ALBERT AYLER BELLS ULTRA-RARE ORIG '65 1-SIDED MONO LP CLEAR WAX SILK-SCREEN CVR
$
130
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Description
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WE CURRENTLY HAVE NEARLY 500 LISTED ITEMS
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· ALBERT AYLER TRIO– BELLS – INSANELY RARE ORIGINAL E.S.P. RECORDS 1965 MONO LP ESP-1010
· ORIGINAL U.S. PRESSING
· RARE ORIGINAL ONE-SIDED DISC PRESSED ON TRANSPARENT VINYL (ACTUALLY "MILKY", TRANSLUCENT) WITH ALBUM TITLE SILK-SCREENED IN WHITE PRINT ON ONE SIDE
· ORIGINAL PRESSING OF THIS ALBUM – SUCH AS THE ONE WE HAVE HERE – WAS A LIMITED EDITION OF ONLY 1,000 COPIES. YOU ARE LOOKING AT ONE OF THOSE 1,000 COPIES (MOST OF WHICH HAVE DISAPPEARED OVER THE PAST 50 YEARS), FOLKS!
· The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· ORIGINAL SILK-SCREENED COVER
· RARE VERSION OF THE COVER WITH SILVER PRINT ON BLACK BACKGROUND (ONE OF THE RAREST OF ABOUT FIVE COLOR VARIATIONS)
· CLEAN, WEAR-FREE LABELS
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· VERY THICK, HEAVY VINYL PRESSING (MORE THAN 3 mm AT THE SPINDLE HOLE)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Albert Ayler's short but definitive album, Bells, has been issued again in 2009 via its original format. As it was initially released, it was a one-sided, collectors item vinyl platter limited to 1,000 copies. Covering about 20 minutes of music from the legendary Town Hall/N.Y.C. concert on May Day of 1965, it is not surprising to hear the angst and anguish in their music, considering it was made about five weeks after Black nationalist leader Malcolm X was assassinated. Ayler and his quintet blow their own horns in alert of the "new thing" in jazz coming on strong, with no apologies as to its fierce intent or audacious stance. Brother/trumpeter Donald Ayler and alto saxophonist Charles Tyler join with the tenor saxophonist in a united front of sound and steel forged reserve in making free jazz a reality. The back cover has a reprint of Dan Morgenstern's Down Beat Magazine review of the performance, which is insightful, fair, accurate, and to the point, a good read for anyone who might dismiss Ayler's concept as something other than serious. The first of the two spontaneous compositions contains an outburst by the whole ensemble, followed by trumpet and tenor sax solos that bend notes and shapes in the extreme abstract. A free bop-based mid-section shows recording flaws, as drummer Sunny Murray and bassist Lewis Worrell are barely audible. Tyler's alto is drenched in the loud and abrasive tone the Ayler's dictated, but shows he has his own voice. The overtone-soaked music is tempered by a low-level bass solo from Worrell, with Murray's spare, splashy cymbal inserts, ending with a bouncy but eventual whirling dervish coda. The second, much longer improvisation, is based on Ayler's "Holy Ghost" theme, as a soulful, singing, vibrato-driven Ayler ignites Worrell via Murray's signature triple and quadruple flam accents. There's a clarion march theme repeated before and after congealed chaos, followed by deconstructed but distinct melodies, albeit brave and uncompromising. When all three of these horn players blow hard and strong together, it brings to mind Amiri Baraka's comment about "a terrible wholeness," as this purposefully saturated music stands alone as the most singularly unique early creative statement in modern music. As Albert Ayler recorded several definitive recordings before or after this one, and due to the very short length of Bells, it cannot be considered a magnum opus. But it does contain music played by his most powerful unit, a small window into the mind and heart of the most iconic maverick in the free jazz movement, and a magnet for discussion that lingers on well past his death.
(EXCERPT FROM AN ONLINE REVIEW BY MICHAEL G. NASTOS, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS VERY GOOD+ (VG+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters) (please note that the album plays with audible, but mostly tolerable, surface noise.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings)
(c) The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastilite Corporation’s pressing plant.
(d) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL "TEXTURED" SILK-SCREENED COVER)
THE COVER IS ABOUT VERY GOOD+ (VG+)
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)
- Cover has some visible fraying/tattering on all three seams
- Cover has all four corners slightly worn / dinged / bent.
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- As is the case with almost all surviving copies of this album, the word "Stereo" has been blacked out by the marker (apparently by the ESP staff themselves), being that there were NO original stereo pressings: all first pressings were STRICLY mono, as is this one
- Cover has a minor 'bump' (dent) on the opening side (nothing significant)
- Tiny, barely visible, grayish drop-like stain noted on the front panel (less than 1/16th square inch in size)
- Cover has a visible "wrinkle"(crease) in one of the corners.
- The cover has a few tiny scratch marks on the back side (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No stamps
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
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