1935 PETER LESCHENKO Leshtchenko RUSSIAN TANGO Tatiana/ Kavkas BELLACCORD RIGA

$

75

A series of great ACOUSTIC and EARLY ELECTRIC ETHNIC recordings:

PETER LESCHENKO  "the King of Russian Tango" in a vocal Foxt Trot and Tango

Bellacord recordings made in Riga

Caucasus (??????), foxtrot (Mark G. Maryanovsky)
Peter Lestchenko, acc. "Bellaccord" Orchestra (company's jazz orchestra), Conductor Sergey Aldyarov (Levinson) 1935
Riga Bellaccord (own numbering) 3444

3440
(M 3940)  
russian baritone with orchestra
Tatiana (???????), tango (Mark G. Maryanovsky)
Peter Leschenko, acc. Bellacord Orchestra 1935
Riga Bellaccord (own numbering) 3440

Issued in the US by ARGEE Records 10" 78 rpm

Condition:

VERY GOOD PLUS PLUS, unworn but scuffed, plays E- very quiet lightest hiss

A GREAT COPY 

Pyotr Konstantinovich Leshchenko (Russian: ???? ?????????????? ???????; 2 June 1898 – 16 July 1954), a singer in the Russian Empire and later the Soviet Union, is universally considered "the King of Russian Tango" and specifically known for his rendition of "Serdtse"—a tango song not in the Spanish language. He was born as a citizen of the Russian Empire in Isayevo village of the Kherson Governorate (now part of Odessa Oblast, Ukraine) into a poor and illiterate peasant family. During the First World War, his mother and stepfather moved to Kishinev (Bessarabia Governorate), which was later annexed by Romania (today's Moldova). He was proficient in numerous languages Russian, Ukrainian, Romanian, German, and others.

[edit] BiographyIn his early childhood he sang in a church choir and learned how to play the guitar and the balalaika.

After the war, Pyotr, who had never learned a real trade, worked at various restaurants, serving, dish-washing and performing small theatrical acts. He had a soft baritone voice.

After taking some ballet lessons in Paris, he started performing with his Latvian wife Zinaida Zakit, a dancer. Their act was a mixture of ballet, folklore dance and European tango, which was so popular it led to tours to Egypt, Syria, Lebanon, Turkey, Germany and Britain. It was at Riga, when he improvised gipsy music and tango singing to make up for the absence of his pregnant wife, that he discovered he could sing in front of an audience. In 1935 he was at the peak of his success. Though he still included old Russian romances, and even Soviet songs (like "Serdtse", which was originally sung by Leonid Utyosov) in his repertoire, songs were now composed for him exclusively (with the tango songs turning Argentine in style and arrangement). One of his favourite non-Russian composers was Jerzy Petersburski, but he also sung work composed by Pavel German, Konstantin Podrevsky and Isaak Dunayevsky. Composers who composed certain songs specifically for him included Oscar Strok, Mark Maryanovsky and Yefim Sklyarov. Many lyrics of Leshchenko songs were written by Boris Fomin.

Leshchenko performed for European nobles and "White" (anti-Bolshevik) Russian émigrés at his own "Leschenko" cabaret in Bucharest (dubbed the "Eastern Maxim's"). The first part of every performance would typically be dedicated to gipsy music, but during the second part Leshchenko would dress up in a tuxedo, with a white silk handkerchief and sing and dance Argentine tango.

In the Soviet Union his work was banned both because he was believed to be a White émigré (which he was not legally) and because the style (tango and foxtrot) was deemed counter-revolutionary. Nevertheless, secretly he was very popular: people would even listen to Radio Tehran to hear his music, '78 records were smuggled into the country from the Baltics, and specialists would bootleg his music onto "ribs" (used X-ray plates). When during the Second World War and the subsequent occupation of Odessa by the Romanian army, Leshchenko was finally able to perform in the country he still considered his own, people would queue for hours on end to buy a ticket to one of his Odessa concerts. It was at Odessa that Pyotr met his second wife, Vera Georgievna Belousova, for whom he would later, back in Romania, divorce Zinaida.

After Romania switched sides during World War II and the Soviet army came to Romania, Leshchenko was not arrested and became the protégé of general Vladimir Ivanovich Burenin, military commander of the Red Army garrison in Bucharest. [1] Some sources believe this was due to Marshall Georgy Zhukov being a secret admirer of his music - Pyotr probably thought so, and after the War, wrote many letters to friends in the Soviet Union asking them to contact high-level officials so that he and Vera might be allowed back to the country of their birth. [2]

In 1951, a week after receiving an official letter granting them permission to settle in the Soviet Union, Vera and Pyotr were arrested by the Romanian police. Vera was extradited to the Soviet Union (where she was condemned to forced labour for amongst other things, "marrying a foreigner") and Pyotr was sent to a Romanian prison near Bucharest. Both outlived Stalin, but Pyotr died in a prison hospital in Târgu Ocna on 16 July 1954, without Vera at his side (she had already been released but did not know her husband was still alive). Some friends present when he died claimed his last words were "Friends, I am happy, for I will return to my fatherland! I am going away, but I leave you my heart." Vera died on December 18, 2009, age 86.

In 1981, his 90th birthday was marked by several articles in Soviet newspapers and several radio shows were dedicated to him at the time.

[edit] Famous songsWhile most tango dancers around the world only know Serdtse, on special theme evenings (and of course modern CDs) other songs sung by Pyotr Leshchenko may get a mention. They include: the Argentinian Tangos Anikusha, Barselona, Chornye Glaza (Strok), Davay Prostimsya, Golubye Glaza, Moyo Poslednee Tango (Strok), Ne Uhodi, Ostansya, Priznaysya Mne, Studentochka, Skazhite Pochemu, Skuchno, Ty I Eta Gitara (both sometimes called "Polish Tangos"), Vernulas Snova Ty, Vino Lyubvi (Maryankovsky) and Zabyt Tebya, the Gypsy Romances Chto Mne Gorye and Za Gitarnyi Perebor and finally the "waltzes" Moy Drug and Pesnya o Kapitane (this last one, like Serdtse, with text written by the Soviet poet Vasily Lebedev-Kumach)