ALEXANDER "SKIP" SPENCE OAR INSANELY RARE ORIGINAL1969 COLUMBIA LP 1A/1A

$

425

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       ALEXANDER "SKIP" SPENCE - OAR – INSANELY RARE ORIGINAL 1968 COLUMBIA RECORDS STEREO LP CS-9831

·       ORIGINAL U.S. PRESSING

·       NOTE: THIS IS THE ULTRA-RARE ORIGINAL ANALOG MIX OF THE ALBUM

·       ORIGINAL RED AND WHITE “360 STEREO” COLUMBIA LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, A RECORD CLUB, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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No one except psychedelic Renaissance man Alexander "Skip" Spence could have created an album such as Oar. Alternately heralded as a "soundtrack to schizophrenia" and a "visionary solo effort," Oar became delegated to cut out and bargain bins shortly after its release in the spring of 1969. However those who did hear it were instantly drawn into Spence's inimitable sonic surrealism. As his illustrious past in the Jefferson Airplane, Quicksilver Messenger Service, and Moby Grape would suggest, this album is a pastiche of folk and rock. In reality, however, while these original compositions may draw from those genres, each song has the individuality of a fingerprint. As a solo recording, Oar is paramount as Spence performed and produced every sound on the album himself at Columbia Records studios in Nashville in the space of less than two weeks. This burst of creativity was directly preceded by a six month incarceration in New York City's Bellevue Hospital after chopping down a door at the Albert Hotel en route to do the same to fellow Moby Grape members Jerry Miller and Don Stevenson. A common motif to this album is the presence of saints and demons. Even the straightforward narratives such as the love ballad "Broken Heart" or "Cripple Creek" -- which feature vocal treatments reminiscent of folkie Fred Neil -- are bathed in unusual chord sequences and lyrical double-entendre. The majority of the sounds on this long-player remain teetering near the precipice of sanity. Primary examples include "War in Peace," the epic "Grey/Afro," and the sound effect-laden "Books of Moses." Comparisons have been made to Syd Barrett, John Lennon, and Frank Zappa -- the latter especially for the intense sonic collage techniques displayed on albums such as Lumpy Gravy and Civilization Phase III.

 (EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This album, which sounds as if the author has no earthly concerns whatsoever and is completely immersed in his own inner space, originally sold a meager dozen-or-so hundred copies, and was promptly deleted from Columbia catalogue as utterly lacking commercial potential. Needless to say, it has gained a massive cult status since, and is now considered one of the finest works of the psychedelic - or any - era. Words can't quite describe the celestial beauty of this work. If you have never hear this album, drop all your Drakes, Buckleys, Barrets, Fred Neils and Dino Valentes and go for this one.  And remember: Absolutely NOTHING beats the warm, translucent, analog glow of the original vinyl; you truly have not heard this beautiful Psychedelic milestone unless and until you’ve heard it in its original analog mix.

For additional historical information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD:

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split bottom seam (between 2 and 4 inches  / 5 to 10 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-        Cover has a small, neat, circular cutout hole in one of the corners and a tiny, barely visible, cutout hole in opposite corner.

-         Visible shelf wear noted on the bottom seam.

-         Minor shelf wear noted on the top seam (nothing significant)

-         Minor discoloration (color fading) noted on the spine

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 4 (back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-        Cover has a few tiny wrinkles along the spine

-        Cover has a small, oval, sticker residue (small yellowish discoloration from the removed price sticker)

-         Cover has one corner slightly dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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