ART BLAKEY AND THE JAZZ MESSENGERS - Drum Suite - LP - JAZZ
€
20
$
23
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Description
The album is made up of two sessions. Side A consists of exotic, Afro-Cuban rhythms and the flipside is a swell session of Blakey’s working band of the period consisting of alto saxophonist Jackie McLean, trumpeter Bill Hardman, pianist Sam Dockery and bassist Spanky DeBrest. The first part (as well as the classy album cover) suggests that Art Blakey was eager to put Africa back into jazz. Yet, in drummer Art Taylor’s book of interviews Notes And Tones, (Da Capo, 1982) Blakey insisted that he has always felt that ‘our music has nothing to do with Africa. (…) No America, no jazz. (…) African music is entirely different, and the Africans are much more advanced than we are rhythmically, though we’re more advanced harmonically.’ In this view, which perhaps unintentionally ignores the impact of both Afro(-Cuban) rhythm and imported European musical standards on the cradle of jazz, New Orleans, Drum Suite isn’t jazz but African music. Or better said, African music played by American men of jazz. But Blakey would know. The Pittsburgh-born drummer traveled in Africa for almost a year in 1949. By his own account, just listening, not drumming.
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