AEROSMITH, Draw The Line [in shrink with BOTH hype stickers] USA 1st pressing LP
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Description
Aerosmith ?– Draw The Line Label: Columbia ?– JC 34856 Format: Vinyl, LP, Album, Pitman Pressing Country: US Released: Dec 1977 Genre: Rock Style: Hard Rock Tracklist Hide Credits A1 Draw The Line Written-By – J. Perry*, S. Tyler* 3:23 A2 I Wanna Know Why Written-By – J. Perry*, S. Tyler* 3:09 A3 Critical Mass Written-By – J. Douglas*, S. Tyler*, T. Hamilton* 4:51 A4 Get It Up Written-By – J. Perry*, S. Tyler* 4:02 A5 Bright Light Fright Written-By – J. Perry* 2:20 B1 Kings And Queens Written-By – B. Whitford*, J. Douglas*, J. Kramer*, S. Tyler*, T. Hamilton* 4:55 B2 The Hand That Feeds Written-By – B. Whitford*, J. Douglas*, J. Kramer*, S. Tyler*, T. Hamilton* 4:22 B3 Sight For Sore Eyes Written-By – D. Johansen*, J. Douglas*, J. Perry*, S. Tyler* 3:52 B4 Milk Cow Blues Written-By – K. Arnold* 4:15 Companies, etc. Recorded At – The Cenacle Recorded At – Record Plant, N.Y.C. Mastered At – Sterling Sound Pressed By – Columbia Records Pressing Plant, Pitman Manufactured By – Columbia Records Manufactured By – CBS Inc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Credits Arranged By – Aerosmith, Jack Douglas Artwork [Cover Art] – Al Hirschfeld Backing Vocals – Karen Lawrence (tracks: A4) Banjo – Paul Prestopino (tracks: B1) Design – John Berg Engineer – Jay Messina Engineer [Assistant] – Sam Ginsberg Executive-Producer – David Krebs, Steve Leber Lead Vocals – Joe Perry (tracks: A5) Mandolin – Jack Douglas (tracks: B1) Mastered By – George Marino Piano – Scott Cushnie (tracks: A2, A3), Steve Tyler* (tracks: B1) Producer – Aerosmith, Jack Douglas Saxophone – Stan Bronstein (tracks: A2, A5) Notes Initial copies came in a stickered cover featuring the Aerosmith logo and album title.
USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE.
SLEEVE: IN ORIGINAL OPENED SHRINK WRAP WITH BAND NAME/TITLE STRIP ALONG TOP AND HYPE STICKER. WOULD BE EXCELLENT MINUS BUT FOR A TRIANGLE PATCH OF FADED WHITE AREA ON THE LOWER RIGHT FRONT AND REAR. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.
DISC: VERY GOOD+, JUST SHORT OF EXCELLENT MINUS. NO SCRATCHES, JUST A FEW PLAY SCUFFS AND SOME FINGERPRINTS. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
THIS ITEM SHIPS FROM THE USA (We can ship anywhere in the world EXCEPT to Georgia, USA)
Add $6.00 for each additional LP purchased at the same time
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