1938 Brazilian DEO Ferjalla Rizkalla Viver assim nao e vida Casta Suzanna ODEON

$

30

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Brazilian singer DEO aka Ferjalla Rizkalla in his first 1938 hit record, a great success of the Carnival 1939

 two great Sambas by  Ary Barroso

Ary Barroso/
Alcyr Pires Vermelho A Casta Suzanna [A Casta Suzana] (marcha) Déo w/ Grupo da Odeon Odeon 11690-B 5981 January 1939 (rec. 2 Dec. 1938)

Ary Barroso Viver Assim Nao É Vida (samba) Déo w/ Grupo da Odeon Odeon 11690-A 5980 January 1939 (rec. 2 Dec. 1938)
10" 78 rpm recording.

Also in 1937, he met Ary Barroso, who was then making a program with Luís Peixoto on Rádio Kosmos - "Boite azul". Ari, who liked his voice, took him to Odeon, where he recorded in late 1938 the samba "Living like this is not life", by Ary Barroso and the march "Casta Suzana", by Ary Barroso and Alcir Pires Vermelho, great success of the 1939 carnival, making it known in Rio de Janeiro.

Condition: EXCELLENT close to pristine, but few fine scratches on VIVER, plays E very quiet

A SUPERB COPY
Deo
Ferjalla Rizkalla
10/1/1914 Rio de Janeiro, RJ
9/23/1971 Rio de Janeiro

In 1934, he was hired by Rádio Record as a discotheque and also a singer. In addition to tangos, he began to interpret Brazilian music, especially compositions extracted from the repertoire of Silvio Caldas. In 1936, he went to Columbia where he recorded his first album that included the samba-song "Vendedora de flores", by José Marcílio and the samba-choro "Cantando", by João Pacífico, legendary composer of country music. Then he recorded the sambas "A love that has passed", by João Pacífico and Frazão and "Eternal illusion", also by João Pacífico. In the following year, he recorded the samba "Sinto tears", by Aloísio Silva Araújo and Francisco Malfitano, which was quite successful.

Still in 1937, he recorded four sambas by Wilson Batista, "Canta"; "I lost my affection"; "I'm tired of crying" and "My last cigarette". Also in 1937, he met Ary Barroso, who was then doing a program with Luís Peixoto on Rádio Kosmos - "Boite azul". Ari, who liked his voice, took him to Odeon, where he recorded in late 1938 the samba "Living like this is not life", by Ary Barroso and the march "Casta Suzana", by Ary Barroso and Alcir Pires Vermelho, great success of the 1939 carnival, making it known in Rio de Janeiro. In the same year, he recorded the samba "Don't know how to say goodbye", by Ataulfo ??Alves and Wilson Batista, the waltz "Canção do nossa amor", by Ataulfo ??Alves, the samba "Any way", by Ary Barroso and Noel Rosa and the samba "Ela é", by Claudionor Cruz and Wilson Batista. Still this year, he composed the song "Súplica" on lyrics by Otávio Gabus Mendes, a figure of intense activity in the São Paulo press and radio (father of the telenovelist Cassiano Gabus Mendes) and also by José Marcílio, who reportedly entered the partnership without have collaborated with the music. The construction of the letter draws attention, in which the absence of rhymes was an unusual fact for the time. "Súplica" was recorded by Orlando Silva in 1940. In the same year, the duo Ary Barroso and Alcir Pires Vermelho launched the "Veneno" march and the samba "Se Deus Deus". He also recorded, for Ataulfo ??Alves and David Nasser, the waltz "Minha sombra" and for Ataulfo ??Alves and Claudionor Cruz the samba "To forget a woman".

In 1941, Ary Barroso took him to Tupi, directed at the time by Teófilo de Barros Filho, and the singer then moved to Rio de Janeiro. In the same year, he recorded the ranch marches "Meu jardim" and "When a star smiles", by Donga and David Nasser, as well as the samba "Aria Barroso's" Only saudade doesn't pass ". In 1942, he returned to Columbia and launched the sambas "A morena que eu gosto", by Marino Pinto and J. Batista and "If you knew", by Valmúrio. In the same year, he made an excursion through the northeast of Brazil, obtaining great success. Still in 1942, he recorded the samba "Mulher de luxe", by Newton Teixeira and Edelir Gameiro, "I thank you", waltz by Mário Lago and Benedito Lacerda; "In the world of the moon", samba by Wilson Batista and José Gonçalves and "If I had a million cruzeiros" and "Bandeira de minha terra", sambas by the duo João de Barro and Alberto Ribeiro.

In 1943, in the best period of his career, when he was called "The dictator of successes", he recorded "To hurt my heart", by Ary Barroso with the accompaniment of Chiquinho and his rhythm, a classic of the samba repertoire - a composition that delights for the quality of the melody and the colloquial treatment of the lyrics when addressing the theme of separation. In the same year, he recorded from the duo Marino Pinto and Valdemar Gomes, the sambas "Reconciliação" and "Mais a drama da vida". At the end of 1943, he signed a contract with the record label Continental, where he debuted the samba "Brasil, mill of the world", by João de Barro and Alcir Pires Vermelho and "Valsa do balancê", by Alberto Ribeiro and Alcir Pires Vermelho and others. compositions previously recorded at Columbia.

In 1944, he launched the sambas "Rosinha", by João de Barro and Maia Morais and "Baile de gala", by Roberto Martins. In the same year, he recorded in a duet with Dircinha Batista the waltz "Continuas em meu Coração", by João de Barro and Alberto Ribeiro. In 1945, he recorded the sambas "Sonho de amor", by Ary Barroso, "Não é assim", by Wilson Batista and Haroldo Lobo and "Ten years of life", by Valfrido Silva and Ciro de Souza. In the same year, he recorded in a duet with Castro Barbosa the samba "Clélia", by Castro Barbosa and "Frevo nº 1", in an adaptation by Almirante. He also recorded the sambas "Sooner or Later", by Geraldo Pereira; "The day has come", by Geraldo Pereira and Elpídio Viana and was successful with "I was born on the hill", by Ary Barroso.

In 1946, he recorded for the carnival the march "Chô, peru!", By Lauro Maia and Humberto Teixeira and the frevo song "Ai, amor!", With arrangement by the Valença Brothers. In the same year, he released two sambas by Geraldo Pereira, "I just wanted my name" and "I'm still your friend". In 1947, he recorded the samba "Nervos de Aço", by Lupicínio Rodrigues and was successful in the Rio Carnival with the samba "Lá vem o Ipanema", by Roberto Roberti, Arlindo Marques