1964 LP Barbara Muller Double Premiere Private Press psych Occult Folk Satanic
  $   150

 


$ 150 Sold For
May 12, 2016 Sold Date
May 5, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Very Rare seems to be mostly unknown

Original US First Press, 1964, Mono, Quote Records Q2.

The Vinyl: VG+, no feelable scratches, very good luster, and well cared for.

The Cover: Mint-, very slight browning on back cover.

Includes Original inner sleeve.

Backing Vocals by Wendy Caesar.

 Barbara has a very nice Earthy full deeper tenor voice with a little grit in places, and sometimes very gentle, perfect. I love he voice.  She is also a very good guitar player.

I personally prefer to listen to Barbara more than say Joan Baez.

Her 1964 version of “Babe I'm Gonna Leave You”  reminds me a little of the 1969 Led Zeppelin version,  both instrumentally (the guitar) and the vocal, interesting.

Canadian songwriter Sonia Brock wrote 4 of the songs including "All Hallows", which according to the albums liner notes explores “the Dark Mysteries of the Witches’ Sabbath, reflecting Sonia’s once intense interest in the Occult.”  (Perhaps she even had an early interest in Alistair Crowley, before Zep?!?)

Recorded live in August 1964, in the Chapel of the Theological Seminary

Tracklist

A1 Country Wedding 2:37

A2 Morning Dew 2:27

A3 She Who Would Not When She Could, Could Not When She Would 1:33

A4 All Hallows 2:39

A5 Night And Morning 3:09

A6 Count Ten 1:35

B1 Babe, I'm Gonna Leave You 4:27

B2 Housewife's Lament 3:56

B3 Copper Kettle 2:32

B4 Moonshiners 4:05

B5 Bold Fenian Men 2:30

B6 The Leprechaun 0:54.

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RECORD GRADING (Usually Visual) :

FS=Original Factory Sealed. ///

New= New (or Mint) perfect in every way, record appears unplayed. ///

New- = New minus (or Mint minus), record played maybe 1 to 9 times , perhaps a few spindle lines on label, and maybe a sleeve line or two. Covers close to M, has maybe a small corner bend, maybe the very slightest of ring line caused by the record.///

VG+ = Very Good Plus, record played a little more than an m- but well cared for. Vinyl has the vast majority of its original luster, may have sleeve lines, maybe a few very lite scuffs; maybe one or two small, very light surface scratches. But not all at the same time. Cover MAY have very minor ringwear, maybe a few other flaws, a minor corner bend or two, maybe a small partial seam split; ///

VG = record has the flaws of a VG+, only more of them; may also have some small scratches that are felt with a fingernail. Vinyl is very playable and will play through, good luster. Probably some noise between tracks, maybe in quiet passages. Still, a reasonably well cared for record. /// VG- = proportionally lower than a VG.////

G = It is rare that I will even list a record in this condition; but it will be proportionally lower than a VG-.

 


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