1921 NOBLE SISSLE NEGRO JAZZ CRAZY BLUES EDISON DIAMOND DISC 78
  $   29

 


$ 29 Sold For
Nov 5, 2018 Sold Date
Oct 29, 2018 Start Date
$   25 Start price
3   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Please wait for me to send you an invoice. DO NOT USE EBAY CHECKOUT if you want the lowest possible postage.

 

Welcome to my auctions of great records

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PLEASE DO NOT PAY before I send you an invoice. It will take me up to 48 hours to pack your records, but this is the ONLY WAY to get you the LOWEST POSTAGE. If you pay before I sent you an invoice, the EBAY system will charge you a HIGHER POSTAGE for shipping.

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A series of great EDISON DIAMOND DISC recordings:


 Noble Sissle is best known for his collaboration with Jimmy Europe and the Negro Hellfighters regiment band.

When war broke out in 1917, Sissle enlisted with Europe and helped him recruit members for the military band he was forming. Blake, too old for military service at 35, stayed stateside, putting music to songs they sent back. When the armistice was signed, Europe and Sissle returned, and the three hoped to work together to bring African-American theatrical shows back to Broadway. It all came to an abrupt end when Europe was killed by a band member.

Original 1921 improved circle label pressing.

Rec Numb 50754-R 50754-L Take A A Title Crazy Blues (Perry Bradford / Alex Belledna) Pocahontas (MacMeekin) Artist Noble Sissle (mV), (O) Premier (mV4) [Billy Murray (T), (T), (Bar), (Bs)], (O) Recorded 1921.01.11 1920.12.24/8 Place NYC

NYC

 

Condition:

This record is slightly DISHED but flat. Care should be taken when playing on an Edison Phonograph

Very Good plus plus, scuffs, hint of grey grooves at start- loud and clear. Plays E- very quiet 3 clicks at start

GREAT COPY

HERE ARE THE ORIGINAL WORDS (gender is changed when Noble Sissle sings it):

I can't sleep at night.
I can't eat a bite
'Cause the man I love
He don't treat me right.
He makes me feel so blue.
I don't know what to do.

Sometime I sit and sigh
And then begin to cry
'Cause my best friend
Said his last goodbye.

There's a change in the ocean,
Change in the deep blue sea, my baby.

I'll tell you, folks,
There ain't no change in me.

My love for that man
will always be!

Now I got the crazy blues
Since my baby went away.
I ain't got no time to lose.
I must find him today.
Now the doctor's gonna
do all that he can,
But what you're gonna need
is an undertaker man.

Now I can read his letters--
I sure can't read his mind.
I thought he's lovin' me.
He's leavin' all the time.
Now I see my poor love was blind.

I went to the railroad [to]
Hang my head on the track.
Thought about my daddy--
I gladly snatched it back!
Now my babe's gone
And gave me the sack.

Now I've got the crazy blues
Since my baby went away.
I ain't had no time to lose.
I must find him today.

I'm gonna do like a Chinaman,
Go and get some hop--
Get myself a gun and shoot myself a cop.
I ain't had nothin' but bad news
Now I've got the crazy blues.

Noble Sissle was one of the nation's premier composers and bandleaders, particularly in the early days of American popular song and theater. He worked in a band with Eubie Blake in Baltimore as early as 1915; Luckey Roberts sometimes played piano. The Sissle/Blake team scored an early hit with "It's All Your Fault," which Sophie Tucker performed in her act. Sissle later teamed with James Europe, from 1916 until his death in 1919. They co-wrote and produced with Blake the historic shows Shuffle Along and Chocolate Dandies. Sissle recorded over 30 vocals during the early and mid-'20s, many times accompanied by Blake. Sissle and Blake appeared as a duo in some pioneering sound film shorts in the early '20s that can be considered the first jazz on film.

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Quick note on grading:

The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"SUPERQUIET" is basically noiseless, like a vinyl pressing.
"VERY QUIET" is an exceptionally quiet record for a given pressing.
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