BAUHAUS IN THE FLAT FIELD 12" VINYL LP RECORD ALBUM 4AD CAD 13 UTOPIA 1ST PRESS
  £   28
  $   37

 


£ 28 Sold For
Jul 21, 2024 Sold Date
Jul 13, 2024 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Description

BAUHAUS

IN THE FLAT FIELD

12" VINYL LP STEREO RECORD ALBUM

FIRST UK PRESSING RELEASED 5TH NOVEMBER 1980

MASTERED AT UTOPIA

BLUE 4AD LABELS

MATTE BLACK COVER

BLACK PICTURE AND LYRIC INNER SLEEVE

4AD RECORDS

CAT NO: CAD 13

VINYL IN VERY GOOD+ CONDITION

COVER IN VERY GOOD+ CONDITION

INNER SLEEVE IN VERY GOOD+ CONDITION

THE RECORD WILL BE POSTED IN A PROTECTIVE PVC COVER IN A DEDICATED RECORD MAILER FOR SAFE TRANSIT

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

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In The Flat Field

More images

Label: 4AD – CAD 13 Format: Vinyl, LP, Album, Stereo, Ʊtopia Country: UK Released: 5 Nov 1980 Genre: Rock Style: New Wave, Goth Rock, Post-Punk

Tracklist

A1 Double Dare 4:57 A2 In The Flat Field 4:00 A3 A God In An Alcove 4:07 A4 Dive 2:10 A5 The Spy In The Cab 4:27 B1 Small Talk Stinks 3:35 B2 St. Vitus Dance 3:30 B3 Stigmata Martyr 3:37 B4 Nerves 7:10

Companies, etc.

  • Phonographic Copyright ℗ – 4AD
  • Published By – Beggars Banquet Music
  • Recorded At – Southern Studios
  • Recorded At – Maida Vale Studios
  • Mastered At – Utopia Studios
  • Pressed By – Lyntone Recordings Ltd. – LYN-9010
  • Pressed By – Lyntone Recordings Ltd. – LYN-9011

Credits

  • Design [Sleeve Design] – Bauhaus
  • Engineer – Tony Cook (2)
  • Layout – Glenn Campling
  • Performer – Daniel Ash, David Jay*, Kevin Haskins, Peter Murphy
  • Photography By [Daniel Ash] – Eugene Merinov
  • Photography By [David Jay] – Geoff Smith (9)
  • Photography By [Front Cover Photograph: Homage To Purvis De Chavannes] – Duane Michals
  • Photography By [Kevin Haskins] – Stella Watts
  • Photography By [Peter Murphy] – Piers Bannister
  • Producer – Bauhaus
  • Written-By, Instruments, Lyrics By, Arranged By – Bauhaus

Notes

Issued on blue 4·AD labels and in a matte black & white sleeve with a top-opening square inner sleeve with the full lyrics on one side (some die-cut diagonally at the top may have been mastered or pressed differently).
This edition mastered at Utopia (represented by the lyre symbol = "Ʊ" in the runout area).
A very similar looking edition of In The Flat Field mastered at Tape One appears to include a WEA pressing and yet another from an unidentified plant.

Recorded at Southern Studios, London, except track A1 recorded at Maida Vale Studios by arrangement with BBC Records.

All tracks published by Beggars Banquet Music

Manufactured in the UK

℗ 1980 4 AD

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A, etched variant 1): CAD 13 A1 IUT Ʊ F1 LYN-9010
  • Matrix / Runout (Runout side B, etched variant 1): CAD 13 B1 F1 IUT THE CUTTING ROOM FLOOR CLAIMS ANOTHER INTRO LYN-9011 Ʊ
  • Matrix / Runout (Runout side A, etched variant 2): CAD 13 A1 /F1 Ʊ LYN-9010
  • Matrix / Runout (Runout side B, etched variant 2): CAD 13 B1 |F1 THE CUTTING ROOM FLOOR CLAIMS ANOTHER INTRO LYN 9011 Ʊ

RECORD COLLECTOR MAGAZINE GRADING GUIDE  
 Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler




 


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