ART BLAKEY & JM w/LEE MORGAN MEET YOU @ JAZZ CORNER#1 SEALED BLUE NOTE STEREO LP
$
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WE CURRENTLY HAVE ALMOST 1100 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS IN ALPHABETICAL ORDER (BY ARTISTS’ NAMES) ►CLICK HERE
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· ART BLAKEY AND THE JAZZ MESSENGERS (Lee Morgan, Hank Mobley, Bobby Timmons, Jymie Merritt and Art Blakey) – MEET YOU AT JAZZ CORNER OF THE WORLD, VOL. 1 – BLUE NOTE 1959 STEREO LP BST-84054
· -GENUINE U.S. PRESSING
*** STILL SEALED LP BELIEVED TO BE AN EARLY PRESSING CIRCA 1966/67 ON BLUE NOTE'S "DIVISION OF LIBERTY RECORDS" LABEL (SORRY, WE ARE NOT ENTIRELY SURE AND CANNOT GUARANTEE WHAT LABEL IS INSIDE**
· BELIEVED TO BE PRESSED ON THE WHITE AND BLUE 'BLUE NOTE' LABEL WITH 'A DIVISION OF LIBERTY RECORDS INSCRIPTION ON THE LABEL , CIRCA 1966/1967
· Recorded (and probably mastered) by ►Rudy Van Gelder
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 6.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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This is the first of two volumes featuring the oft-documented late-'50s/early-'60s incarnation of the Jazz Messengers -- with Lee Morgan (trumpet), Wayne Shorter (tenor sax), Bobby Timmons (piano), and Jymie Merritt (bass). As always, the combo is led by the aggressive skins of Art Blakey (drums). Here all ears are tuned to the proverbial "jazz corner of the world," better known as Birdland, where the quintet serves up a healthy sampling of its concurrent catalog. Although the live recording suffers from a bit of distortion -- which appears to be on the master tape rather than being a manufacturing flaw -- the overall quality of the performance significantly downplays any and all audio anomalies. After a rousing introduction from Birdland's master of ceremonies -- the highly affable Pee Wee Marquette -- the band introduces Hank Mobley's easy-boppin' and appropriately enough titled "The Opener" -- which is punctuated by some stirring interaction between Shorter and Morgan. The syncopated blues changes that drive through Morgan's own "What Know" reflect his abilities as the quintessential composer for these Jazz Messengers. He incorporates his solid swinging improvisational skills into an open and free exchange of sonic ideas, not only with Shorter -- whose solos sound comparatively stilted at times -- but with the rock-solid rhythm section as well, which is led by Morgan's sonic cues. The second half of the disc contains some of the most inspired sides to be found on either installment of Meet You at the Jazz Corner of the World. The melodic and sensitive rendition of "'Round About Midnight" ranks among the best cover versions of the Thelonious Monk standard. Again, Shorter and Morgan seamlessly banter back and forth -- with the latter executing a fluidity that contrasts with Shorter's angular responses. A spirited "The Breeze and I" concludes this edition, allowing Timmons the opportunity to stretch out and motivate the exchange of musical ideas with solos that are well-placed and likewise sit comfortably in the context of this brass-driven combo. The sheer volume of releases by Art Blakey & the Jazz Messengers -- especially this aggregate -- has obscured Meet You at the Jazz Corner of the World in the context of the plethora of similarly classic live platters. That said, both volumes are a welcome addition to the library of most any jazz lover.
(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
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THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID)
(b) The record is believed to come in its original stock inner sleeve.
(c) The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a small cutout hole in one of the corners
- Cover has a light "wrinkle" (crease) in one of the corners.
- Cover has a few tiny wrinkles along the spine (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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