ART BLAKEY & THE JAZZ MESSENGERS At The Jazz Corner Of The World W63RD RVG EAR
$
40
$ 40
Sold For
Aug 25, 2013
Sold Date
Aug 18, 2013
Start Date
2
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
ART BLAKEY & THE JAZZ MESSENGERS At The Jazz Corner Of The World W63RD RVG EAR
A VG MINUS/G ORIGINAL LP ON BLUE NOTE BLP 4016 (VOLUME 2)
A DEEP GROOVE PRESSING WITH 47 WEST 63RD NYC ON BOTH SIDES
RECORDED BY RUDY VAN GELDER WITH RVG IMPRESSED IN THE DEAD WAX BOTH SIDES AND THE EAR ONLY ON SIDE ONE AS SHOWN
WITH LEE MORGAN ON TRUMPET, HANK MOBLEY ON TENOR, BOBBY TIMMONS ON PIANBO, JYMIE MERRITT ON BASS, AT ON DRUMS
WITH THE ORIGINAL BLUE NOTE INNER SLEEVE AS SHOWN
TRACKS AS SHOWN ON THE LABEL PHOTOS
COVER STOCK WITH RUB AND RING WEAR AND AGE DISCOLORATION. FRONT COVER LACQUERED GLOSSY TYPE. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. BOTTOM EDGE WITH TWO SMALL OUTER LAYER LOSSES, BOTTOM RIGHT CORNER STARTING TO SPLIT. TOP RIGHT CORNER WITH MULTIPLE LIGHT CREASE BEND MARKS. BACK WITH INK WRITING ABOVE THE LINER NOTES. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.
SPINDLE HOLE WITH RUB MARKS. THE VINYL BLANK WITH ASSORTED SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. SOME LOSS OF SHEEN. WE'VE TEST PLAYED THIS LP ON A PROFESSIONAL SOUND SYSTEM WITH A VPI TURNTABLE WITH A GRADO REFERENCE 1 WOOD CARTRIDGE WITHOUT NOTICE OF THE COSMETIC ITEMS AND SOUNDING QUITE FINE HERE. IF YOU'RE LOOKING FOR A PERFECT COPY THIS IS NOT FOR YOU. PLAYED SURPRISINGLY WELL, CONSIDERING IT'S APPEARANCE AND A TESTAMENT TO A DEEP GROOVE PRESSING.
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 200 PLUS WHEN SEEING THE LIGHT OF DAY
?PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
FROM THE ALLMUSIC.COM WEBSITE:
Review by Michael G. Nastos
Art Blakey's Jazz Messengers of 1959 were hitting their full stride, as trumpeter Lee Morgan joined the fold with tenor saxophonist Hank Mobley, the reliable pianist Bobby Timmons and steady bassist Jymie Merritt. Recorded live at New York's City's Birdland aka the "Jazz Corner of the World," this double-CD set reissued of two Blue Note LPs represents four 20-minute sets of this incredible band at their best, and in their element. Mixing up standards and favored originals from peer group composers, the band is, in the vernacular of the era, cooking. Introductions by the legendary M.C. Pee Wee Marquette precede the ultra-cool blues shuffle "Hipsippy Blues," as Morgan and Mobley sing beautifully through their horns in delightful unison. "Chicken an' Dumplins" is one of the hip, cool, chatty, and clipped melodies that will be memorable and hummable 'til jazz do us part. The theme "Art's Revelation" in a minor key has Jewish elements and a solid swing base where Blakey constantly switches up rhythms, but not the tempo. The fast hard bop theme "M & M" defines the genre and the era, while "Just Coolin'" is depicted as a foxtrot, but in hot, hard swinging trim. Several standards include a great read of Randy Weston's "Hi-Fly" with a pristine intro and Mobley's wonderful harmonic interpretation. Thelonious Monk's "Justice" (better known in later years as "Evidence") fully exploits the written pedal point stop-start theme, while the languid "Close Your Eyes" has modal piano and horn inserts further enhancing this sweet tune. You also get a short and stouter version of "The Theme," the former with Marquette's announcing. When Mobley left and Wayne Shorter joined this ensemble, they hit their peak of performance, but this band was as definitive a modern jazz ensemble as there ever was, and the immaculately chosen repertoire elevates this to one of the greatest live jazz session ever, and belongs on the shelf of all serious jazz listeners.
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AUCTION BIDDERS : PAYMENT IS EXPECTED WITHIN 24 HOURS OF SALE TIME 524 (GS 6.6.4 (524))
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