ADVERTS Crossing The Red Sea With The Adverts LP BRIGHT 1978 UKorig+black BRL201
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  $   37

 


€ 33 Sold For
Oct 29, 2019 Sold Date
Oct 19, 2019 Start Date
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  Italy Country Of Seller
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Description

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THE ADVERTS

 One of the very best acts to come out of the first wave of English punk, with a stellar debut single, "One Chord Wonders."  With their raw, enthusiastic immaturity, the Adverts were a bright, though short-lived, light of the punk era, distinguished by the fact that their bassist,  Gaye Advert, was one of the first female stars of punk rock. After they (barely) mastered one chord, the Adverts began playing at London's Roxy Club in 1976, where they quickly came to the attention of the Damned's guitarist Brian James. James offered the band an opening spot  on the Damned's tour and directed them toward Stiff Records.....
"CROSSING THE RED SEA WITH THE ADVERTS" Produced by John Leckle
1978      LP       BRIGHT RECORDS       BRL 201
MADE IN ENGLAND    ORIGINAL PRESSING SINGLE SLEEVE
Barcode and Other Identifiers
Barcode: none
LABEL: BRIGHT - RED LABEL - WHITE TEXT
Catalog on cover: BRL 201   Catalog on labels: BRL 201 (BRL.201A) / BRL 201 (BRL.201B)
Matrix / Runout (Side A, Etched): BRL-201-A-1 Matrix / Runout (Side B, Etched): BRL-201-B-1
On labels: rim text reads "All rights...........prohibited" MCPS ? 1977 Bright Records Ltd. Produced by John Leckie
On back cover: Produced by John Leckie ?© 1978 Marketed by Anchor Records Garrod & Lofthouse Ltd
tracklisting Side A: ONE CHORD WONDERS - BORED TEENAGERS - NEW CHURCH ON THE ROOF - NEWBOYS - BOMBSITE BOY Side B: NO TIME TO BE 21 - SAFETY IN NUMBERS - DROWNING MEN ON WHEELS - GREAT BRITISH MISTAKE
   grading RECORD VG+ but (please, read above description) SLEEVE VG+ but (please, see pictures and read above description)
A devastating debut, one of the finest albums not only of the punk era, but of the 1970s as a whole, Crossing the Red Sea With the Adverts was the summation of a year's worth of gigging, honing a repertoire that -- jagged, jarring, and frequently underplayed though it was -- nevertheless bristled with hits, both commercial and cultural. "No Time to Be 21," "One Chord Wonders," and "Bored Teenagers" were already established among the most potent rallying cries of the entire new wave, catch phrases for a generation that had no time for anthems; "Bombsite Boy," "Safety in Numbers," and "Great British Mistake" offered salvation to the movement's disaffected hordes; and the whole thing was cut with such numbingly widescreen energy that, even with the volume down, it still shakes the foundations. The band's original vision saw a rerecording of "Gary Gilmore's Eyes," a Top 20 hit during summer 1977, included on the album -- it was dropped (for space considerations) at the last minute. Several early '80s reissues of the album attempted to rectify the omission by appending the single version to side two of the LP...(AllMusic)




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