PRESSINGS, THIS ALBUM, TOO, HAS PRINT ON THE SPINE SLIGHTLY ASYMETRICAL (OFF-CENTER)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This recording has a less-than-stellar reputation, principally because it was done so late in McTell's career, and it is true that he lacks some of the edge, especially in his singing, that he showed on his other postwar recordings. On the other hand, his 12-string playing is about as nimble as ever and a real treat. McTell cut these sides for record store owner Ed Rhodes, who had begun taping local bluesmen at his shop in Atlanta in the hope of releasing some of it -- McTell took to the idea of recording only slowly, then turned up one night and played for the microphone and anyone who happened to be listening, finishing a pint of bourbon in the process -- the result was a pricelessly intimate document, some of the words slurred here and there, but brilliantly expressive and stunningly played. No apologies are needed for "The Dyin' Crapshooter's Blues," "Don't Forget It," or "Salty Dog," however. McTell lived a few more years but never recorded again, which is a pity because based on this tape he still had a lot to show people. Rhodes never did anything with the tapes, and might've junked them if he hadn't remembered how important the McTell material was -- they turned out to be the only tapes he saved, out of all he'd recorded.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album ►click here

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(d)          Mono pressing of this title is much rarer, and by far more  preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4  (front side) and 3 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Visible shelf wear noted on the spine

-         Minor shelf wear noted on the top and bottom seams (nothing significant)

-         Cover has a partially split spine (between 4 and 6 inches  / 10 to 15 centimeters)

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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