1970 MINT SHRINK ORIG 1st LP EMERSON LAKE AND PALMER - PROG PSYCH CRIMSON
  $   87

 


$ 87 Sold For
Mar 18, 2018 Sold Date
Mar 15, 2018 Start Date
$   10 Start price
17   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

         FANTASTIC 1971 =MINT= FIRST PRESS

         STILL IN FACTORY CELLOPHANE                 
..|/\|...............................................|/\|..                          
           
EMERSON LAKE & PALMER
                   ..|/\|...............................................|/\|..   
            
     USA - COTILLION RECORDS - SD 9040

OUTSTANDING if not STUNNING 1970 first print

STILL IN FACTORY SHRINK WRAP

CONTAINS the SCARCE "LUCKY MAN" STICKER ....

includes the original printed Cotillion Records inner sleeve

Dark and mysterious, Emerson Lake & Palmer's debut album is one of the better albums that came out in 1970. Mostly because of Palmer's impressive drumming and Emerson's fantastic keyboard's. Kick's off with "The Barbarian", with an aggressive guitar opening that sounds like something King Crimson could have done on that time. 
From the first overdriven fuzz box bass note and organ crunch on this record, you know you are listening to something new and frightening. Emerson's organ has a Jon Lord-like metallic bite, much more aggressive than his work with the Nice, and Lake's bass and Palmer's drums are taking no prisoners. Even the piano sounds pissed off. Bartok's "The Barbarian" is like a tank grinding the musical landscape under its treads, but this is not punk or grunge---this is aggressive music played by virtuosos! (Emerson has said in his autobio that lyrics and tunes were slow to come on their debut album and it sounds like he took his frustrations out on his keys)...This same violent underpinning is there in "Knife Edge", their brilliant take on Janacek's Sinfonietta, the Carl Palmer drum showcase "Tank" and the church organ workout "The Three Fates". In the middle of these tricky songs, a bit of classical piano might break out, followed by a blast of Hammond or a maniacal drum passage.

Even the piano middle section in Lake's beautiful ballad "Take A Pebble" (among the best songs he did with the band) has a driven quality. This is not Rick Wakeman's tastefully-elegant baroque piano but keyboard-as-machine-gun. It still retains it's beauty and the opening and closing passages are almost gentle and fragile, compared to the rest of the album. "Take A Pebble" is a song that sounds almost like a bridge between classic ELP and early King Crimson---it has that meandering Lake acoustic guitar solo in the middle that reminds me of Crimso's jazzy, meandering side (no surprise, as Lake had just come from that group). The last song, the classic hit "Lucky Man", sounds out of place on this album, a folk song among classical organ and piano work-outs, but it is possessed of a magnificent opulence, as Lake adds on multi-tracked choir vocals on the choruses, guitar solos, and that classic Keith-playing-with-the-Moog-glide-control synthesizer solo on the outro, a howl that fades into a low frequency whistle that fades into an electronic hiss. Palmer's echo-ing drums ride out the end to a masterful FM radio hit that announced to the world that there was this strange-sounding new band, ELP!

Their debut album was truly the work of a prog rock super-group...there hadn't been a union of a top-notch keyboardist, very good bass player with a soaring, majestic voice, and top-notch drummer like this in a power trio format like this before. Groundbreaking work!!


The Barbarian (4:33)  Take A Pebble (12:34)  Knife-Edge (5:08)   The Three Fates (7:45)  - a. Clotho (Royal Festival Hall Organ)  - b. Lachesis (Piano Solo)  - c. Atropos (Piano Trio)   Tank (6:52)                     Lucky Man (4:36)                

CONDITION: The cover: rated: MINT IN FACTORY CELLOPHANE ---> no shelf wear, contains the scarce "LUCKY MAN" hit song sticker on outside of the cellophane ... solid and highly collectible, the first print is 47 years of age. There are no delete marks, no split seams, no bends, and no writing  ...original store price sticker on outer shrink wrap.
 FINAL COLLECTION COPY 

The vinyl: Rated: M- clean and smooth, play graded outstanding what more could you want!? Both Cotillion labels are clean .....

      
                                  A cool addition to anyone's music library!






  SEE: SELLERS OTher items for similar cool sounds for "head" people...   EFFICIENT/CAREFUL GRADING All imperfections are noted both cover & record   NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!                                       


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