BABY FACE WILLETTE BEHIND 8 BALL ULTRA-RARE'64 ARGO/CADET STEREO LP IN SHRINK NM

$

36

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       BABY FACE WILLETTE – BEHIND THE 8 BALL – ULTRA-RARE 1964 CADET RECORDS  STEREO LPS-749

·       GENUINE  U.S. PRESSING

·       THE BIRTH OF AVANT-GARDE PSYCHEDELIC SPIRITUAL JAZZ/SOUL GOSPEL FUSION FUNK!!!

·       VERY EARLY PRESSING CIRCA 1965/66 ON  BLUE-FADES-TO-WHITE CADET LABEL WITH “HORSE’S HEAD” LOGO, MID-60’s STYLE (THE COVER IS, OF COURSE, ARGO -- NO CADET COVERS WERE EVER MADE FOR THIS TITLE)

·       DEEP GROOVE PRESSING

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       COVER IS STILL PARTIALLY (ABOUT 85%)  IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Behind the 8-Ball was Baby Face Willette's second album for Argo, his second of 1964, and -- unfortunately -- the last one he would record as a leader, for reasons that aren't well-documented. Compared to his past releases, Behind the 8-Ball is short on original compositions (only two of eight tracks), but the emphasis here is more on Willette's deep roots in gospel and R&B, two circuits he worked extensively during his pre-Blute Note dues-paying days. This perhaps accounts for the brevity of the album -- only two cuts top the five-minute mark -- but it also provides a chance to hear Willette at his most soulful, playing the music he grew up with. Willette is again joined by guitarist Ben White, plus new drummer Jerold Donavon, who are usually solid if nothing special; Willette's Hammond B-3 is the star. On the R&B side, Willette's short, self-penned title track is strongly reminiscent of the very early rock & roll era, and his cover of Big Joe Turner's "Roll 'Em Pete" features some nifty trade-offs with White. From the gospel side of the equation, altoist Gene Barge makes his only appearance on the traditional standard "Amen"; there's also the R&B-ish waltz "Sinnin' Sam" and an extended take on "Just a Closer Walk," which had recently been recorded in similar fashion by Willette's former Blue Note compatriot Grant Green. Elsewhere, Willette throws a curveball with his lengthy original "Song of the Universe"; a confused White seems to have difficulty keeping up with the hyperspeed waltz time, but Willette tosses out lightning-quick leads and riffs with a light, nimble touch...Behind the 8-Ball is a solid acquisition, and worth tracking down

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record comes in the original stock inner sleeve.

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP   (A  PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-        Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)

-         Cover has one corner slightly dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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