2nd LP = YELLOW PARLOPHONE WITH THE BEATLES 1963 BEATLEMANIA INVASION LENNON

$

34

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  HIGHLY SOUGHT ***YELLLOW PARLOPHONE*** SIXTIES COLLECTIBLE !!!

                    THE BEATLES

                  With The Beatles

      Philippeans - YELLOW PARLOPHONE - PMC 7027

LOOKS GREAT! = PLAYS GREAT!

RARE, SOUGHT .... YELLOW & BLACK PARLOPHONE collectible from the sixties, a fantastic superior quality pressing and overall issue by fact of the 14 songs selection over the USA 12 track release... and in NICE laminated cover (again, better than the USA issue!)  ... the yellow & black Parlophone label has become hard to find in clean condition like this = both cover & record are TOP minty clean condition! (see full details below)

With the Beatles starts with aggressive confidence, "It Won't Be Long" taking the "yeah yeah" chants that were the group's early calling card and turning them into missiles. We're back, it says, and it's one of their most thrilling songs. On "All My Loving" the guitars bubble and tumble and the band finds a new way to marry prettiness and drive. "I Wanna Be Your Man"-- Ringo's best early vocal-- has a wolfish, hustling urgency. Not everything the band tries, as writers or interpreters, comes off: draggy girl group revival "Devil in Her Heart" is an obscurity too far, and George Harrison wins a first songwriting credit for the Shadows-esque "Don't Bother Me", but it doesn't get much spark until the guitar solo. On McCartney's romantic spotlight, showtune "Till There Was You", producer George Martin builds a wholly convincing soft-focus soundworld around Ringo Starr's bongos. The group harmonies on tracks like their rumbustious "Please Mr. Postman" are even more gorgeously thick. The way the drums rumble in on "Roll Over Beethoven" is a moment of simple joy.

As for "Money", well, there simply is no second "Twist and Shout" in the catalogue, but neither was there any shame in the Beatles trying. And it has its own thrills to offer: Less demonic and frenetic than that previous album-closer but by some way the heaviest thing they'd yet recorded, a quality the remaster brings fully out. Ringo's booming drums, John Lennon's sneer, and the others' banshee backing vocals all create an air of menace, repressed violence: the black leather vibe of the band's 1961 proving grounds.

It's a superb way to end an album and never cheats the fans either. A week after its release the band would release "I Want to Hold Your Hand" and rewrite the entertainment pecking order: For now they were living up to high expectations.

• It Won't Be Long (2:14)

  Recorded: July 30, 1963 at Abbey Road, London, England
  John Lennon - lead vocal, rhythm guitar
  Paul McCartney - bass guitar, background vocal
  George Harrison - lead guitar, background vocal
  Ringo Starr - drums
• All I've Got to Do (2:04) Recorded: September 11, 1963 at Abbey Road, London, England
  John Lennon - lead vocal, rhythm guitar
  Paul McCartney - bass guitar, harmony vocal
  George Harrison - lead guitar
  Ringo Starr - drums
• All My Loving (2:10) Recorded: July 30, 1963 at Abbey Road, London, England
  John Lennon - rhythm guitar, harmony vocal
  Paul McCartney - lead vocal, bass guitar
  George Harrison - lead guitar, harmony vocal
  Ringo Starr - drums
• Don't Bother Me (2:29) Recorded: September 11-12, 1963 at Abbey Road, London, England
  John Lennon - rhythm guitar, tambourine
  Paul McCartney - bass guitar, claves
  George Harrison - double-tracked lead vocal, lead guitar
  Ringo Starr - drums, bongos, loose-skinned Arabian bongo
• Little Child (1:48) Recorded: September 11-12 and October 3, 1963 at Abbey Road, London, England
  John Lennon - lead vocal, rhythm guitar, harmonica
  Paul McCartney - lead vocal, bass guitar, piano
  George Harrison - lead guitar
  Ringo Starr - drums
• Till There Was You (2:17) Recorded: July 18 and July 30, 1963 at Abbey Road, London, England
  John Lennon - acoustic guitar
  Paul McCartney - lead vocal, bass guitar
  George Harrison - acoustic guitar
  Ringo Starr - bongos
• Please Mister Postman (2:37) Recorded: July 30, 1963 at Abbey Road, London, England
  John Lennon - double-tracked lead vocal, rhythm guitar
  Paul McCartney - bass guitar, harmony vocal
  George Harrison - lead guitar, harmony vocal
  Ringo Starr - drums
• Roll Over Beethoven (2:47) Recorded: July 30, 1963 at Abbey Road, London, England
  John Lennon - rhythm guitar, hand-claps
  Paul McCartney - bass guitar, hand-claps
  George Harrison - double-tracked lead vocal, lead guitar, hand-claps
  Ringo Starr - drums, hand-claps
• Hold Me Tight (2:33) Recorded: September 12, 1963 at Abbey Road, London, England
  John Lennon - rhythm guitar, background vocal
  Paul McCartney - lead vocal, bass guitar
  George Harrison - lead guitar, background vocal
  Ringo Starr - drums
• You Really Got a Hold on Me (3:03) Recorded: July 18, 1963 at Abbey Road, London, England
  John Lennon - lead vocal, rhythm guitar
  Paul McCartney - bass guitar, background vocal
  George Harrison - lead vocal, lead guitar
  Ringo Starr - drums
  George Martin - piano
• I Wanna Be Your Man (1:59) Recorded: September 11-12, October 3, and October 23, 1963 at Abbey Road, London, England
  John Lennon - rhythm guitar, Hammond organ, harmony vocal
  Paul McCartney - bass guitar, harmony vocal
  George Harrison - lead guitar
  Ringo Starr - lead vocal, drums, maracas
• Devil in Her Heart (2:24) Recorded: July 18, 1963 at Abbey Road, London, England
  John Lennon - rhythm guitar, harmony vocal
  Paul McCartney - bass guitar, harmony vocal
  George Harrison - lead vocal, lead guitar
  Ringo Starr - drums, maracas
• Not a Second Time (2:04) Recorded: September 11, 1963 at Abbey Road, London, England
  John Lennon - double-tracked lead vocal, acoustic guitar
  Ringo Starr - drums
  George Martin - piano
• Money (That's What I Want) (2:46) Recorded: July 18, 1963 at Abbey Road, London, England
  John Lennon - lead vocal, rhythm guitar
  Paul McCartney - bass guitar, background vocal
  George Harrison - lead guitar, background vocal
  Ringo Starr - drums
  George Martin - piano

CONDITION: The Cover: The laminated fragile UK cover: All solid nicely laminated inside and outside ...a collection worthy near M-  ...overall a HIGHLY collectible rare investment item in this clean shape = No split seams, no writing, bright original colors...

The Vinyl: highly shiny CLEAN over both sides, rated: M- TOP COPY = all plays GREAT and vibrant, clear as a bell...Both yellow & black Parlophone labels are clean ... 

keeper!

A GREAT ADDITION TO ANYONE'S COLLECTION !

SEE: SELLERS OTher items for similar cool sounds for "head" people...

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

                    ATTENTION! *STEREO*

THIS IS THE *STEREO* BRITISH ORIGINAL 1967 FIRST ISSUE!