1929 KALAMA's Quartette Mike Hanapi Yodel HAWAIIAN Ohuohu Oahu/ Lei e OkeH 41285
$
50
$ 50
Sold For
May 23, 2024
Sold Date
May 11, 2024
Start Date
1
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USA
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Description
A series of great early Hawaiian Recordings on 78 rpm records
Click on this link to see more great Hawaiian and Pacific Island Records!
Great recording of Kalama's Hawaiian Quartet in their first record
Members:
Bob Matsu, Bob Nawahine, Dave Kaleipua Munson, Mike Hanapi, William Kalama
Mike Hanapi Yodeling
in swinging piece with great singing
Ohuohu Oahu / Lei e
K. Holi (composer)
K. Holi (lyricist)
Kalama Quartette (Musical group) Listed on OK 41285 as Kalama's Quartet.
Mike Hanapi (vocalist : yodeling)
Description: Male vocal and instrumental quartet, with yodeling (Hawaiian)
8/9/1929 New York, New York OKeh 41285
Original Issue OKeH ethnic 10" 78 rpm record
Condition ISSUE!
GOOD minor wear but rubbed fine scratches, RIM BREAKOUT at first groove, does not affect play, radial lams crack causes mild ticks, plays VG+ or better suprisingly well very quiet with some ticks and pops
One of Hawaii's greatest pre-World War II bands.
Before the addition of guitarist/vocalist Dave Kaleipua Munson, in late 1927, the band was named the Hanapi Trio but became later the Kalama's Quartet. Although a second steel guitarist, Bob Matsu, joined in 1928, the name was not changed.
The group remained together for a short period. After recording several tunes for OKeh between 1927 and 1931, they completed their recording career with four tracks recorded for Victor in January 1932.
Following the disbanding of the group, Kalama, Nawahine, Munson, and Matsu faded into obscurity.
In the late 1920s and into the early 1930s, Kalama’s Quartet represented a classic Hawaiian sound popular both in the Hawaiian Islands and on the American mainland. The quartet pushed the musical boundaries within the genre, as they experimented with four-part vocal harmonies and two acoustic steel guitars. With the onset of the Great Depression, the desire for a more Americanized sound, and the invention of the electric Hawaiian guitar, classic Hawaiian music lost much of its appeal. This collection includes the quartet’s last known recordings before it disbanded. Liner notes include a brief history of the group.
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