ARTIE SHAW [Both Feet In the Groove] ANDY WARHOL [cover art] LPM-1201/RCA/DG
  $   53

 


$ 53 Sold For
Mar 1, 2013 Sold Date
Feb 22, 2013 Start Date
$   10 Start price
17   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description


1956 RCA Records LPM-1201
DEEP GROOVE * MONO ORIGINAL
*** ANDY WARHOL cover art ***
*
VINYL is EX- clean, lots of gloss a couple of superficial hairlines


 COVER is VG(+)  light surface/edge wear bottom seam 5" split top seam 4" split small scar to lower left


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 One of jazz's finest clarinetists, Artie Shaw never seemed fully satisfied with his musical life, constantly breaking up successful bands and running away from success. While Count Basie and Duke Ellingtonwere satisfied to lead just one orchestra during the swing era, and Benny Goodman (due to illness) had two, Shaw led five, all of them distinctive and memorable. After growing up in New Haven, CT, and playing clarinet and alto locally, Shaw spent part of 1925 with Johnny Cavallaro's dance band and then played off and on with Austin Wylie's band in Cleveland from 1927-1929 before joining Irving Aaronson's Commanders. After moving to New York, Shaw became a close associate of Willie "The Lion" Smith at jam sessions, and by 1931 was a busy studio musician. He retired from music for the first time in 1934 in hopes of writing a book, but when his money started running out, Shaw returned to New York. A major turning point occurred when he performed at an all-star big band concert at the Imperial Theatre in May 1936, surprising the audience by performing with a string quartet and a rhythm section. He used a similar concept in putting together his first orchestra, adding a Dixieland-type front line and a vocalist while retaining the strings. Despite some fine recordings, that particular band disbanded in early 1937 and then Shaw put together a more conventional big band.

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