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Alexis Korner ?– Alexis Korner And... 1961 - 1972

Label: Castle Communications ?– CCSLP 150 Series: The Collector Series – Format: 2 × Vinyl, LP, Compilation 
Country: UK Released: 1986 Genre: Rock, Blues Style: Blues Rock, Electric Blues, Acoustic

TracklistHide Credits

A1 –Blues Inc. 1961* She Fooled Me Arranged By, Vocals, Electric Guitar – Alexis KornerDrums – Colin BowdenHarmonica – Cyril Davis*Piano – Keith Scott (5)Written-By – Traditional 2:38 A2 –Blues Inc. 1962* Hoochie Coochie Man Double Bass [String Bass] – Jack BruceDrums – Charlie WattsPiano – Dave Stevens (4)Saxophone [Tenor] – Dick Heckstall-SmithVocals – Cyril Davis*Vocals, Guitar – Alexis KornerWritten-By – Willie Dixon 3:26 A3 –Blues Inc. 1965* Oh Lord Don't Let Them Drop That Atomic Bomb On Me Arranged By – Charles MingusDouble Bass [String Bass] – Danny ThompsonDrums – Terry CoxSaxophone [Tenor] – Alan SkidmoreTrombone – Chris Payne*Vocals, Guitar – Alexis KornerWritten-By – Traditional 3:20 A4 –Blues Inc. 1966* I Got A Woman Bass – Danny ThompsonDrums – Terry CoxElectric Guitar – Alexis KornerSaxophone [Alto] – Ray WarleighSaxophone [Tenor] – Brian Smith, Nigel StangerVocals – Herbie GoinsWritten-By – Ray Charles 3:36 A5 –Duo 1967* Corina Corina Arranged By, Vocals, Guitar – Alexis KornerVocals, Trumpet – Victor BroxWritten-By – Traditional 3:07 A6 –Alexis Korner Everyday I Have The Blues Bass – Rafei Luderitz*Drums – Gunter Lenz*Vocals, Guitar – Alexis KornerWritten-By – Peter Chatman 2:30 B1 –Duo 1968* Operator Guitar, Vocals – Alexis KornerPiano – Steve Miller (3)Vocals, Harmonica – Robert PlantWritten-By – Alexis Korner, Robert Plant, Steve Miller (3) 4:42 B2 –New Church Rosie Arranged By, Vocals, Guitar – Alexis KornerBass – Colin HodgkinsonSaxophone, Flute – Ray WarleighVocals, Guitar – Peter ThorupWritten-By – Traditional 11:26 B3 –New Church Polly Put The Kettle On Arranged By, Vocals, Guitar – Alexis Korner, Peter ThorupBass – Colin HodgkinsonSaxophone, Flute – Ray WarleighWritten-By – Traditional 1:34 C1 –New Church and Friends 1969* I See It Bass – Andy Frazer*Drums – John MarshallSaxophone [Alto] – Ray WarleighSaxophone [Baritone] – John SurmanSaxophone [Tenor] – Lol CoxhillTrombone – Chris Payne*, Malcolm GriffithsTrumpet – Harold Beckett*, Henry LowtherVocals – Paul RodgersVocals, Guitar – Alexis Korner, Peter ThorupVocals, Tambourine – Annette BroxWritten-By – James Edwards, Pervis Staples 2:31 C2 –New Church and Friends 1969* You Don't Miss Your Water Till Your Well Runs Dry Arranged By – John SurmanBass – Andy Frazer*Drums – John MarshallSaxophone [Alto] – Ray WarleighSaxophone [Baritone] – John SurmanSaxophone [Tenor] – Lol CoxhillTrombone – Chris Payne*, Malcolm GriffithsTrumpet – Harold Beckett*, Henry LowtherVocals – Paul RodgersVocals, Guitar – Alexis Korner, Peter ThorupVocals, Tambourine – Annette BroxWritten-By – William Bell 3:51 C3 –New Church and Friends 1969* Mighty Mighty Spade And Whitey Bass – Andy Frazer*Drums – John MarshallSaxophone [Alto] – Ray WarleighSaxophone [Baritone] – John SurmanSaxophone [Tenor] – Lol CoxhillTrombone – Chris Payne*, Malcolm GriffithsTrumpet – Harold Beckett*, Henry LowtherVocals – Paul RodgersVocals, Guitar – Alexis Korner, Peter ThorupVocals, Tambourine – Annette BroxWritten-By – Curtis Mayfield 4:06 C4 –Duo 1971* Lo And Behold Vocals, Guitar – Alexis Korner, Peter ThorupWritten-By – James Taylor (2) 4:03 C5 –Alexis Korner Louisiana Blues Bass – Colin HodgkinsonVocals, Guitar – Alexis KornerWritten-By – Muddy Waters 3:13 D1 –Alexis Korner And Snape Oo Whee Baby Arranged By – Alexis Korner, Peter ThorupDrums – Ian WallaceDrums [African], Percussion – Gaspar LawalPiano – Tim HinkleySaxophone – Mel CollinsVocals, Bass – Boz*Vocals, Guitar – Alexis Korner, Peter ThorupWritten-By – Traditional 3:15 D2 –Alexis Korner And Snape Rock Me Baby Arranged By – Alexis KornerDrums – Ian WallaceDrums [African], Percussion – Gaspar LawalPiano – Tim HinkleySaxophone – Mel CollinsVocals, Bass – Boz*Vocals, Guitar – Alexis Korner, Peter ThorupWritten-By – Traditional 8:47 D3 –Alexis Korner And Snape Sweet Sympathy Backing Vocals – Mike Patto (2), Ollie Halsall, Sappho Korner, Snape, Stevie Marriott*, Tim HinkleyDrums – Ian WallaceSaxophone, Flute, Piano – Mel CollinsVocals, Bass – Boz*Vocals, Guitar, Guitar [Slide] – Alexis KornerWritten-By – Alexis Korner 3:47 D4 –Alexis Korner And Snape Country Shoes Backing Vocals – Mike Patto (2), Ollie Halsall, Sappho Korner, Snape, Tim HinkleyDrums – Ian WallaceOrgan, Backing Vocals – Stevie Marriott*Saxophone, Flute, Piano – Mel CollinsVocals, Bass – Boz*Vocals, Guitar, Guitar [Slide] – Alexis KornerWritten-By – Alexis Korner 3:59

Companies, etc.

• Copyright (c) – Castle Communications PLC
• Remastered At – Abbey Road Studios
• Licensed From – Alexis Korner Enterprises Ltd.
• Published By – SSP Music
• Published By – Jewel Music Publishing Co., Inc.
• Published By – Muso Mail
• Published By – Carlin Music
• Published By – United Partnership
• Published By – Warner Bros.
• Published By – CBS Songs

Credits

• Compilation Producer – Adam Seiff*
• Compiled By, Other [Concept By] – Del Taylor
• Engineer – Porky (5)
• Liner Notes – John Platt
• Remastered By – Chris Blair

Notes

The first of two double albums with a life career overview of Alexis Korner and his various bands. The career was also reflected by the extensive liner notes by John Platt on the gatefolds inner sides. 

Tracks A2, A6, B2, B3, D1 & D2 are live recordings. 
Tracks A6, C4 & C5 are previously unreleased.



Alexis Andrew Nicholas Koerner (19 April 1928 – 1 January 1984) was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues".[2] A major influence on the sound of the British music scene in the 1960s,[3] Korner was instrumental in bringing together various English blues musicians.

Early career

Koerner was born in Paris, to an Austrian Jewish father and a Greek mother.[4][5] He spent his childhood in France, Switzerland and North Africa and arrived in London in 1940 at the start of World War II. One memory of his youth was listening to a record by black pianist Jimmy Yancey during a German air raid. Korner said, "From then on all I wanted to do was play the blues."[6]

After the war, Korner played piano and guitar (his first guitar was built by friend and author Sydney Hopkins, who wrote Mister God, This Is Anna) and in 1949 joined Chris Barber's Jazz Band[7] where he met blues harmonica player Cyril Davies. They started playing together as a duo, started the influential London Blues and Barrelhouse Club in 1955 and made their first record together in 1957. Korner made his first official record on Decca RecordsDFE 6286 in the company of Ken Colyer's Skiffle Group. His talent extended to playing mandolin on one of the tracks of this rare British EP, recorded in London on 28 July 1955. Korner brought many American blues artists, previously virtually unknown in Britain, to perform.[8]

The 1960s

Main article: Blues Incorporated

In 1961, Korner and Davies formed Blues Incorporated,[9] initially a loose-knit group of musicians with a shared love of electric blues and R&B music. The group included, at various times, Charlie Watts, Jack Bruce, Ginger Baker, Long John Baldry, Graham Bond, Danny Thompson and Dick Heckstall-Smith. It also attracted a wider crowd of mostly younger fans, some of whom occasionally performed with the group, including Mick Jagger, Keith Richards, Brian Jones, Geoff Bradford, Rod Stewart, John Mayall and Jimmy Page.[10]

Although Cyril Davies left the group in late 1962, Blues Incorporated continued to record, with Korner at the helm, until 1966. However, by that time its originally stellar line-up (and crowd of followers) had mostly left to start their own bands. "While his one-time acolytes the Rolling Stones and Cream made the front pages of music magazines all over the world, Korner was relegated to the role of 'elder statesman'."[6]

Although he himself was a blues purist, Korner criticised better-known British blues musicians during the blues boom of the late 1960s for their blind adherence to Chicago blues, as if the music came in no other form. He liked to surround himself with jazz musicians and often performed with a horn section drawn from a pool that included, among others, saxophone players Art Themen, Mel Collins, Dick Heckstall-Smith, Lol Coxhill,[11] Dick Morrissey, John Surman and trombonist Mike Zwerin.

Broadcasting

In the 1960s Korner began a media career, working initially as a show business interviewer and then on ITV's Five O'Clock Club, a children's TV show. Korner also wrote about blues for the music papers, and continued to maintain his own career as a blues artist, especially in Europe.

On 17 October 1967, Korner interviewed The Jimi Hendrix Experience for the BBC radio show Top Gear. Some of these tracks, including audio of Korner himself, appear on the Hendrix double-CD BBC Sessions, including Korner playing slide guitar on "(I'm Your) Hoochie Coochie Man".

While touring Scandinavia he formed the band New Church with guitarist and singer Peter Thorup. They subsequently were one of the support bands at the Rolling Stones Free Concert in Hyde Park, London, on 5 July 1969. Jimmy Page reportedly found out about a new singer, Robert Plant, who had been jamming with Korner, who wondered why Plant had not yet been discovered. Plant and Korner were recording an album with Plant on vocals until Page had asked him to join "the New Yardbirds", a.k.a. Led Zeppelin. Only two songs are in circulation from these recordings: "Steal Away" and "Operator".[10] Korner gave one of his last radio interviews to BBC Midlands on the Record Collectors Show with Mike Adams and Chris Savory.

1970s

Main article: Collective Consciousness Society Korner and Peter Thorupin Bremen

In 1970 Korner and Thorup formed a big-band ensemble, CCS – short for "The Collective Consciousness Society" – which had several hit singles produced by Mickie Most, including a version of Led Zeppelin's "Whole Lotta Love", which was used as the theme for BBC's Top of the Pops between 1971 and 1981. Another instrumental called "Brother" was used as the theme to the BBC Radio 1 Top 20/40 when Tom Browne/Simon Bates presented the programme in the 1970s. It was also used in the 1990s on Radio Luxembourg for the Top 20 Singles chart. This was the period of Korner's greatest commercial success in the UK.[10] In 1973 he provided a voice part for the Hot Chocolate single release Brother Louie[12].

1970s to 1984[

Korner with Snape

In 1973, he and Peter Thorup formed another group, Snape, with Boz Burrell, Mel Collins, and Ian Wallace, who were previously together in King Crimson. Korner also played on B.B. King's In London album, and cut his own, similar "supersession" album; Get Off My Cloud, with Keith Richards, Steve Marriott, Peter Frampton, Nicky Hopkins and members of Joe Cocker's Grease Band. In the mid-1970s, while touring Germany, Korner established an intensive working relationship with bassist Colin Hodgkinson who played for the support act Back Door. They would continue to collaborate right up until Korner's death.[10]

In the 1970s Korner's main career was in broadcasting. In 1973 he presented a unique 6-part documentary on BBC Radio 1, The Rolling Stones Story,[3] and in 1977 he established a Sunday-night blues and soul show on Radio 1, Alexis Korner's Blues and Soul Show, which ran until 1981. He also used his gravelly voice to great effect as an advertising voice-over artist. In 1978, for Korner's 50th birthday, an all-star concert was held featuring many of his above-mentioned friends, as well as Eric Clapton, Paul Jones, Chris Farlowe, Zoot Money and others, which was later released as The Party Album, and as a video.

In 1981, Korner joined another "supergroup", Rocket 88, a project led by Ian Stewart based on boogie-woogie keyboard players, which featured a rhythm section comprising Jack Bruce and Charlie Watts, among others, as well as a horn section. They toured Europe and released an album on Atlantic Records. He played in Italy with Paul Jones and the Blues Society of Italian bluesman Guido Toffoletti.