AMY WINEHOUSE 

BACK TO BLACK

12" STEREO VINYL LP RECORD ALBUM

180G HEAVYWEIGHT VINYL

PRINTED PHOTO/LYRIC INNER BAG

VINYL IN EXCELLENT CONDITION (SEE DESCRIPTION)

COVER IN EXCELLENT CONDITION (SEE PHOTOS)

INNER SLEEVE IN EXCELLENT CONDITION

UNIVERSAL RECORDS

BARCODE: SEE ABOVE

CAT NO: STL.5512 (888 815 TY/888 815 2Y)

1969

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INFORMATION BELOW KINDLY PROVIDED BY DISCOGS

'Back to Black' is the second studio album by English recording artist Amy Winehouse, recorded 2005–2006 and released October 4, 2006 on Island Records.

It incorporates 1960s soul music styles and modern R&B production, with subjective lyrics that concern relationships and reflect on Winehouse's experiences with drinking, sex, and drugs. The album produced several singles, including 'Rehab', 'You Know I'm No Good', 'Back to Black', 'Tears Dry on Their Own', and 'Love Is a Losing Game'.

'Back to Black' received positive reviews from most music critics, earning praise for its classicist soul influences, Salaam Remi and Mark Ronson's production, and Winehouse's songwriting and emotive singing style. At the 50th Annual Grammy Awards ceremony, 'Back to Black' won five awards, tying the record (with Lauryn Hill, Alicia Keys, Beyoncé Knowles, Norah Jones, and Alison Krauss) for the second-most awards won by a female artist in a single ceremony. The album won Best Pop Vocal Album, while 'Rehab' won Best Female Pop Vocal Performance, Song of the Year and Record of the Year with Amy Winehouse winning Best New Artist. The album was also nominated for Album of the Year. To date, 'Back to Black' has sold over 10 million copies worldwide.

Back To Black

More images

Label: Universal Records – 173 412 8, Island Records Group – 173 412 8 Format: Vinyl, LP, Album, 180 g Country: Europe Released: 2007 Genre: Jazz, Funk / Soul, Pop Style: Contemporary R&B, Soul

Tracklist

A1 Rehab A2 You Know I'm No Good A3 Me & Mr Jones A4 Just Friends A5 Back To Black A6 Love Is A Losing Game B1 Tears Dry On Their Own B2 Wake Up Alone B3 Some Unholy War B4 He Can Only Hold Her B5 Addicted

Companies, etc.

• Phonographic Copyright ℗ – Universal Island Records Ltd.
• Copyright © – Universal Island Records Ltd.
• Record Company – Universal Music
• Pressed By – Optimal Media Production – B788458
• Published By – EMI Music Publishing Ltd.
• Published By – Jobete Music
• Published By – EMI Music Ltd.
• Published By – IQ Music Ltd.
• Published By – Jobete Music, Inc.
• Published By – Jobete Music (UK) Ltd.
• Recorded At – Instrument Zoo
• Recorded At – Dapking Studios
• Recorded At – Chung King Studios
• Recorded At – Metropolis Studios
• Recorded At – Daptone Studios
• Recorded At – Allido Sound
• Mixed At – Circle House Studios
• Designed At – Free Barrabas!
• Mastered At – Metropolis Mastering

Credits

• Alto Saxophone – Andy Macintosh* (tracks: A1, A5, A6), Chris Davies* (tracks: A1, A5, A6)
• Alto Saxophone, Flute, Clarinet, Piano, Celesta [Celeste] – Vincent Henry (tracks: B1)
• Arranged By [All Band Arrangements] – Gabriel Roth (tracks: A1, A2, A5, A6, B2), Mark Ronson (tracks: A1, A2, A5, A6, B2)
• Arranged By [Orchestra], Conductor [Orchestra] – Chris Elliott (tracks: A1, A5, A6)
• Backing Vocals [Background Vocals] – Amy Winehouse (tracks: A3, B1, B3, B5)
• Baritone Saxophone – Ian Hendrickson-Smith (tracks: A1, A2)
• Baritone Saxophone [Baritone Sax] – Cochemea Gastelum (tracks: B4), Dave Bishop (tracks: A1, A5, A6)
• Baritone Saxophone, Tenor Saxophone, Guitar – Vincent Henry (tracks: A3, B1)
• Bass – Salaam Remi (tracks: A4, B1, B3, B5)
• Bass Guitar – Nick Movshon (tracks: A1, A2, A5, A6, B2, B4)
• Cello – Anthony Pleeth (tracks: A1, A5, A6), Joely Koos (tracks: A1, A5, A6), John Heley (tracks: A1, A5, A6)
• Clarinet, Bass Clarinet, Guitar – Vincent Henry (tracks: A4)
• Contractor [Orchestra] – Isobel Griffiths (tracks: A1, A5, A6)
• Design – Alex Hutchinson
• Double Bass [Upright Bass], Drums, Piano – Salaam Remi (tracks: A3)
• Drums – Homer Steinweiss (tracks: A1, A2, A5, A6, B2, B4), Salaam Remi (tracks: B5), Troy Auxilly-Wilson (tracks: A4, B1, B5)
• Drums, Guitar – Salaam Remi (tracks: B3)
• Electric Piano [Rhodes], Organ – John Adams* (tracks: A4, B5)
• Engineer [Assistant Recording] – Dom Morley (tracks: A1, A5, A6, B4)
• Engineer [Assistant] – Jesse Gladstone (tracks: A1, A2, A5, A6, B2), Mike Makowski (tracks: A1, A2, A5, A6, B2)
• Finger Snaps [Snaps] – Mark Ronson (tracks: B4)
• Guitar – Amy Winehouse (tracks: A3, A4, B3, B5), Binky Griptite (tracks: A1, A2, A5, A6, B2, B4), Thomas Brenneck (tracks: A1, A2, A5, A6, B2, B4), Vincent Henry (tracks: B3)
• Handclaps [Claps] – Mark Ronson (tracks: A1), Vaughan Merrick (tracks: A1)
• Harp – Helen Tunstall (tracks: A1, A6)
• Lacquer Cut By – Stu.*
• Leader [Orchestra] – Perry Montague-Mason (tracks: A1, A5, A6)
• Management – Raye Cosbert
• Management [Tour Booking] – Paul Franklin (3)
• Mastered By [Vinyl] – Stu.*
• Mixed By – Gary "G Major" Noble* (tracks: A3, A4, B3, B5), Tom Elmhirst (tracks: A1, A2, A5, A6, B1, B2, B4)
• Mixed By [Assisted By] – James Wisner (tracks: A3, A4, B3, B5), Matt Paul (tracks: A1, A2, A5, A6, B1, B2, B4)
• Organ – John Adams* (tracks: B3)
• Organ [Wurlitzer], Handclaps [Claps] – Victor Axelrod (tracks: A1, A2)
• Percussion – Frank Ricotti (tracks: A1, A5, A6), Sam Koppelman (tracks: B4)
• Photography By [Cover, Inner Sleeve] – Mishca Richter*
• Photography By [Inner Sleeve] – Alex Lake, Harry Benson (2)
• Piano – Victor Axelrod (tracks: A1, A2, A5, A6, B2, B4)
• Piano, Guitar – Salaam Remi (tracks: B1)
• Producer – Mark Ronson (tracks: A1, A2, A5, A6, B2, B4), SALAAMREMI.COM* (tracks: A3, A4, B1, B3, B5)
• Producer [Original Demo] – P*Nut (tracks: B4)
• Recorded By – Derek Pacuk (tracks: B4), Dom Morley (tracks: B4), Franklin Socorro (tracks: A3, A4, B3, B5), Gabriel Roth (tracks: B4), Mark Ronson (tracks: A1, A5, A6, B2), Matt Paul (tracks: B4), Vaughan Merrick (tracks: A1, A5, A6, B2, B4)
• Recorded By [Assisted By] – Gleyder "Gee" Disla (tracks: A3, A4, B1, B3, B5), Shomari "Sho" Dillon (tracks: A3, A4, B1, B3, B5)
• Saxophone [Saxophones], Guitar [Guitars] – Vincent Henry (tracks: B5)
• Tambourine – Mark Ronson (tracks: A5), Troy Auxilly-Wilson (tracks: B1)
• Tenor Saxophone – Neal Sugarman (tracks: A1, A2, B4)
• Tenor Saxophone [Tenor Sax] – Jamie Talbot (tracks: A1, A5, A6), Mike Smith (3) (tracks: A1, A6)
• Trombone [Tenor] – Richard Edwards (2) (tracks: A1, A6)
• Trumpet – Bruce Purse (tracks: A4, B1, B5), Dave Guy (tracks: A1, A2, B4), Steve Sidwell (tracks: A1, A6)
• Trumpet [Bass], Flugelhorn – Bruce Purse (tracks: A3, A4, B1, B5)
• Viola – Bruce White (tracks: A1, A5, A6), Jon Thorne (3) (tracks: A1, A5, A6), Katie Wilkinson (tracks: A1, A5, A6), Rachel Bolt (tracks: A1, A5, A6)
• Violin – Boguslaw Kostecki (tracks: A1, A5, A6), Chris Tombling (tracks: A1, A5, A6), Liz Edwards* (tracks: A1, A5, A6), Everton Nelson (tracks: A1, A5, A6), Jonathan Rees (tracks: A1, A5, A6), Mark Berrow (tracks: A1, A5, A6), Perry Montague-Mason (tracks: A1, A5, A6), Peter Hanson (tracks: A1, A5, A6), Tom Pigott-Smith (tracks: A1, A5, A6), Warren Zielinski (tracks: A1, A5, A6)
• Written-By – Amy Winehouse, Nickolas Ashford & Valerie Simpson* (tracks: B1), Mark Ronson (tracks: A5), Paul O'Duffy* (tracks: B2), Richard Poindexter (tracks: B4), Robert Poindexter (tracks: B4)

Notes

This release is near identical to Back To Black. The two differences are that (i) it is not pressed by GZ Digital Media and so doesn't display their stamped five-digit job number in the runouts, and (ii) it is a heavyweight pressing.

A sticker is fixed to the sleeve and reads: Britain's best female artist Brit Awards 2007 Includes the singles Rehab, You No I'm No Good, Back To Black and Tears Dry On Their Own 173 412 8.

"This album is dedicated to my Nan Cynthie, god rest her soul. I love you Nan. Don't stop paying me visits while I'm asleep.
And for anyone who falls in love every day."

All tracks published by EMI Music Publishing Ltd., except Side Two track 1 published by EMI Music Publishing Ltd., Jobete Music/EMI Music Ltd., Side Two track 4 published by EMI Music Publishing Ltd., IQ Music Ltd.

Side One tracks, 1, 2, 5 & 6 and Side Two tracks 1, 2 & 4: Mixed by Tom Elmhirst for osOHso.
Side One tracks 3 & 4 and Side Two tracks 1, 3 & 5: Produced by SALAAMREMI.COM. Recorded at Instrument Zoo, Miami, FL. Mixed at Circle House Studios, Miami, FL.
Side One tracks 1, 2, 5 & 6 and Side Two track 2: Recorded at Dapking Studios, Chung King Studios and Metropolis Studios, London.
Side Two track 1: Contains a sample interpolation of "Ain't No Mountain High Enough", published by Jobete Music Inc. and Jobete Music (UK) Ltd.
Side Two track 4: Recorded at Daptone Studios by Gabriel Roth, Allido Studios by Vaughan Merrick and Derek Pacuk, and Metropolis Studios by Dom Morley and Matt Paul. Contains a sample interpolation of "She's A Fox Now", published by IQ Music Ltd.

Management: Raye Cosbert for Metropolis Music.
Tour Booking at Helter Skelter.

℗ 2007 Universal Island Records Ltd. A Universal Music Company. © 2007 Universal Island Records Ltd. A Universal Music Company. The copyright in this sound recording and artwork is owned by Universal Records Ltd. Made in the EU.

Barcode and Other Identifiers

• Barcode (Scanned): 602517341289
• Barcode (Printed): 6 02517 34128 9
• Matrix / Runout (Runout side A, etched): B788458-01A1 1734128 Stu.
• Matrix / Runout (Runout side B, etched): B788458-01B1 1734128
• Rights Society: BIEM/SABAM

RECORD COLLECTOR MAGAZINE GRADING GUIDE

 

Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler

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