2pac all eyez on me 2001 US 4XLP REISSUE Gangsta G-Funk Rap. 

2Pac ?– All Eyez On Me

Label: Death Row Records (2) ?– DRR 63008-1 Format: 4 × Vinyl, LP, Album, Reissue, Remastered
Country: US Released: 22 May 2001 Genre: Hip Hop Style: Gangsta, G-Funk

Tracklist

Book 1 A1 Ambitionz Az A Ridah Engineer – Dave AronEngineer [Assistant] – Alvin McGillMixed By – Carlos Warlick, David BlakeProducer – Dat Nigga DazWritten-By – D. Arnaud*, T. Shakur* 4:39 A2 All About U Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – Fatal*, Yaki Kadafi*Featuring, Vocals [Additional] – Nate Dogg, Snoop Doggy Dogg*Mixed By – David BlakeProducer – 2Pac, Johnny "J"*Written-By – Bruce Washington, Calvin Broadus, Johnny Jackson, L. Blackmon*, Nathaniel Hale, T. Jenkins*, Tupac Shakur, Yafeu Fula 4:37 A3 Skandalouz Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – Nate DoggMixed By – Carlos Warlick, David BlakeProducer – Dat Nigga DazWritten-By – D. Arnaud*, T. Shakur* 4:09 B1 Got My Mind Made Up Engineer – Tommy D*Featuring – Dat Nigga Daz, Kurupt, Method Man & RedmanMixed By – Carlos Warlick, David BlakeProducer – Dat Nigga DazWritten-By – D. Arnaud*, R, Brown*, T. Shakur* 5:13 B2 How Do U Want It Engineer – Dave AronEngineer [Assistant] – Alvin McGillFeaturing – K-Ci & JoJoMixed By – Dave Aron, Johnny "J"*Producer – Johnny "J"*Written-By – J. Jackson*, T. Shakur* 4:47 B3 2 Of Amerikaz Most Wanted Engineer – Dave AronEngineer [Assistant] – Alvin McGillFeaturing – Snoop Doggy Dogg*Mixed By – David BlakeProducer – Dat Nigga DazWritten-By – C. Broadus*, D. Arnaud*, T. Shakur* 4:07 C1 No More Pain Engineer – Dave Aron, Tom Daugherty*Engineer [Assistant] – Alvin McGillMixed By – Dave Aron, DeVante Swing*Producer – DeVante*Written-By – C. Smith*, D. Swing*, R. Diggs, Jr.*, T. Shakur* 6:14 C2 Heartz Of Men Engineer – Carlos WarlickEngineer [Assistant] – Mike Geiser*Mixed By – Carlos Warlick, David BlakeProducer – David BlakeWritten-By – B. Worrell*, D. Blake*, C. Haskins*, G. Clinton, Jr.*, Prince, T. Shakur*, W. Collins* 4:43 C3 Life Goes On Backing Vocals – Stacey SmallieEngineer – Rick CliffordEngineer [Assistant] – Alvin McGillMixed By – Dave Aron, Johnny "J"*Producer – Johnny "J"*Written-By – C. Simmons*, J. Jackson*, J. Jefferson*, T. Shakur* 5:02 C4 Only God Can Judge Me Engineer – Alvin McGill, Rick CliffordFeaturing – Rappin' 4-TayMixed By – Carlos Warlick, David BlakeProducer – Doug Rasheed, Harold Scrap FreddieWritten-By – D Rasheed*, T. Shakur* 4:57 D1 Tradin War Stories Engineer – Dave AronEngineer [Assistant] – Alvin McGillFeaturing – C-Bo, Storm (8), Outlawz*Mixed By – Dave Aron, Mike MosleyProducer – Mike Mosley, Rick Rock (2)Written By – R. ThomasWritten-By – K Cox*, M. Greenidge*, M. Mosley*, M. Beale*, T. Shakur* 5:29 D2 California Love (Rmx) Backing Vocals – Barbara Wilson, Danette Williams, Dorothy ColemanEngineer – Keston E. Wright*Featuring – Dr. Dre, Roger TroutmanKeyboards – Sean "Barney Rubble" Thomas*Percussion – Carl "Butch" SmallProducer [Assistant] – Larry ChatmanProducer, Mixed By – Dr. DreTalkbox – Roger TroutmanWritten-By – Dr. Dre, L. Troutman*, N. Durham*, R. Troutman*, T. Shakur*, W. Cunningham* 6:25 D3 I Ain't Mad At Cha Engineer – Dave AronEngineer [Assistant] – Alvin McGillFeaturing – Danny BoyMixed By – Carlos Warlick, David BlakeProducer – Dat Nigga DazWritten-By – D. Steward*, D. Arnaud*, E. Jordon*, T. Shakur* 4:53 D4 What'z Ya Phone # Engineer – Dave AronEngineer [Assistant] – Alvin McGillFeaturing, Backing Vocals – Danny BoyMixed By – David BlakeProducer – 2Pac, Johnny "J"*Written-By – J. Jackson*, T. Shakur* 5:10 Book 2 E1 Can't C Me Producer [Assistant] – Larry ChatmanProducer, Mixed By – Dr. DreVocals [Additional] – George ClintonWritten-By – Dr. Dre, T. Shakur* 5:30 E2 Shorty Wanna Be A Thug Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillMixed By – Dave AronProducer – Johnny "J"*Written-By – J. Jackson*, T. Shakur* 3:51 E3 Holla At Me Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillMixed By – Dave Aron, Johnny "J"*Producer – Bobby "Bobcat" ErvinWritten-By – B. Ervin*, T. Shakur* 4:56 E4 Wonda Why They Call U Bytch Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillMixed By – Dave Aron, Johnny "J"*Producer – 2Pac, Johnny "J"*Written-By – J. Jackson*, T. Shakur* 4:19 F1 When We Ride Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – DJ Pooh, Outlaw ImmortalzMixed By – DJ Pooh, Dave AronWritten-By – B. Washington*, M. Jordan*, T. Shakur*, T. Himes*, Y. Fula* 5:09 F2 Thug Passion Engineer – Alvin McGill, Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – Jewell*, Storm (8), Outlawz*Mixed By – Dave Aron, Johnny "J"*Producer – 2Pac, Johnny "J"*Talkbox – David BlakeWritten-By – D. Hunter*, J. Peyton*, J. Jackson*, K. Cox*, L. Troutman*, M. Greenidge*, M. Beale*, R. Troutman*, S. Murdock*, T. Shakur* 5:08 F3 Picture Me Rollin' Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – Big Syke, CPO*, Danny BoyMixed By – Dave Aron, Johnny "J"*Producer – Johnny "J"*Written-By – J. Jackson*, T. Shakur*, T. Himes*, V. Edwards* 5:15 G1 Check Out Time Backing Vocals – Natasha WalkerEngineer – Rick CliffordEngineer [Assistant] – Alvin McGill, Patric Shevelin*Featuring – Big Syke, KuruptMixed By – Dave Aron, Johnny "J"*Producer – 2Pac, Johnny "J"*Written-By – J. Jackson*, R. Brown*, T. Shakur*, T. Himes* 4:39 G2 Ratha Be Ya Nigga Backing Vocals – Ebony (7), Puff JohnsonEngineer – Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – Richie Rich (2)Mixed By – Carlos Warlick, David BlakeProducer – Doug RasheedWritten-By – D. Rasheed*, T. Shakur* 4:14 G3 All Eyez On Me Engineer – Rick CliffordEngineer [Assistant] – Alvin McGillFeaturing – Big SykeMixed By – Dave Aron, Johnny "J"*Producer – Johnny "J"*Written-By – J. Pennington*, J. Jackson*, T. Shakur*, T. Himes* 5:08 H1 Run Tha Streetz Engineer – Rick Clifford, Troy StatonEngineer [Assistant] – Alvin McGill, Patrick ShevelinFeaturing – Michel'Le, Mutah*, Storm (8)Mixed By – Dave Aron, Johnny "J"*Producer – 2Pac, Johnny "J"*Written-By – J. Jackson*, M. Beale*, T. Shakur* 5:17 H2 Ain't Hard 2 Find Engineer – Dave AronEngineer [Assistant] – Alvin McGillFeaturing – B-Legit, C-Bo, E-40, Richie Rich (2)Mixed By – Dave Aron, Mike MosleyProducer – Mike Mosley, Rick Rock (2)Written-By – B. Jones*, D. Stevens*, E. Stevens*, M. Mosley*, R. Thomas*, S. Thomas*, T. Shakur* 4:29 H3 Heaven Ain't Hard 2 Find Backing Vocals [Background Vocals] – Danny BoyEngineer – Dave AronEngineer [Assistant] – Alvin McGillMixed By – Dave Aron, QD 3*Producer – QD3*Written-By – QD 3*, T. Shakur* 3:58

Companies, etc.

• Phonographic Copyright (p) – Death Row Recordings, LLC
• Copyright (c) – Death Row Recordings, LLC
• Manufactured By – Death Row Recordings, LLC
• Distributed By – Death Row Recordings, LLC
• Recorded At – Can-Am Recorders
• Mastered At – Bernie Grundman Mastering
• Lacquer Cut At – Better Quality Sound
• Pressed By – Rainbo Records – S-47599
• Pressed By – Rainbo Records – S-47600
• Pressed By – Rainbo Records – S-47601
• Pressed By – Rainbo Records – S-47602
• Pressed By – Rainbo Records – S-47603
• Pressed By – Rainbo Records – S-47604
• Pressed By – Rainbo Records – S-47605
• Pressed By – Rainbo Records – S-47606
• Published By – Songs Of Universal
• Published By – Joshua's Dream
• Published By – D. Dillinger Music
• Published By – Big Simon Says Publishing
• Published By – Wb Music Corp.
• Published By – My Own Chit Music
• Published By – Nate Dogg Music
• Published By – Gimmie Minz Music
• Published By – Yaki Kadafi Music
• Published By – Universal Music Corp.
• Published By – Black/Hispanic Music
• Published By – All Seeing Eye Music
• Published By – PolyGram International Publishing, Inc.
• Published By – Better Days Music
• Published By – Songs Of PolyGram International, Inc.
• Published By – Antraphil Music
• Published By – Sharon Hill Music
• Published By – Da-Swing Mob
• Published By – EMI April Music Inc.
• Published By – Ramecca Publishing
• Published By – Wu-Tang Publishing
• Published By – Careers-BMG Music Publishing, Inc.
• Published By – Way 2 Quik
• Published By – Controversy Music
• Published By – Bridgeport Music, Inc.
• Published By – Spruce Music Co.
• Published By – Chappell & Co., Inc.
• Published By – Mad Castle Muzic
• Published By – PolyGram Songs International
• Published By – H. Scrap Freddie
• Published By – Anthony Fortay Publishing
• Published By – Thug Nation Music
• Published By – Steady Mobbin' Music
• Published By – EMI Blackwood Music Inc.
• Published By – Cyphercleff Music
• Published By – Saja Music Co.
• Published By – Songs Of Lastrada
• Published By – Jobete Music Co., Inc.
• Published By – Sony/ATV Tunes
• Published By – Bobcat Music, Inc.
• Published By – Microphone Mafia Publishing
• Published By – Brittolesse Music
• Published By – EMI April Music
• Published By – Imperial Loco Entertainment
• Published By – Zomba Music
• Published By – Slauta Houz Music
• Published By – Deep Technology Music
• Published By – Songs Of Windswept

Credits

• Co-producer – 2Pac
• Executive-Producer – Suge Knight
• Lacquer Cut By – Dc*
• Mastered By – Brian "Big Bass" Gardner*
• Other [Styling] – Barbara Warren
• Photography By – Edge Films, Ken Nahoum

Notes

[Back cover]
+?©1995/?©1996, 2001 Death Row Recordings, LLC.
Manufactured and Distributed by Death Row Recordings, LLC.

[Inner Gatefold]
Recorded at Can-Am Studios
Mastered […] at Bernie Grundman Mastering

Barcode and Other Identifiers

• Barcode: 7 28706 30081 0
• Barcode (Scanned): 728706300810
• Matrix / Runout (Runout side A, etched): 6807-63008-1 (A) S-47599 [S-47566, scratched out] DcBqs
• Matrix / Runout (Runout side B, etched): 6807-63008-1 (B) S-47600 DcBqs
• Matrix / Runout (Runout side C, etched): 6807-63008-1 (C) S-47601 DcBqs
• Matrix / Runout (Runout side D, etched): 6807-63008-1 (D) S-47602 DcBqs
• Matrix / Runout (Runout side E, etched): 6807-63008-1 (E) S-47603 RE-1 DcBqs
• Matrix / Runout (Runout side F, etched): 6807-63008-1 (F) S-47604 DcBqs
• Matrix / Runout (Runout side G, etched): 6807-63008-1 (G) S-47605 DcBqs
• Matrix / Runout (Runout side H, etched): 6807-63008-1 (H) S-47606 DcBqs

 Condition is "Used".

 

 Dispatched with Royal Mail 2nd Class.

 

MEDIA CONDITION: VG TO VG++ 

The record has obviously been played manytimes, but displays no major deterioration in sound quality, despite noticeablesurface marks and the occasional light scratch. A Very Good Plus record will show some signs that it was played and the Record surfaces show some signs of wear and have slight scuffs or very light scratchesthat don't affect one's listening experiences. See photos for further details

SLEEVE COVER CONDITION: EXCELLENT The cover and packagingmight have slight wear and / or creasing. Ingeneral, if not for a couple things wrong with it, this would be Near Mint.

GENERAL ITEM CONDITION: IN GOOD CONDITION WITH VISIBLE MARKS AND SCRATCHES AS SHOWN IN THE PHOTOS 

 

SEE PHOTOS FOR FURTHER DETAILS.

 

PLEASE READ BEFORE BIDDING

 

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I always include photos of the actual item for sale. They areoriginal issues unless stated, andare from my personal collection. These have been in storage since 2010 and notplayed for that period only played recently for grading purposes.
Please note that most used vinyl records have a little surface noiseor crackle regardless of age/condition.
In the unlikely event that there is a problem for any reason you areunsatisfied with the record you receive, 
please email me before leaving feedback (or opening anydispute), as any problems can be resolved.

 

RecordCollector Magazine's/ Goldmine Standard Grading Guide: 

 

"MINT: The record itself is in brand newcondition with no surface marks or deterioration in sound quality. The coverand any extra items such as the lyric sheet, booklet or poster are in perfectcondition. Records advertised as Sealed or Unplayed should be Mint.

 

Near Mint (NM or M-) :

A nearly perfectrecord. Many dealers won't give a grade higher than this implying (perhapscorrectly) that no record is ever truly perfect. The record should showno obvious signs of wear. A 45 RPM or EP sleeve should have no more thanthe most minor defects, such as almost invisible ring wear or other signs ofslight handling. An LP cover should have no creases, folds, seam splits orother noticeable similar defects. No cut-out holes, either and of course, thesame should be true of any other inserts, such as posters, lyric sleeves andthe like. An LP in near mint condition looks as if you just got it home from anew record store and removed the shrink wrap. Near Mint is the highest pricelisted in all Goldmine price guides. Anything that exceeds this grade, in theopinion of both buyer and seller, is worth significantly more than the highestGoldmine book value.

 

 

EXCELLENT: The record shows some signs of having been played, but there isvery little lessening in sound quality. The cover and packaging might haveslight wear and / or creasing. In general, ifnot for a couple things wrong with it, this would be Near Mint.

 

Very Good Plus(VG+):

Generally worth 50% of the NearMint value. A Very Good Plus record will show some signs that it was played andotherwise handled by a previous owner who took good care of it. Record surfacesmay show some signs of wear and may have slight scuffs or very light scratchesthat don't affect one's listening experiences. Slight warps that do not affectthe sound are "OK". The label may have some ring wear ordiscoloration, but it should be barely noticeable. The center hole will nothave been misshapen by repeated play. Picture sleeves and LP inner sleeves willhave some slight wear, lightly turned up corners, or a slight seam split. An LPcover may have slight signs of wear also and may be marred by a cut-out hole,indentation or corner indicating it was taken out of print and sold at adiscount.

 

VERY GOOD: Therecord has obviously been played many times, but displays no majordeterioration in sound quality, despite noticeable surface marks and theoccasional light scratch. Normal wear and tear on the cover or extra items,without any major defects.

 

Good Plus(G+):

Generally worth10-15% of the Near Mint value. Good does not mean Bad! A record in Good or GoodPlus condition can be put onto a turntable and will play through withoutskipping. But it will have significant surface noise and scratches and visiblegroove wear (on a styrene record, the groove will be starting to turn white). Acover or sleeve will have seam splits, especially at the bottom or on thespine. Tape, writing, ring wear or other defects will start to overwhelm theobject.

 

GOOD: Therecord has been played so much that the sound quality has noticeablydeteriorated, perhaps with some distortion and mild scratches. The cover andcontents suffer from folding, scuffing of edges, spine splits, discolouration,etc.

 

FAIR: Therecord is still just playable but has not been cared for properly and displaysconsiderable surface noise; it may even jump. The cover and contents will betorn, stained and / or defaced.

 

POOR: Therecord will not play properly due to scratches, bad surface noise, etc. Thecover and contents will be badly damaged or partly missing.

 

BAD: Therecord is unplayable or might even be broken, and is only of use as acollection filler."