ACHE Green Man LP Danish progressive psych Pokora 2001 German pressing
  $   81

 


$ 81 Sold For
Nov 12, 2017 Sold Date
Nov 5, 2017 Start Date
9   Number Of Bids
  USA Country Of Seller
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Description

I'm starting my Holiday listings, either a present for someone or yourself.
Overkill packaging as usual with tracking via USPS media mail for $4.00, open LPs are cleaned with Ultrasonic cleaner and sent with new 3 mil poly inner and outer sleeves.

They spent the next two years working on an extended piece called "De Homine Urbano", which was released as music to an experimental "rock ballet" in 1970. Released on the Philips label the same year with an accompanying single of non-album tracks, it netted positive reviews in the Danish press. Ache's "rock theater" created something of a sensation in the rock underground, and "Green Man" followed in 1971.
The first album contains two 'side-long tracks', the atmosphere is typically end Sixties and early Seventies with lots of solos and long, exciting interplay between guitar and keyboards, like jams. The second album includes shorter songs but the climates are in the vein of the first LP.

Tracklist

Equatorial Rain 7:03 Sweet Jolly Joyce 3:50 The Invasion (6:01) Fanfaronade
Invasion
Monolouge
Break-Down
Shadow Of A Gipsy 4:40 Green Man 4:41 Acheron 4:49 We Can Work It Out / Working 8:42
This Danish band was founded in '68 and featured Torsten Olafsson (bass and vocals), Finn Olafsson (guitar and vocals), Peter Mellin (organ and keyboards) and Glen Fisher (drums and pecussion). They made two albums: "De hombre urbano ('70) and "Green man" ('71). The music is similar to the Early British Progressive Rock Movement (JULIAN'S TREATMENT, RARE BIRD, BEGGAR'S OPERA, ATOMIC ROOSTER), the German Krautrock (early JANE, ELOY, RAMSES, TRIUMVIRAT) and Dutch masters EARTH & FIRE (their early, con-commercial era). The music is based upon splendid keyboardplay (many floods of Hammond organ) and some fiery electric guitar. The first album contains two 'side-long tracks', the atmosphere is typically end Sixties and early Seventies with lots of solos and long, exciting interplay between guitar and keyoards, like jams. The second album includes shorter songs but the climates are in the vein of the first LP.

























































































































































































































































































































































































































































































































































































































































































































































































































 

















































































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