1940 JOSEPH GINGOLD Violin BERYL RUBINSTEIN Piano Ernest Bloch VIOLIN SONATA 78

$

75

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First recording by JOSEPH GINGOLD Violin BERYL RUBINSTEIN Piano

of Ernest Bloch VIOLIN SONATA

Ernest Bloch's Violin Sonata No. 1 is a sonata for violin and piano. It is regarded as one of the masterpieces of the violin repertoire.[1]

Composed in Cleveland in 1920, the work makes considerable demands of both technique and endurance from the violinist.[1] Bloch himself described the sonata as a "tormented work",[2] and Roger Sessions described it as having a characteristic "mood of pessimism, irony and nostalgia

Structure[edit]
There are three movements:

Agitato
Molto quieto
Moderato.
The first movement begins with driving, toccata-like idea which transitions to a characteristic Hebrew-inflected melody; these materials are extensively developed leading to a tormented, expressive coda. The second movement begins gently, with an sustained cantilena for the violin over a quiet piano arpeggios, but introduces more agitated material as it proceeds. The final movement is launched with heavily-chorded dance measures, but as the movement proceeds material from the opening two movements is revisited before the work ends quietly.[4]

Performance and Recording[edit]
The work was premiered in New York City in February 1921 by Paul Kochanski and Arthur Rubinstein.[1]

pre war gold label 4x12" 78 rpm record w orig lyre style album M498 and booklet

Condition: Excellent pristine  plays very very quiet, album like new

A CHOIC COPY

Josef Gingold (Russian: ????? ????????; October 28 [O.S. October 15] 1909 – January 11, 1995[1]) was a Belarusian-Jewish[2]-born classical violinist and teacher, who lived most of his life in the United States. At the time of his death he was considered one of the most influential violin masters in the United States with many successful students.[1]

Gingold was born in Brest-Litovsk, Russian Empire (now Brest, Belarus), and emigrated in 1920 to the United States where he studied violin with Vladimir Graffman in New York City. He then moved to Belgium for several years to study with master violinist Eugène Ysaÿe. He gave the first performance of Ysaÿe's 3rd Sonata for Solo Violin. In 1937, Gingold won a spot in the NBC Symphony Orchestra, with Arturo Toscanini as its conductor; he then served as the concertmaster (and occasional soloist) of the Detroit Symphony Orchestra, and later was the Cleveland Orchestra's concertmaster under conductor George Szell.

Gingold edited numerous violin technique books and orchestral excerpt collections. He taught at the Indiana University Jacobs School of Music for more than thirty years, until his death in 1995. His pupils included Gil Shaham, Anne Shih, Joshua Bell, Arnold Steinhardt, Martin Beaver, Shony Alex Braun, Andrés Cárdenes, Corey Cerovsek, Cyrus Forough, Miriam Fried, Endre Granat, Stephen Shipps, Brian Hanly, Ulf Hoelscher, Hu Nai-yuan, Jacques Israelievitch, Ivar Bremer Hauge, Leonidas Kavakos, Chin Kim, Ronald Lantz, Jaime Laredo, Michael Jinsoo Lim (Concertmaster, Pacific Northwest Ballet), William Preucil, Richard Roberts (Concertmaster, Montreal Symphony Orchestra) Joseph Silverstein, Linya Su, Gwen Thompson, and Xiao-mei Pelletier (Associate-Principal Violin, Dallas Symphony Orchestra).

Gingold was a founder of the quadrennial Indianapolis Violin Competition. He was a National Patron of Delta Omicron, an international professional music fraternity.[3]

A detailed literary portrait of Josef Gingold is included in the book, Quintet, Five Journeys toward Musical Fulfillment, by David Blum (Cornell University Press, 1999). It originally appeared as an article in the 4 February 1991 issue of The New Yorker.

Gingold died in Bloomington, Indiana in 1995.

Beryl Rubinstein (October 26, 1898 - December 29, 1952) was an American pianist, composer. and teacher. His son is David Rubinstein (social historian).

He married Elsa Landesmann who attended Wellesley College. They were married by Abba Hillel Silver, a leading American Zionist, on 29 December 1925.

Rubinstein was born in Athens, Georgia, where his father Isaac Rubinstein was the rabbi of the Congregation of the Children of Israel. He was a child prodigy on the piano, and made his New York City debut in 1911, with a concert at the Metropolitan Opera House. He then studied piano in Berlin, Germany with Ferruccio Busoni and others, making his debut in New York City in a joint concert with Eugène Ysaÿe in 1916. There followed several American and European tours. He also toured as an assistant pianist for the Duncan Dancers, a troupe headed by Isadora Duncan. In 1921 he joined the music faculty of the Cleveland Institute of Music, serving as the institution's director from 1932 until his death. He wrote an Outline of Piano Pedagogy (1929); among the works he composed were two piano concertos, a string quartet, and numerous pieces and studies for piano solo.

After the U.S. entry into World War II, Rubinstein (then 43) enlisted in the U.S. Army with the rank of captain in the Fifth Service Command. He was given the role of coordinating the unit's wartime musical activities. From 1942 to 1944 he traveled 20,000 miles and participated in seventy-five concerts for servicemen in North Africa, Sicily, and Italy.

After the war Rubinstein returned to Cleveland to resume the directorship of CIM, which expanded greatly over the next decade.

Rubinstein died in Cleveland, Ohio, in 1952 and was buried at Mayfield Cemetery. He was survived by his wife, a son, and a daughter.

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