BESOMBES-RIZET ? POLE ? orig N MINT Tapioca France 2LP ? 1975 cosmic space prog
$
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This is the Tapioca issue of the only collaboration between the two synth legends, the inventive double-LP cosmic analog keyboard tour-de-force which stands in a class all its own. Both men are brilliant at creating incredibly vivid and deep, psychically-affecting synth textures, and this aural masterwork is the best thing either one of them has ever done, in our opinion. Long tracks (including 2 side-longs) which cover a lot of ground without ever sounding derivative or repetitious, fans of Heldon, Pink Floyd, Berlin-school electronic Kraut and other such mind-expanders will feel right at home here. According to Head Heritage:
After completing the legendary ‘Libra’ soundtrack, Besombes was making music for contemporary ballet as well as playing synths alongside Jean Louis Rizet in Luc Ferrari’s live group (which also included percussion and woodwinds). Besombes and Rizet were requested by the Pôle label to make an album together, and they set about assembling session musicians and working out new music, some of which (such as ‘Synthi Soit-Il’) was based on stuff the two had created whilst playing live with Ferrari. Besombes handled synths, keys, accordion, guitar and voice, and Rizet contributed synths, keys, flute, trumpet, guitar and voice. Guests were Jacky Vander Elstraete (drums), Alain Petit (sax), and Françoise Legros (voice). A great array of keyboards and synthesizers were used – AKS VCS 3, ARP 2600, Electrocomp 101 & 500, Farfisa Synthorchestra, Yamaha FY 1, Oberheim Expander, Solina String-ensemble, Crumar, Fender Rhodes, Hammond organ and Mellotron 400. (Incidentally, Besombes had developed connections with the Mellotron people and became their French agent for a while; other contacts gave him access to the latest synth equipment.) They would all be used to full effect on this double album, packed with ideas and sonic wizardry. Often referred to aPôle record, but although Rizet played on two tracks of the second Pôle album ‘Inside the Dream’, this should be considered more a Besombes/Rizet collaboration, as ‘Pôle’ had been put on the cover at the last minute without the consent of Besombes or Rizet, who were opposed to it.This epic album just oozes sanctified mystery, psychic menace and playful insanity and exists in a timeless zone of tripped-out lysergicity all its own. I’ve never heard anything quite like it, nor quite as special for the kind of music that it is (and really, there’s not that much of this kind of thing, from then or now). Have you heard Achim Reichel’s ‘Echo’? That special – but quite different again, in another parallel sphere but just as exalted in my mind and heart. Psychedelic progressive synth-based music doesn’t get much better than this, though it’s clearly not for everyone – some people just find it cold, too weird, and occasionally too repetitive or slow and can’t get into it. It’s the kind of album with heaps of textural depth you need to give time and attention to, it demands to be taken seriously (though it occasionally has some strange fun) and I treat this album as a piece of sacramental music to be played only when all present are prepared to lay back quietly, shut their eyes and let it work its way inside for the next 75 minutes (maybe with a smoke break and breather in the middle).
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Artist: BESOMBES-RIZET
Title: POLE
Label: Tapioca
Catalog Number: TP 10 005 / 10 006
Country: France
Dead Wax Numbers: PO006A // TP 10006-B PO007B // TP 1006-A PO007A // PO006B etched (sides B and D are pressed/labeled backwards)
Weight: 180 grams and 170 grams
Cover Format: laminated, glossy outside and flat paper inside
Inner Sleeve: original square plastic inners
Cover Condition: EX (nearly stone mint if not for the slightest corner tip wear and some tiny edge creases, still truly about as nice as it possibly gets)
Vinyl Condition: EX and M- (crystal clear with perfect gloss, both platters have no hairlines or scratches though there are various light pressing artifacts which do not affect play, two sides have a tiny needle drag which produces no more sound than the typical Tapioca vinyl does, but if those weren't there these discs would appear unplayed, and overall it honestly performs as perfectly as a Tapioca pressing can, true archive material)
We clean every record on a VPI HW-17F using Audio Intelligent fluids.
Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983:
M / M- / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).
UNITED STATES MEDIA MAIL : $4 for the first LP, 50 cents for each thereafter. PRIORITY MAIL : $8 for the first LP, $2 for each thereafter.
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CANADA and MEXICO FIRST CLASS AIRMAIL : $9 for the first LP, $3 each for the next three. PRIORITY AIRMAIL : $23 for the first LP, $2 for each thereafter.
THE REST OF THE WORLD - FIRST CLASS INTERNATIONAL AIRMAIL (2-4 weeks) : $16 for the first LP, $6 more for the next three. Registration is available for an additional $12. PRIORITY AIRMAIL (5-14 days) : $30 for the first LP, $5 for each thereafter. Registration is also available for an additional $12.
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For all locations, double LPs count as 2 records, triple sets count as 3 and so on. We are always happy to combine shipping, but regardless of how many LPs you hope to acquire, please complete your payment no later than 7 days after your last winning auction ends (of course exceptions can always be made, please contact us anytime). If you are combining items please wait for us to send our personal invoice with the combined shipping amount.
Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if need be, in the highest-quality cruciform LP mailer. No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.
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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale. No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here! We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout. A VG+ record will truly satisfy all but the most critical curator. On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!
We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade). We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.
MINT : Absolutely perfect.
This record looks like it has just left the plant, with no flaws whatsoever. It appears unhandled and unplayed, with no marks of any sort. Usually only sealed or (sometimes) unplayed LPs will warrant this grade.
The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.
M- : Virtually flawless, top copy.
The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection. It was very carefully handled and played, likely only once or twice.
The cover is as close to perfect as can be expected given its age. There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.
EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.
The record has no scratches or significant blemishes, and will play M- throughout. It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.
The cover is nearly perfect. There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.
VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.
The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.
The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing. No flaw is at all distracting in and of itself.
VG : A nice play copy, which will perform without much significant distraction.
The record appears well played, but still has the majority of the luster. It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced. It will play through quite nicely most of the time, with very minimal distraction.
The cover looks somewhat used and shows some mild wear. There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.
We will never sell anything less than VG, so the rest of the scale is unnecessary. And for what it’s worth, we absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss. Anything of significance will always be noted.
THANK YOU FOR SHOPPING!
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