2LP MOZART Requiem in D K.626 JOCHUM DGG Archive MINT
$
25
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Description
~RECORDS MAKE GREAT GIFTS~ This auction is for the
COMPLETE 1955 RECORDING OF REQUIEM in D, K.626 BY WOLFGANG AMADEUS MOZART WITH EUGEN JOCHUM CONDUCTING THE VIENNA PHILHARMONIC ORCHESTRA
Label: ARCHIVE (DGG) - GERMANY
Format: Vinyl, LP- Monaural
Title: Archive Production: History of Music Division of the Deutsche Grammophon Gesellschaft: XII. Research Period: Mannheim and Vienna. Series E: Wolfgang Amadeus Mozart: Requiem K. 626 - Memorial Service on the Anniversary of Mozart's Death, Stephen's Cathedral Vienna. Conducted by Eugen Jochum (1902-1987). 2 LPs; Includes booklet.
Released: 19?? (Originally recorded in 1955) Undoubtedly released sometime in the early '60s, as is the case with the other wonderful LPs from this estate.
Catalog#: ARC 3048, ARC 3049.
CONDITION NEAR MINT+/NEAR MINT+This 2-LP set is from the days when classical records came in a fitted plastic bag rather than flimsy shrinkwrap. Although the plastic here has been opened, I don't think the jackets have ever been removed from the bag. Not only are the individual Jackets pristine, the Vinyl appears Completely Unplayed. I only give a Mint Grade to Sealed records.Overall, this 2-LP album is as close to Mint as they come.
PROGRAM REQUIEMK. 626
Celebrant: Cathedral Curate Monsignore Penall
lrmgard Seefried, soprano . Gertrude Pitzinger, contraIto
Richard Holm, tenor . Kim Borg, bass
Chor der Wiener Staatsoper. Wiener Sypmphoniker
Chorus Master: Richard Roosmayer . Alois Forer, organ
CONDUCTOR: EUGEN JOCHUM
PERFORMED AS PART OF A COMPLETE MASS FOR THE DEAD
IN ST. STEPHEN’S CATHEDRAL, VIENNA
ON THE OCCASION OF THE ANNIVERSARY OF MOZART’S DEATH
REQUIEM IN D MINOR, K. 626
1 - 1 Sacristry Bells and Organ Prelude 2:58
2 - 2 I. Introitus: Requiem aeternam 5:18
3 - 3 II. Kyrie 2:55
4 - 4 Oratio: Fidelium Deus, omnium 0:48
5 - 5 Lectio 0:32
III. Sequentia:
6 - 6 Dies irae 1:54
7 - 7 Tuba mirurn 3:42
8 - 8 Rex tremendae 2:41
9 - 9 Recordare 5:52
10 - 10 Confutatis 2:44
11 - 11 Lacrimosa 3:06
12 - 12 Evangelium 1:56
IV. Offertorium:
13 - 13 Domine Jesu Christe 4:06
14 - 14 Hostias 4:32
15 - 15 Praefatio Defunctorum 2:10
16 - 16 V. Sanctus 1:47
17 - 17 Organ improvisation 1:36
18 - 18 VI. Benedictus 5:55
19 - 19 Pater noster 2:08
20 - 20 VII. Agnus Dei 2:55
21 - 21 VIII. Communio: Lux aeterna 5:59
22 - 22 Postcommunio: Animabus quaesumus — Requiescant in pace 1:04
23 - 23 Organ Postlude 3:00
Archive Production:The Original Statement
Hitherto, the inexhaustible musical treasures of the past have only been made available on records to a limited extent. There are various reasons for this, but the two main reasons are that, firstly, early music still appears in concerts much less frequently than classical and modern music, and secondly, the older the music, the more difficult become the problems of its interpretation.
For this reason, the Deutsche Grammophon Gesellschaft established, a few years ago, a History of Music Division, with the aim of making available, both to the specialist and the ordinary music lover, the wide range of "early music" from the beginnings of the Western tradition, circa 700 A. D., to the "pre-classical" period a thousand years later.
In contrast to previous undertakings of similar character, it was not the intention of the Deutsche Grammophon Gesellschaft to produce a limited series of examples illustrating the history of music. Without confining the ARCHIVE PRODUCTION to an educational system or a restricted programme, the purpose is to preserve on records complete works from this infinite field, works whose beauty and vitality can still exert an immediate appeal on the music-lover of the present day.
In order that these recordings may be carried out at the highest possible levels of musicological research, artistic and technical achievement, the History of Music Division offers all the works
in their complete authentic form based on the original versions
performed faithfully to the original style using historical instrumentsin "living" interpretations by highly qualified specialist performers
in recordings of the highest standard using the latest technical developments
In order to provide a clear survey of the repertoire, the ARCHIVE PRODUCTION has been divided into twelve "research periods," which correspond to the successive phases of musical history. These periods have again been divided into sections comprising groups of works, types, individual composers, etc.
Please don't miss the marvelous opportunity to become the proud owner of this
Superlative Performance of Mozart's final Musical Composition,
REQUIEM IN D MINOR, K. 626.
Bid Now, and Bid Decisively!! The only record purchase you'll ever regret is the one you didn't make. This Outstanding Classical set comes with a low opening bid andABSOLUTELY NO RESERVE!! Many Thanks to WIKIPEDIA for Background Material adapted for use in this Listing. Be sure to add me to your favorites list!
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