BACHMAN-TURNER OVERDRIVE, Bachman-Turner Overdrive WHITE LABEL PROMO US EXC- LP
$
50
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Description
Bachman-Turner Overdrive ?– Bachman-Turner Overdrive Label: Mercury ?– SRM-1-673 Format: Vinyl, LP, Album, Promo Country: US Released: 1973 Genre: Rock Style: Blues Rock, Hard Rock Tracklist Hide Credits A1 Gimme Your Money Please Written-By – C.F. Turner 4:42 A2 Hold Back The Water Written-By – K. Kelly*, R. Bachman*, R. Bachman* 5:05 A3 Blue Collar Written-By – C.F. Turner 6:05 A4 Little Gandy Dancer Written-By – R. Bachman* 4:16 B1 Stayed Awake All Night Written-By – R. Bachman* 4:08 B2 Down And Out Man Written-By – R. B. Charles, T. Bachman* 3:10 B3 Don't Get Yourself In Trouble Written-By – R. Bachman* 4:50 B4 Thank You For The Feelin' Written-By – C.F. Turner 4:06 Companies, etc. Manufactured By – Mercury Record Productions, Inc. Distributed By – Mercury Record Productions, Inc. Phonographic Copyright (p) – Phonogram, Inc. Recorded At – RCA Studios, Toronto Credits Art Direction – Jim Ladwig Congas – Barry Keane (tracks: A3) Design [Album] – Rob Bachman Design [Inside] – Joe Kotleba Drums, Percussion – Rob Bachman Engineer – Mark Smith (9) Lead Guitar, Vocals – Randy Bachman Lead Vocals, Bass – C. F. Turner* Management [Direction] – Bruce Allen Management Mastered By – Gilbert Kong Photography By [Cover] – Tom Zamiar Photography By [Other] – Ed Caraeff Producer – Randy Bachman Rhythm Guitar, Vocals – Tim Bachman Technician – Alan Moy
USA WHITE LABEL PROMO PRESSING VINYL ALBUM IN GATEFOLD SLEEVE WITH ORIGINAL COMPANY INNER SLEEVE.
This Gilbert Kong mastered pressing has far more depth and punch than any other release.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: EXCELLENT MINUS. NO SCRATCHES, JUST ONE NOTICEABLE FINGERNAIL SCUFF MARK ON THE FIRST TRACK SIDE TWO. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
- 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME.
- 2. INTERNATIONAL BY TRACKED AND INSURED PRIORITY AIR MAIL IS $64.99 [EXCEPT CANADA, WHICH IS $54.99]. This is now the only reliable, tracked and insured way we can ship international packages.
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