Roger Waters ?– Amused To Death  NM/NM

Format: 2 × Vinyl, LP, Album
Country: Europe Genre: Rock Style: Alternative Rock, Symphonic Rock

Tracklist Hide Credits

A1 The Ballad Of Bill Hubbard Guitar – Jeff Beck Keyboards, Percussion [Programming] – Patrick Leonard Percussion – Luis Conte Vocals – Alf Razzell 4:19 A2 What God Wants, Part I Arranged By [Choir], Keyboards – Patrick Leonard Backing Vocals – Doreen Chanter, Katie Kissoon, N'Dea Davenport, Natalie Jackson Bass Guitar – Randy Jackson (2) Conductor [London Welsh Chorale] – Kenneth Bowen Drums – Graham Broad Guitar [Arpeggio] – Geoff Whitehorn Guitar [Chorus] – Tim Pierce Rhythm Guitar [Acoustic], Electric Guitar – Andy Fairweather Low* Soloist, Guitar – Jeff Beck Vocals, Synthesizer [Emu], Bass [Intro] – Roger Waters 6:00 A3 Perfect Sense, Part I Acoustic Guitar – Bruce Gaitsch Bass Guitar – James Johnson* Conductor, Arranged By [Strings] – John Dupree Drums – Graham Broad Guitar [Intro] – Steve Lukather Guitar [Low Grunting] – Rick DiFonso Keyboards, Voice [2nd Sportscaster] – Patrick Leonard Percussion – Luis Conte Snare, Hihat – Brian MacLeod Steel Guitar [Pedal] – B.J. Cole* Vocals – P.P. Arnold Vocals, Synthesizer – Roger Waters Voice [Sportscaster, The Voice Of The Nba] – Marv Albert 4:16 A4 Perfect Sense, Part II Acoustic Guitar – Bruce Gaitsch Bass Guitar – James Johnson* Conductor, Arranged By [Strings] – John Dupree Drums – Graham Broad Guitar [Intro] – Steve Lukather Guitar [Low Grunting] – Rick DiFonso Keyboards, Voice [2nd Sportscaster] – Patrick Leonard Percussion – Luis Conte Snare, Hihat – Brian MacLeod Steel Guitar [Pedal] – B.J. Cole* Vocals – P.P. Arnold Vocals, Synthesizer – Roger Waters Voice [Sportscaster, The Voice Of The Nba] – Marv Albert 2:50 B1 The Bravery Of Being Out Of Range Backing Vocals – Lynn Fiddmont-Linsey*, Natalie Jackson Bass Guitar – John Pierce Drums – Denny Fongheiser Guitar – Tim Pierce Organ [Hammond], Synthesizer – Patrick Leonard Vocals, Twelve-string Guitar – Roger Waters 4:43 B2 Late Home Tonight, Part I Bass Guitar – James Johnson* Conductor, Arranged By [National Philharmonic Orchestra Limited] – Michael Kamen Cornet – Steve Sidwell Drums, Percussion – Graham Broad Guitar, Backing Vocals – Andy Fairweather Low* Percussion – Luis Conte Vocals – Roger Waters 4:00 B3 Late Home Tonight, Part II Bass Guitar – James Johnson* Conductor, Arranged By [National Philharmonic Orchestra Limited] – Michael Kamen Cornet – Steve Sidwell Drums, Percussion – Graham Broad Guitar, Backing Vocals – Andy Fairweather Low* Percussion – Luis Conte Vocals – Roger Waters 2:13 B4 Too Much Rope Backing Vocals – Doreen Chanter, Jessica Leonard, Jordan Leonard, Katie Kissoon Backing Vocals [End] – Screaming Kids (2) Bass Guitar – James Johnson* Conductor, Arranged By [National Philharmonic Orchestra Limited] – Michael Kamen Drums – Graham Broad Guitar – Geoff Whitehorn Guitar [Additional] – Steve Lukather Keyboards – Patrick Leonard Percussion – Luis Conte Twelve-string Guitar [Rickenbacker 12 Strings Played With A Feather] – Andy Fairweather Low* Vocals – Roger Waters 5:47 B5 What God Wants, Part II Acoustic Guitar [Rhythm], Electric Guitar – Andy Fairweather Low* Arranged By [Choir], Keyboards – Patrick Leonard Backing Vocals – Doreen Chanter, Katie Kissoon Bass Guitar – Randy Jackson (2) Drums – Graham Broad Lead Guitar – Tim Pierce Performer [Tv Evangelist] – Charles Fleischer Vocals – Roger Waters 3:41 C1 What God Wants, Part III Arranged By [Choir], Keyboards – Patrick Leonard Bass Guitar – James Johnson* Conductor [London Welsh Chorale] – Kenneth Bowen Conductor, Arranged By [National Philharmonic Orchestra Limited] – Michael Kamen Drums – Graham Broad Guitar – Geoff Whitehorn Percussion – Luis Conte Soloist, Guitar – Jeff Beck Vocals – Roger Waters 4:08 C2 Watching TV Acoustic Guitar – Andy Fairweather Low* Bass Guitar [Upright & Electric] – John Patitucci Dulcimer, Lute, Oboe, Bass, Other [Zhen] – Guo Yi, Peking Brothers, The Electric Guitar – Jeff Beck Piano [Acoustic] – Patrick Leonard Vocals – Don Henley Vocals, Acoustic Guitar – Roger Waters 6:07 C3 Three Wishes Backing Vocals – Doreen Chanter, Katie Kissoon Bass Guitar – James Johnson* Drums – Graham Broad Guitar [Chorus Leslie] – Tim Pierce Keyboards – Patrick Leonard Organ [Hammond] – John "Rabbit" Brundrick* Percussion – Luis Conte Rhythm Guitar, Twelve-string Guitar [Feathered 12-strings] – Andy Fairweather Low* Soloist, Guitar – Jeff Beck Vocals – Roger Waters 6:50 D1 It's A Miracle Arranged By [Choir], Piano, Synthesizer – Patrick Leonard Backing Vocals – Jim Haas, Jon Joyce, Stan Laurel Bass Guitar – James Johnson* Conductor [London Welsh Chorale] – Kenneth Bowen Drums – Jeff Porcaro Guitar – Jeff Beck Vocals, Bass – Roger Waters 8:30 D2 Amused To Death Backing Vocals – Doreen Chanter, Katie Kissoon Bass Guitar – James Johnson* Drums – Graham Broad Electric Guitar – Geoff Whitehorn Keyboards – Patrick Leonard Soloist, Guitar – Jeff Beck Vocals – Alf Razzell, Rita Coolidge Vocals, Acoustic Guitar – Roger Waters 9:06

Companies etc

• Recorded At – The Billiard Room
• Recorded At – Olympic Studios
• Recorded At – CTS Studios
• Recorded At – Angel Studios
• Recorded At – Abbey Road Studios
• Recorded At – Compass Point Studios
• Recorded At – Devonshire Studios
• Recorded At – Ameraycan Studios
• Recorded At – Evergreen Recording
• Recorded At – Johnny Yuma Recording
• Mixed At – Devonshire Studios
• Mixed At – Visual Studios
• Mastered At – The Mastering Lab
• Published By – Pink Floyd Music Publishing Ltd.
• Phonographic Copyright (p) – Sony Music Entertainment Inc.

Credits

• Co-producer, Recorded By – Nick Griffiths
• Engineer – Hayden Bendall*, Jerry Jordan, Stephen McLaughlan*
• Engineer [Assistant Mix] – Sean O'Dwyer
• Engineer [Assistant] – Andy Bradfield, Brian Burrows, Chris Brown, Dary Sulich, Jeremy Wheatley, John Lowson, Marc Moreau, Mike Bosley, Ross Donaldson, Roy Sweeting, Steve Heinke
• Mastered By – Doug Sax, Ron Lewter
• Mixed By – James Guthrie
• Producer – Patrick Leonard
• Written-By, Producer – Roger Waters

Notes

Recording Studios: The Billiard Room, Olympic Studios, CTS Studios, Angel Studios, Abbey Road Studios, London; Compass Point Studios, Nassau; Devonshire Studios, Ameraycan Studios, Evergreen Recording, Johnny Yuma Recording, Los Angeles.
Mix Studio: Devonshire Audio & Visual Studios, Burbank / Mastered at The Mastering Lab, Los Angeles.

 

SHIPPING COSTS:

FRANCE

6€

EUROPE

9€

USA & REST OF WORLD

12€

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Records will be send perfectly Packed!

 

 code

traduction

état pochette

état disque

S

Neuf (emballé)

Le disque est encore sous son emballage d'origine.

Le disque est encore sous son emballage d'origine.

M

Comme neuf

La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine.

Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine.

NM

Comme neuf -

La pochette est presque parfaite, pouvant comporter de très minimes signes d’usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible.

Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c’est le cas, même minime, il ne pourra plus être considéré comme NM ou M-

EX ou VG++

Excellent

La pochette peut avoir quelques très discrètes rayures et/ou des petits plis.

Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible.

VG+

Très bon +

La pochette présente des signes de manipulations évidents : extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée.

C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles.

VG ou VG-

Très bon -

La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette.

Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore avec des craquements et sautements.

G

Pauvre

L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords ...

La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y avoir des sautements et craquements. On ne distingue pratiquement plus les sillons du disque.

B

Mauvais

La pochette est très abîmée avec des déchirures, des traces et marques d'usure un peu partout.

Le disque n'est plus jouable correctement à cause des trops nombreuses rayures et défauts de surface. Le disque peut être cassé, dans ce cas il mérite sa place dans un listing uniquement s'il est très rare.

NA

Non applicable

La pochette est manquante ou ce code n'est pas applicable à ce type d'articles (Pochette neutre blanche ou noire, livres, merchandising, ...).

Le disque est manquant ou ce code n'est pas applicable à ce type d'articles (livres, merchandising, ...).

 

This is a visual grading system. Records are viewed under both daylight and under a halogen light by 1 person to maintain consistency. While most of our customers agree with our grades, we realise it is a subjective issue and opinions differ. If you are unhappy with the condition of any record you simply return the record (at your cost) within 7 days of receipt and we guarantee to refund the full amount of the original purchase price and the initial shipping charge. 

Mint (M)
Absolutely perfect in every way. Never been played.

Near Mint (NM)
A nearly perfect record. The record should show no obvious signs of wear. Sleeve will have no more than the most minor defects, such as invisible ring wear or other signs of slight handling.

Very Good Plus (VG+)
Will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect play. Slight warps that do not affect the sound are "ok". The label may have some ring wear, discolouration or WOL. Sleeve will have some wear, lightly turned up corners, slight seam splits or small tears/sticker damage. All but the most mint-crazy collectors will find a VG+ record highly acceptable.

Very Good (VG)
Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. Sleeve may have creases, tears, seam splits and may be marred by writing and or sticker damage.

Good Plus (G+)
Will play through without skipping, but will have significant surface noise and scratches and visible groove wear. Labels may be torn, marred by writing, or have tape or stickers (or their residue) attached. Sleeve may have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm it. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up, but if it's something you have been seeking for years and the price is right, get it.... but keep looking to upgrade. Please be warned that if you buy a record in this condition it is going to be a risk. Some will play better than they look whilst others may play worse than you expect.

Good (G)
It's possible that the record wont play through without skipping or repeating. Will have been played so much that the sound quality has noticeably deteriorated. Will have significant surface noise and scratches and visible groove wear. May crackle, pop or make other annoying sounds. Labels may be torn, marred by writing, or have tape or stickers (or their residue) attached. Sleeve may be water damaged, split on all three seams, heavily marred by wear and writing or other defects which will start to overwhelm it. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up, but if it's something you have been seeking for years and the price is right, get it.... but keep looking to upgrade. Please be warned that if you buy a record in this condition it is going to be a risk. Some will play better than they look whilst others may play worse than you expect.

Poor (P) or Fair (F)
May be cracked, warped and won't play through without skipping or repeating. The sleeve may be water damaged, split on all three seams and heavily marred by wear and writing. Unless the record or sleeve is very rare you should pass it up. This is a collection filler only.  Do not buy it to play it! 

Plain Sleeve/Generic
This has no picture sleeve and will be sent in a new plain sleeve.

 

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