1929 ARTURO TOSCANINI HAYDN Symphony No 101 THE CLOCK N

$

34

WEEK 4 of 4 weeks of great auctions - THIS IS THE FINAL WEEK. I will send out your bills after end of auctions on September 17.

IMPORTANT:

PLS READ BELOW for INCREASED SHIPPING CHARGES due to Ebay Policy

I AM HAPPY COMBINE MULTIPLE SHIPMENTS.

IF YOU WIN MULTIPLE ITEMS DO NOT USE EBAY CHECK OUT in order for me to get you low combined postage. Send me an invoice request instead.

A series of great  classical orchestral and instrumental performances by major conductors, composers and instrumentalists.

One of the FIRST  electric RECORDING SESSION of notoriously Microphone shy ARTURO TOSCANINI. After a few initial acoustic sessions, Toscanini barely recorded anything (one Brunswick record, and very few Victors in 1929) until the late 1930s, when he was lured back to the US with the custom created NBC symphony orchestra. This is an early glimpse of the mastery of on of the greatest conductors of the 20th century.

HAYDN Symphony No 101 THE CLOCK

The full effects of the lush orchestral work were first captured effectively with the advent of electrical recordings, including the 1929 performance by the New York Philharmonic Orchestra conducted by Arturo Toscanini, released by RCA Victor.

original issue Album M-57 with cloth binding and patterened sleeves, 4x12" scroll 78 rpm record, booklet taped in inner sleeve

Condition:

EXCELLENT  faintest scuffs, album great undamagedThe Symphony No. 101 in D major (Hoboken 1/101) is the ninth of the twelve so-called London Symphonies written by Joseph Haydn. It is popularly known as The Clock because of the "ticking" rhythm throughout the second movement.

[edit] Composition, premiere, and receptionHaydn completed the symphony in 1793 or 1794. He wrote it for the second of his two visits to London (1791-2, 1794-5).

The work was premiered on 3 March, 1794, in the Hanover Square Rooms, as part of a concert series featuring Haydn's work organized by his colleague and friend Johann Peter Salomon; a second performance took place a week later.[1]

As was generally true for the London symphonies, the response of the audience was very enthusiastic. The Morning Chronicle reported:

As usual the most delicious part of the entertainment was a new grand Overture [that is, symphony] by HAYDN; the inexhaustible, the wonderful, the sublime HAYDN! The first two movements were encored; and the character that pervaded the whole composition was heartfelt joy. Ever new Overture he writes, we fear, till it is heard, he can only repeat himself; and we are every time mistaken.[2]
The work has always been popular and continues to appear frequently on concert programs and in recordings.

Arturo Toscanini (March 25, 1867 û January 16, 1957) was an Italian musician. He is considered by many critics, fellow musicians, and much of the classical listening audience to have been the greatest conductor of all time. He was renowned for his brilliant intensity, his restless perfectionism, his phenomenal ear for orchestral detail and sonority, and his photographic memory which gave him extraordinary command over a vast repertoire of orchestral and operatic works, and allowed him to correct errors in orchestral parts unnoticed by his colleagues for decades

Biography
Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. He joined the orchestra of an opera company, with which he toured South America in 1886. While presenting Aida in Rio de Janeiro, the orchestra's conductor was booed by the audience and forced to leave the podium. Although he had no conducting experience, Toscanini was persuaded to take up the baton, and led a magnificent performance completely from memory. Thus began his career as a conductor at age 19.

Upon returning to Italy, Toscanini self-effacingly returned to his chair in the cello section, and participated as cellist in the world premiere of Verdi's Otello (La Scala, 1887) under the composer's supervision. (Verdi, who habitually complained that conductors never seemed interested in directing his scores the way he had written them, was impressed by reports from Arrigo Boito about Toscanini's ability to interpret his scores. The composer was also impressed when Toscanini consulted him personally, indicating a ritardando where it was not set out in the score and saying that only a true musician would have felt the need to make that ritardando.)

Gradually the young musician's reputation as an operatic conductor of unusual authority and skill supplanted his cello career. In the following decade he consolidated his career in Italy, entrusted with the world premieres of Puccini's La Boh?me and Leoncavallo's Pagliacci. In 1896 he conducted his first symphonic concert (works by Schubert, Brahms, Tchaikovsky, and Wagner), in Turin. By 1898 he was resident conductor at La Scala, Milan and remained there until 1908, returning during the 1920s. He took the Scala Orchestra to the United States on a concert tour in 1920-21; it was during that tour that Toscanini made his first recordings (for the Victor Talking Machine Company).

 International recognition
Outside of Europe, he conducted at the Metropolitan Opera in New York (1908û1915) as well as the New York Philharmonic Orchestra (1926û1936). He toured Europe with the New York Philharmonic in 1930; he and the musicians were acclaimed by critics and audiences wherever they went. As was also the case with the New York Philharmonic, Toscanini was the first non-German conductor to appear at Bayreuth (1930û1931). In the 1930s he conducted at the Salzburg Festival (1934û1937) and the inaugural concert in 1936 of the Palestine Symphony Orchestra (now the Israel Philharmonic Orchestra) in Tel Aviv, and later performed with them in Jerusalem, Haifa, Cairo and Alexandria.

Toscanini ran in 1919 unsuccessfully as a Fascist parliamentary candidate in Milan and had been called "the greatest conductor in the world" by Mussolini; however, he became disillusioned with fascism and notably refused to conduct Giovinezza at a May 1931 concert at La Scala, after which he was roughed up by a group of blackshirts, and thereafter left Italy until 1938

He left for the United States where the NBC Symphony Orchestra was created for him in 1937. He conducted the first broadcast concert on December 25, 1937, in NBC Studio 8-H in New York City's Rockefeller Center. The acoustics were very dry, until some remodeling in 1939 added a bit more reverberation to the studio.

One of the more remarkable broadcasts was in July 1942, when Toscanini conducted the American premiere of Dmitri Shostakovich's Symphony No. 7. Due to World War II, the score was microfilmed in the Soviet Union and brought by courier to the United States. Stokowski wanted to conduct the premiere and there were a number of remarkable letters between the two conductors (reproduced by Harvey Sachs in his biography) before Stokowski agreed to let Toscanini have the privilege of conducting the first performance. Unfortunately for New York listeners, a major thunderstorm virtually obliterated the NBC radio signals there, but the performance was heard elsewhere and preserved on transcription discs.  Shostakovich himself reportedly expressed a dislike for the performance, after he heard a recording of the broadcast.

 Quick NOTE ON GRADING AND SHIPPING:

As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.

If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING.

Quick note on grading:

The Grade (Excellent to Fair, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately, when prefaced with "HOWEVER" or "BUT" they will be significant.

When I listen to a record, I may also give it an aural grade (again E to F), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an exceptionally quiet record for a given pressing.
"Quiet" is a record that is a great example without undue noise for a give pressing.

These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment.

Pls check my other auctions for more great records and phonograph items:

http://shop.ebay.com/carsten_sf/m.html

http://shop.ebay.com/carsten_sf/m.html

====

Multiple item shipping: I am happy to combine items for shipment in one parcel.

If you win multiple items, pls send me an INVOICE REQUEST to calculate the correct postage. Ebay check out will not give you the multiple item discount!

Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment.

Shipment is usually Media Mail, unless another service is requested. Shipping is at your risk, I will be happy to insure items at your cost.

I charge actual postage plus a small fee for packing materials

As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price.

If you are in the San Francisco area, I encourage pick-up in person.

EBAY NOW CHARGES 9% on all SHIPPING CHARGES
Also, USPS has increased postal rates. Since I am always shipping at cost, I am sorry to say that after keeping my shipping rates stable for 5 years, I unfortunately now have to increase the prices.

However, if you are interested in lowering you shipping cost, pls send me a message, and I may be able to arrange for better rates !!!

Here a quick breakdown of my costs, you see that due to the new Ebay policy you will pay anywhere from $.50 to $.80 in additional Ebay fees on the first record

US Domestic Shipping:

Here is a guideline for US Media Mail Shipping:

Prices below are for regular 78 rpm records. Up to about 5 records, I will ship Edison Discs for the same rates. Albums from Album Sets count as 1 record. Above that and for international shipments, it will be actual weight plus a small packing charge (1-3$ depending on size of shipment)

1 record: 4.75$

2 records: 5.75$

5 records: 7.50$

10 records: 9.50$

MANY MORE RECORDS: Don't worry. I safely ship 40 - 50 pounds of records double boxed in moving boxes, and even then Media Mail will probably not exceed 30$.

The numbers above include the 9% Ebay fee on shipments.
Pls ignore the automatically calculated prices on the ebay site, as I will weigh every parcel and charge based on actual weight.

Please send me a message if you would like to lower your shipping rates!

International Buyers:

All'attenzione degli acquirenti italiani:

ATTENTION TO ITALIAN BUYERS:

Due to rare problems with delivery in ITALY, I will NOT GUARANTEE delivery of parcels sent by US Postal Service First Class and Priority Mail. If you prefer secure delivery, I will be happy to quote you either Registered Mail or shipment by FEDEX

I am very happy to ship records worldwide.

Prices below are for regular 78 rpm records. For Edison Discs in  international shipments, it will charge for the actual weight plus a small packing charge (1-2$) - for small quantities, it will not be much different from the charge for regular 78s.

Pls contact me for a shipping estimate, or send me an invoice request after close of auction.

Be aware that US Postal Rates can be high. Here are some examples.

Your best bet is the Large Priority box, everything that fits into a 12"x12"x5 1/2" box up to 20 pounds ships for 60$ (35$ Canada) worldwide.

However, I can get competitive rates from FedEx and the US Postal service for any kind of parcel weight

Africa, Eastern Asia and Japan as well as Europe

1 record = 2 lbs $25 - $28

4 lbs = $37

20 lbs or all that fits into a 12"x12"x 5 1/2" box ((12" albums won't fit)= $60

I may be able to get some better FedEx rates.
Pls email with your address for an estimate.

Canada

1 record = 2 lbs $ 11 - $13

4 lbs = 22$
20 lbs or all that fits into a 12"x12"x 5 1/2" (12" albums won't fit)= $38
I may be able to get some better FedEx rates.
Pls email with your address for an estimate.

To estimate your shipment, pls go to

http://www.usps.com/tools/calculatepostage/welcome.htm?from=home_header&page=calculatepostage

My zip code is 94107.

Assume 1 pound per record plus 1 pound for packing.

AND AGAIN -THANK YOU FOR YOUR INTEREST

As you can see from my feedback, I take great care in presenting, grading and shipping your items. I really want you to be happy with the purchase. If you feel that anything is wrong with the item or the shipping, contact me and we will work it out !!!

Pls contact me with your country, home town and postal code before bidding for an estimate.

=====

As always, I would appreciate any suggestions and corrections from you, pls contact me with any question.

Thank you very much, and good luck bidding !!!