Analogue Productions LP LSC-2436: Respighi - Pines of Rome, etc REINER, 200gm NM
C$
70
$
51
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Background -
RCA Living Stereo classical LPs — the gold standard for top quality orchestral performance and sound!Remastered from the original master tapes and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound
Lacquers plated by Gary Salstrom and pressed on 200-gram vinyl at Quality Record Pressings!
Acoustic Sounds customer Alan Hendler has this to say about the first three RCA reissues: "Just received your new vinyl of Scheherazade, Pictures and Pines and Fountains of Rome. After listening I have never heard anything that comes close to the glorious sound of these records. I have original vinyl, CD's, SACD's, XRCD's, Chesky and Classic Records remasters and nothing comes close to how good these sound. The overall balance of all the sections of the orchestra is superb. Wood winds are gorgeous. I will be buying more."
"These records are definitive." — Michael Fremer, editor, AnalogPlanet
Winner of a Gruvy Award, chosen by AnalogPlanet's editor, Michael Fremer, for vinyl records that are musically and sonically outstanding and are also well mastered and pressed.
"These are the best vinyl releases of RCA LPs I've yet heard." — Jonathan Valin, executive editor, The Absolute Sound
"Grade A. The exceedingly rare 1s/1s pressing of this disc has been celebrated and sought after ever since Carol B. Kessler wrote her famous article in TAS on the best RCAs (she ranked the 1s/1s Pines the #3 RCA of all-time). If you don't have a 1s/1s pressing, you will doubtlessly find this remastering sensational. Since I do have a 1s/1s, I'd have to say that there are aspects of the 1s/1s that are marginally superior to the Analogue Productions reissue — and vice versa. Though beautiful, string tone doesn't seem quite as silken on the Kassem reissue as it does on the RCA original; on the other hand, the staggeringly powerful bass on "The Pines of the Appian Way" (replete with gong and organ) retains all of its thunder and then some on the Analogue Productions re-pressing with, once again, a fair measure of tape-like ease and authority. (As with The Reiner Sound, the base is a little murky in spots, probably the results of mic preamp overload. In any event that occasional murkiness is also present on the 1s/1s and the Classic reissue.)" — Jonathan Valin, The Absolute Sound, June 11, 2013.
A highly sought-after RCA shaded dog Living Stereo title, the performance and sonics found within rate a 10/10. A must have — the dynamics are monstrous! Whichever other Respighi tone poem recordings you ultimately purchase, you MUST own this one. Since the early ‘60s it has been the standard by which all others have been judged, and in terms of both sound and performance, it has never really been surpassed. The final march of Pines is simply incredible: Thundering bass drum, crashing cymbals and gongs, bellowing brass — nobody since has brought the whole thing off with the same combination of excitement and discipline.
A highly sought-after RCA shaded dog Living Stereo title, the performance and sonics found within, rate a resounding 10 out of 10. The dynamics are monstrous! This is one of the jewels in the Living Stereo crown. This, like the Rimsky-Korsakov Scheherazade, is considered one of the very best LPs by Reiner, the CSO and RCA's crew. A Mohr and Layton classic.
Pines of Rome is a symphonic poem written in 1924 by the Italian composer Ottorino Respighi and, together with Fontane di Roma and Feste Romane, forms what is sometimes loosely referred to as his "Roman trilogy". Each movement depicts the pine trees in different locations in Rome at different times of day.
- I pini di Villa Borghese (The Pines of Villa Borghese)
- Pini presso una catacomba (Pines near a catacomb)
- I pini del Gianicolo (The Pines of the Janiculum)
- I pini della Via Appia (The Pines of the Appian Way)
The first movement, I pini di Villa Borghese, portrays noisy children playing soldiers and marching in the pine groves of the Borghese gardens. The second movement, Pini presso una catacomba is a majestic dirge, representing pine trees near a catacomb in Campagna. Lower orchestral instruments, plus the organ pedal at 16' and 32' pitch, suggest the subterranean nature of the catacombs, while the trombones represent priests chanting. The third part, I pini del Gianicolo, is a nocturne set near a temple, on the Janiculum hill, of the Roman god Janus. Double-faced gods open large doors and gates, marking the beginning of a new year. Respighi takes the opportunity to include the actual sound of a nightingale, something that had never been done before. (The score mentions a specific recording that can be played on a phonograph: the "Brunswick Panatrope"). The final movement, I pini della Via Appia, portrays pine trees along the great Appian Way. Misty dawn: a legion advances along the Via Appia in the brilliance of the newly-risen sun. Respighi wanted the ground to tremble under the footsteps of his army and he instructs the organ to play bottom B flat on 8', 16' and 32' organ pedal. The score calls for buccine - ancient trumpets that are usually represented by flugelhorns. Trumpets peal and the consular army rises in triumph to the Capitoline Hill.
Fontane di Roma (Fountains of Rome) is a 1916 work by Respighi, now considered part of the Roman Trilogy of symphonic poems. Each of the four sections is meant to depict one of Rome’s fountains during different periods of the day and night.
Arturo Toscanini originally planned to conduct the work in 1916, but the Italian composer refused to appear for the performance after a disagreement over his having included some of Wagner's music on a program played during World War I. Consequently, it did not premiere until March 11, 1917 where it appeared at the Teatro Augusteo in Rome with Antonio Guarnieri as conductor. Although the premiere was unsuccessful, Toscanini finally conducted the work in Milan in 1918 with tremendous success.
The piece was first performed in the United States on February 13, 1919. Toscanini recorded the music with the NBC Symphony Orchestra in Carnegie Hall in 1951. The work has since become one of the most eminent examples of the symphonic poem.
- "La fontana di Valle Giulia all'alba" (The Fountain of Valle Giulia at Dawn)
- "La fontana del Tritone al mattino" (The Triton Fountain in the Morning)
- "La fontana di Trevi al meriggio" (The Trevi Fountain at noon)
- "La fontana di Villa Medici al tramonto" (The Villa Medici Fountain at Sunset)
The first section, "La fontana di Valle Giulia all'Alba", shows this fountain at daybreak in a pastoral landscape, in which cattle pass during the morning.
In the second section- "La fontana del Tritone al mattino" - Naiads and Tritons dancing in the morning light, as figures of the Bernini fountain are seen nearby. Gods and goddesses using conch shells are portrayed by the French horn.
The third section introduces "La fontana di Trevi al meriggio" and is ushered in by a triumph giving news of a recent victory by the god Neptune.
The final section, "La fontana di Villa Medici al tramonto", portrays a much more melancholic atmosphere, as the brilliance of the sun fades.
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ANALOGUE PRODUCTIONS LP item - Shaded Dog record labels - RED with SILVER lettering, sporting the famous little nipper dog logo at the top third of the record label.
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Record Made in the USA
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Pressing is in STEREO
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Record Speed: 33 1/3 rpm
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Earliest version of this audiophile reissue by Analogue Productions - using 200-gram virgin vinyl and may be out of print.
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Record Made in: 2013. The original LP was issued in 1960 by RCA. Recorded by Richard Mohr (producer) and Lewis Layton (recording engineer).
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Record Catalog Number: LSC 2436
Featured on this item:
Ottorino Respighi // Fritz Reiner
Music on this LP Title:
Pines of Rome & Fountains of Rome
Ottorino Respighi (1879-1936):A1 Pines Of Villa Borghese
A2 Pines Near Catacomb
A3 Pines Of Janiculum
A4 Pines Of Appian Way
B1 Fountain Of Valle Giulia At Dawn
B2 Triton Fountain At Morn
B3 Fountain Of Trevi At Mid-day
B4 Villa Medici Fountain At Sunset
Performed By -
Chicago Symphony Orchestra
Fritz Reiner, conductor
• Lacquer Cut At – Sterling Sound
• Composed By – Respighi
• Conductor – Reiner
• Lacquer Cut By – Ryan Smith
• Orchestra – Chicago Symphony
Remastered and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound
• Matrix / Runout: APC-LSC-2436-A
• Matrix / Runout: APC-LSC-2436-B
• Barcode: 753088243615
CONDITION Details:
LP JACKET:-
The LP jacket is in Near Mint condition - even though this item has been opened, it appears as a new record jacket - top notch condition!
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The jacket has NO seam splits - it is completely intact.
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The jacket has NO drill holes or saw marks of any kind.
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The outer plastic cellophane (bag) wrap is still on the LP.
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There is NO hand writing on the front or back of the jacket.
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The cover has clean and sharp colors - see pictures with this listing for more detail.
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The LP is in Near MINT condition as well. Like the jacket, the LP appears as NEW - top notch shape throughout!!
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This is the mint copy you have always wanted in your collection - any super picky audiophile would be happy with this one!
A Short Note About LP GRADING -
- Mint = Only used for sealed items.
- Near Mint = Virtually flawless in every way.
- Near Mint Minus = Item has some minor imperfections, some audible.
- Excellent = Item obviously played and enjoyed with some noise.
- Very Good Plus = Many more imperfections which are noticeable and obtrusive.
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