7" RARE VINYL - The MANISH BOYS / DAVY JONES & THE LOWER THIRD (DAVID BOWIE) EX

	£		15
	$		20

7" RARE VINYL - The MANISH BOYS / DAVY JONES & THE LOWER THIRD (DAVID BOWIE) EX

These were David Bowie's 2nd & 3rd singles

Cheap postage - 73p large envelope & 37p Brown Card Envelope (no profit)

Artist:       The Manish Boys / Davy Jones & The Lower Third

Title:         I Pity the Fool & Take My Tip / You've Got a Habit of Leaving & Baby Loves That Way

Label:        EMI

Cat No:       EMI 2925

Format:   7" Vinyl 
Country:   UK
Released:   1965

Vinyl Condition : EX 

Sleeve Condition : Original EMI Sleeve

Also have his 1st singles with Davy Jones & the King Bees also for sale.

Have played both sides

David Bowie (/?bo?.i/;[1] born David Robert Jones, 8 January 1947) is an English singer, songwriter, multi-instrumentalist, record producer, arranger, and actor. He is also a painter and collector of fine art.[2] Bowie has been a major figure in the world of popular music for over four decades, and is renowned as an innovator, particularly for his work in the 1970s. He is known for his distinctive baritone voice as well as the intellectual depth and eclecticism of his work. Aside from his musical abilities, he is recognised for his androgynous beauty, which was an iconic element to his image, particularly in the 1970s and 1980s.[3][4]

Bowie first caught the eye and ear of the public in July 1969 when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture."[5] The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

Bowie formed his first band at the age of 15. Playing guitar-based rock and roll at local youth gatherings and weddings, the Konrads had a varying line-up of between four and eight members, Underwood among them.[19] When Bowie left the technical school the following year, he informed his parents of his intention to become a pop star. His mother promptly arranged his employment as an electrician's mate. Frustrated by his band-mates' limited aspirations, Bowie left the Konrads and joined another band, the King Bees. He wrote to the newly successful washing-machine entrepreneur John Bloom inviting him to "do for us what Brian Epstein has done for the Beatles—and make another million." Bloom did not respond to the offer, but his referral to Dick James's partner Leslie Conn led to Bowie's first personal management contract.[20]

Conn quickly began to promote Bowie. The singer's debut single, "Liza Jane", credited to Davie Jones and the King Bees, had no commercial success. Dissatisfied with the King Bees and their repertoire of Howlin' Wolf and Willie Dixon blues numbers, Bowie quit the band less than a month later to join the Manish Boys, another blues outfit, who incorporated folk and soul — "I used to dream of being their Mick Jagger", Bowie was to recall.[20] "I Pity the Fool" was no more successful than "Liza Jane", and Bowie soon moved on again to join the Lower Third, a blues trio strongly influenced by the Who. "You've Got a Habit of Leaving" fared no better, signalling the end of Conn's contract. Declaring that he would exit the pop world "to study mime at Sadler's Wells", Bowie nevertheless remained with the Lower Third. His new manager, Ralph Horton, later instrumental in his transition to solo artist, soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, "Do Anything You Say". While with the Buzz, Bowie also joined the Riot Squad; their recordings, which included a Bowie number and Velvet Underground material, went unreleased. Ken Pitt, introduced by Horton, took over as Bowie's manager.[21]

Dissatisfied with his stage name as Davy (and Davie) Jones, which in the mid-1960s invited confusion with Davy Jones of the Monkees, Bowie renamed himself after the 19th-century American frontiersman Jim Bowieand the knife he had popularised.[22] His April 1967 solo single, "The Laughing Gnome", using speeded-up thus high-pitched vocals, failed to chart. Released six weeks later, his album debut, David Bowie, an amalgam of pop, psychedelia, and music hall, met the same fate. It was his last release for two years.[23]

Please note : This is part of a private sale, I am not a dealer. 

I have collected vinyl for over 45 years and have amassed appx 750 single and 350 albums, between the 60’s and 90’s until cassettes came out.   

I have recently purchased a new stereo that copies vinyl direct to my PC so gradually I will be copying that vinyl that I wish to keep and this whole collection will be put on sale.     I will therefore have played some to check their quality, but in the meantime some will be listed un-played, though I will have checked all for any damage or scratches.      When an item then sells I will confirm the record is of the standard I have described and if not, then would immediately refund your money instead of posting and disappointing.       If anyone though wishes me to check a particular item before bidding then I will do so.   Please also note that the likes of David Cassidy, David Essex and similar are not mine but my wifes.

Many of the singles have their middles missing, this is not because they have been on commercial Juke Boxes.  During this period my father worked for Ditchburns, one of the major distributors of Juke Boxes and Fruit Machines, and managed to get me my own 50 selection Juke Box, so they have only ever been on mine.  

Click on "See Other Items" to view all the records I am selling

Vinyl

Mint   The record itself is in brand new condition with no surface marks or deterioration in sound quality.

Excellent+   The record shows some signs of having been played, but there is no lessening in sound quality. Very minor light surface marks.

Excellent   The record shows some signs of having been played, but there is very little lessening in sound quality. Light surface marks. 

Very Good   The record has been played many times, but displays no major deterioration in sound quality despite noticeable surface marks. 

Covers   

We will not send grossly damaged /torn or dirty sleeves. 

Excellent Minimal creasing, no tears, no sticker damage, no writing. Many are as new. 

Very Good   May have small tears (nothing over 5mm), minimal sticker damage, creasing or small writing.